It also incorporates the newly developed e-Xs V digital drive unit which features enhanced operability and functionality into an ergonomic design inherited from its predecessor. In order to meet diversifying shooting needs, this zoom lens will realize immersive visual expressions in various usage scenarios including live broadcasts and news reports in addition to program recordings at studios and remote production using a variety of special equipment.

CJ27e x 7.3B

The product features both a 7.3mm wide-angle end suitable for framing entire studios or sprawling landscapes and 27x zoom magnification which covers a wide range of frequently used focal lengths, thereby enabling shooting up to the telephoto end at 197mm. The lens also contains a built-in 2x extender which can double the zoom range, making it possible to take highly detailed shots at ranges up to 394mm at the telephoto end.

Despite the high magnification of 27x, the operational responsiveness of the new product’s focus and zoom functions remains the same as those of existing lenses, while the operational responsiveness of the iris has been improved. This makes it possible to accurately capture rapidly moving subjects in cases such as sports broadcasting. Additionally, this will be the first of Canon’s digital drive units to be equipped with highly versatile USB Type-C ports, which will enable the export or import of lens setting data to or from USB memory drives and firmware updates by users. The USB ports can also be used to export lens focus, zoom, and iris setting data and control the lens from remote systems, thereby improving compatibility with remote shooting and virtual production, which are growing in demand.

For more information, please visit Canon website https://sg.canon.

* Information and pictures courtesy of Canon Singapore and Gloo *

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7 models of Prime Series RF Cinema Lenses

The 7 models of Prime Series RF Cinema Lenses are of the focal lengths 14mm / 20mm / 24mm / 35mm / 50mm / 85mm / 135mm respectively. They are compatible with the Canon EOS C70 (released in November 2020) and EOS R5 C [1] (released in March 2022) RF Cinema Cameras.

These lenses are compatible with the transmission protocol of RF mount, and as with previous models [2], operators can control magnification, chromatic aberration correction, peripheral light correction and a dual pixel focus guide via camera body operations. In addition to these functions, the new lenses feature distortion aberration correction. These features support efficient video production not only during on-location recording but also post-shoot editing.

High Optical Performance

The new products achieve high optical performance suitable for use with 4K and 8K cameras by optimally positioning large-diameter aspherical lens elements and lens elements with anomalous dispersion glass. Their compatibility with the full-frame large-format sensor, bright T values [3], and the use of 11 aperture blades allow for a shallow depth of field for subjects, natural round blurring, and soft image expressions. In addition, since the color balance is unified throughout the series, adjusting color tones when changing lenses, while shooting the same scene can be done with greater ease.

With an appropriate sense of torque of the operation ring, the new lenses allow for precise and smooth adjustments that are required for cinema shooting. In addition, due to the unified design across the series, including the gear position of the operation ring, the diameter of the lens and the rotation angle (operation angle), the lens can be exchanged smoothly without the need to adjust the mounting position of the mat box or external focus adjustment accessories for each model. A new knurled surface near the mount provides a comfortable fit in the user’s hand, allowing the lens to be held securely without gripping the operation ring when attaching and detaching different lenses.

Availability

The availability of this new series of RF Cinema Lenses for the Cinema EOS System are as follows:

Notes:

[1] Performance guaranteed in VIDEO mode, when used with EOS R5 C

[2] EF-mount PRIME Series lenses

[3] The brightness of a cinema lens is generally expressed as a T value, which is obtained by additionally reflecting the transmittance of the glass to the F value.

* Information and pictures courtesy of Canon Singapore and Gloo *

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Canon DP-V2730 4K Professional Display

Canon recently launched the DP-V2730 4K Professional Display. This new 27-inch display features improved basic image quality over its predecessor models (1), including core components such as high-image quality display engine, revamped high-resolution algorithms, panels and backlighting systems.

The display features a compact and lightweight body that is ideal for 4K video checking and editing not only in conventional video production environments, but also for remote work in confined spaces including offices and personal residences. Like the highly popular DP-V1830 18-inch display (released in February 2022), the DP-V2730 satisfies HDR standards (2) and delivers high image quality, thus supporting a diverse range of working styles and workflows in the broadcast and video production industries. 

Utilising proprietary Canon technology, the DP-V2730 realises a maximum illuminance of 1,000 cd/m2 for white luminance, as well as improved black luminance and high contrast, making the display more suitable for checking dark or high-contrast areas. In addition, the display faithfully recreates the wide color gamut required by the ITU-R BT.2020 (3) recommendations. What’s more, thanks to Canon’s proprietary optical configuration that helps mitigate luminance and color variations, the angle of view for the display is wide enough to deliver accurate images when several people are viewing the monitor at the same time. 

Compared with the 24-inch DP-V2421, the new 27-inch DP-V2730 realises a 1.3x larger screen size for greater visibility, while also realising a slim design (4) with an approximately 41mm narrower width, enabling use in narrow workplaces such as broadcast relay vehicles and sub-control rooms. What’s more, the display’s smaller size, compared with 30-32-inch displays used for such work as color grading, makes it ideal for video production and a wider range of editing work styles in enviroments such as offices and personal residences where space is limited. 

The new display is equipped with the highly praised HDR Monitoring Assist function of its predecessor models. This function enables users to check input video and various types of signal information, all on a single display, to visualise important information and enable more efficient video checking and editing work. In addition, a multi-screen display (5) function via the SDI/HDMI video input and a Switchout (6) function help reduce the number of devices required and thereby realising a more space efficient video capture and production workplace. 

The DP-V2730 will be available from late February 2023. 

Notes:

(1) The DP-V3120 (released in November 2019), the DP-V2421 and DP-V1711 (released in April 2018) and the DP-V2411 (released in December 2017) 

(2) Testing performed under conditions specified by Canon, based on “EBU TECH3320 USER REQUIREMENTS FOR VIDEO MONITORS IN TELEVISION PRODUCTION Version4.1” and “Dolby Vision Certified Mastering Facilities Colorgrading Systems and Monitors V1.4”  

(3) Recommendations specified by UHDTV broadcast signal standards formulated by the International Telecommunication Union (ITU). 

(4) The DP-V2730 measures approximately 635mm wide. The DP-V2421 measures approximately 594mm wide. 

(5) Display of certain information may be limited based on video input, resolution, framerate and means of signal transmission. 

(6) A paid upgrade license is required to enable the Switchout function.  

Canon EU-V3 – Functional Expansion Unit

Canon recently announced the launch of the EU-V3, a functional expansion unit for the EOS C500 Mark II (released in December 2019) and the EOS C300 Mark III (released in June 2020) models of Canon digital cinema cameras.

 In recent years, there has been a growing need to accommodate a preference for shallow depth of field and smooth background blur in the recording of concerts and other live events. In response to this trend, Canon has announced the EU-V3, an external functional expansion unit for its EOS C500 Mark II and EOS C300 Mark III. Designed for video production at live events, the expansion unit increases the operational capability of these two cameras which has earned high praise for their large-format sensor that enables rich videographic expression. 

By attaching the EU-V3 to either the EOS C500 Mark II or EOS C300 Mark III, the cameras gain additional input/output terminals necessary for live video production. Specialized features for live broadcasting include a “tally” function that indicates which camera the live video is being captured with, and a “return” function that notifies operators which camera is currently broadcasting live. In addition, the unit supports the “focus position guide” function that enables operators to register a desired focus position and display the current focus position on-screen. This makes fast-focusing possible during live productions without missing a single moment. 

Use of the EU-V3 attachment with the EOS C500 Mark II or EOS C300 Mark III requires  installation of firmware, which Canon will provide free of charge in mid October 2022. By installing this firmware, the cameras will gain support for Canon’s proprietary IP1, XC Protocol, thus enabling control of cameras via a network. In addition, the firmware update will provide support for the CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 EF Cinema lenses, as well as 4ch audio parameter display and other functionality. 

The EU-V3 will be available in late 2022. 

* Information and pictures courtesy of Canon Singapore and Gloo *

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Canon 4K XA Series Professional Video Cameras

Canon’s XA Series professional-use camcorders, the compact and lightweight XA65 (1) /XA60, and the high-image-quality XA75 (1) /XA70, deliver the high image quality and high mobility required for on-location videography in fields such as broadcasting, reporting, documentary, and event shooting.

The newly announced XA75 and XA70 models inherit the same high performance of their predecessor models (2), while adding new support for UVC (USB Video Class) communication protocol that enables video transfer via USB connection. With this new feature, the cameras are better suited for use in the increasingly popular field of livestreaming, for video shooting and content creation. 

XA75 and XA70

The XA75 and XA70 are equipped with a 1-inch CMOS sensor and a DIGIC DV 6 image processor. Featuring a 4K-compatible 15x optical zoom lens with a zoom range from approximately 25.5mm at the wide end to approximately 382.5mm at the telephoto end (3), both support high-quality 4K/30p video capture across the entire zoom range.

The large sensor enables capture of video footage with exquisite background blur and bright, high-sensitivity recording with minimal noise in low-light environments. What’s more, thanks to Canon’s Dual Pixel CMOS AF technology, the XA75/XA70 achieves smooth, high-performance autofocus and subject tracking during shooting. Even during 4K shooting, when precision is crucial, intuitive touch panel operations enable quick and accurate focusing. 

XA65 and XA60

The XA65 and XA60 are equipped with a 1/2.3-inch CMOS sensor and a DIGIC DV 6 image processor, along with a 4K-compatible 20x optical zoom lens, all in a compact and lightweight body measuring approximately 109 mm (W) x 84 mm (H) x 182 mm (D) and weighing approximately 750g (4). The camera supports 4K/30p image capture across the entire zoom range—from approximately 29.3mm at the wide end to approximately 601mm at the telephoto end (3). What’s more, data from the 4K sensor can also be utilized for Over Sampling HD Processing to record high-resolution Full-HD/60p video. 

These new cameras are the first in Canon’s XA series to feature UVC compatibility, which allows high-image-quality streaming with just a single USB (Type-C) cable. In addition, the cameras are equipped with a large and bright electrostatic capacitance-type LCD touchscreen monitor, measuring 3.5 inches and 2.76 million dots, as well as a 0.36-inch, 1.77 million dots tilted Electronic View Finder (EVF) for improved visibility during outdoor shooting. What’s more, there is a digital zoom function for greater zoom range and a “text overlay” On-Screen Display (OSD) function that displays information such as date and timecodes overlaid on captured visuals, for greater flexibility in all kinds of shooting scenarios. 

Notes:

• (1) Only the XA75 and XA65 are equipped with an SDI terminal. 
• (2) The XA55 and XA50. 
• (3) 35mm film equivalent. Does not include Dynamic Mode when image stabilization in use.  
• (4) Does not include lens hood, clip belt, lens cap or handle.  

New Canon Cine-Servo Lens

Canon announced the launch of the CN8 x 15 IAS S/E1 (EF mount) and CN8 x 15 IAS S/P1 (PL mount), they are the latest additions to Canon’s CINE-SERVO series (1) of EF Cinema lenses.

The new Canon Cine-Servo lens feature high optical performance that supports use with 8K cameras equipped with large-format sensors, the new EF Cinema lenses realize a focal length of 15mm at the wide-angle end, 8x optical zoom and a built-in 1.5x extender.

The lenses inherit the characteristics that have made the Cine-Servo series popular among users, while meeting demand for a wider focal length. In addition to the rich visual expression only possible with large-format sensors, the lenses realize a compact and lightweight design for shoulder-mounted operation, and is also standard-equipped with a removable drive unit.

Thanks to its ability to cover a wide range of focal lengths while also supporting both cinema-level image quality and broadcast-style video production, these versatile new lenses can be used in scenarios such as TV and commercial filming, live studio production, sports broadcasting and more. 

The CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 can be mounted on cameras equipped with large-format (Super 35mm equivalent) sensors, providing a focal length range of 15-120mm through high optical zoom. In comparison to their predecessor models (2), the lenses realize improved performance in a more compact and lightweight design that enhances mobility and enables easier shoulder-mounted operation. 

By using the built-in 1.5x extender, the CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 can toggle to a focal length range of 22.5-180mm. Thanks to an expanded image circle, the lenses can be used with 35mm full-frame sensor cameras, such as Canon EOS C500 Mark II (released in December 2019) and EOS R5 C [3] (released in March 2022) digital cinema cameras. With such broad support for large-format sensor cameras, the lenses support video production for users who demand cinematic visuals with shallow depth-of-field. 

In addition to supporting 12-pin serial communication protocol standard used by broadcast camera systems, the lenses also support communication functions via the lens mount. The CN8 x 15 IAS S/E1 supports EF mount communication (4), while the CN8 x 15 IAS S/P1 supports the /i Technology protocol designed by Cooke Optics, as well as eXtended Data technology from ZEISS. With the capability to externally output a wealth of lens information to the camera via the lens mount during filming, the new lenses contribute to greater efficiency not only during recording, but also in VFX5 and post-production workflows. 

The CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 will be available from early 2023. 

Notes:

• (1)  CINE-SERVO lens refers to a drive-unit-equipped lens compatible with cameras incorporating a large-scale image sensor.  
• (2) The CN7 x 17 KAS S/E1 and CN7 x 17 KAS S/P1 (released in August 2014) 
• (3) Requires EF-EOS R mount adapter 
• (4) May not be compatible with certain camera types. 
• (5) Visual Effects. A type of visual production in which real-life imagery is combined with computer graphics and other digital technologies.  

* Information and pictures courtesy of Canon Singapore and Gloo *

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The DIGISUPER 100 AF that was released in June 2016, is Canon’s AF-enabled lens for HD broadcast cameras. This lens has received high acclaim from the market thanks to its high-performance phase-detect AF. The new UHD-DIGISUPER 122AF carries this legacy into the next generation with support for 4K video. The lens realises natural and smooth AF that rapidly focus on subjects – even when initially far out of focus – as well as track fast-moving subjects while maintaining focus with high precision.

Canon’s new UHD-DIGISUPER 122AF features a zoom range of 8.2 mm at the wide end and 1000 mm at the telephoto end—a 122x zoom ratio, the world’s most powerful zoom  range for AF-equipped field zoom lenses for 2/3-inch sensor 4K broadcast cameras. What’s more, the lens employs a built-in 2x extender that allows users to increase the zoom range two-fold, realizing a 16.4 mm focal length at the wide-angle end and a 2000 mm focal length at the telephoto end.

Alongside the new lens, Canon will also release two new focus demand models for AF-equipped lenses used with HD or 4K broadcast cameras. These accessories enable focus control and provide a variety of powerful support capabilities, including the ability to switch between three sizes of AF frames, move the AF frame within the screen, AF mode switching, and three different focus curve modes.

The UHD-DIGISUPER 122AF, FDJ-S31 (right-side) and FDJ-S41 (left-side) will be available in early July 2022.

Notes:

(1) Among field zoom lenses for 2/3-inch sensor 4K broadcast cameras. As of April 12, 2022. Based on Canon research.

* Information and pictures courtesy of Canon Singapore and GLOO *

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Canon EOS C70 – First Cinema EOS Camera with RF mount

The Canon EOS C70 is the first Cinema EOS System camera to be equipped with an RF mount, opening up a new era, opportunities and possibilities in cinematography and videography, making it compatible with any of the RF lenses from Canon’s EOS R System. Users can also equip themselves with the Mount Adapter EF-EOS R 0.71x (sold separately and more information below), the EOS C70 can also support the extensive lineup of lenses available from the Canon EF lenses family (2).

Featuring a 4K Super 35mm CMOS DGO (Dual Gain Output) sensor, the EOS C70 can capture high-image-quality 4K video in 4:2:2 (10-bit) color that delivers rich gradation, even in environments with significantly high contrast which demands high dynamic range. Moreover, the camera is equipped with the DIGIC DV7 image-processing platform capable of high-speed processing, enabling users to record high-frame rate 4K/120P video to UHS-II standard SD cards. 

The EOS C70 is equipped with two SD card slots and supports a variety of recording modes such as simultaneous recording, relay recording and 4K/2K recording. The camera also inherits many professional features found in the existing Cinema EOS lines, including two mini XLRs, audio control dials, Timecode IN/OUT ,full HDMI terminal and the newly designed “Direct Touch Control” function that allows users to change recording settings quickly and directly from the camera’s touchscreen panel. 

In addition, the camera also incorporates Canon’s proprietary Dual Pixel CMOS AF technology, which offers even greater performance with the addition of our Intelligent Tracking and Recognition System. This advanced algorithm developed under deep learning technology works in conjunction with our Face Detection AF and further improves focus tracking, even when a subject is looking away from the camera. Combined with our new highly responsive touch screen, image focusing is now faster and even more intuitive. 

Canon Mount Adapter EF-EOS R 0.71x

Along with the announcement of the Canon EOS C70, Canon also announced the launch of the Mount Adapter EF-EOS R 0.71x, a lens adapter for the EOS C70, the first RF mount camera model from the Cinema EOS System, this adapter would enable the camera to use EF series lenses.

Employing a miniaturized optical system, the Mount Adapter EF-EOS R 0.71x allows for video recording using the EOS C70 and EF series lenses with an angle of view close to that of the mounted full-frame lens. This allows users to take full advantage of the wide selection of EF series lenses as well as expands the possibilities and flexibility of video production. 

The optical system of the Mount Adapter EF-EOS R 0.71x reduces focal length by 0.71x, thus allowing the EOS C70—equipped with a Super-35mm DGO sensor—to record video using EF lenses (2) originally designed for full-frame sensors with an angle of view similar to the original angle of the full-frame lenses. In addition, reducing the size of the optical system gains approximately one extra stop (one lens aperture “f-number”) of brightness, thus requiring lower ISO sensitivity. This enables high-image-quality recording with less noise, even in low-light environments such as indoors or at night. 

When equipped with EF lenses (3) via the Mount Adapter EF-EOS R 0.71x, the EOS C70 digital cinema camera can achieve the same Dual Pixel CMOS AF autofocus functionality across the entire image, just like digital cinema cameras with an EF mount. In addition, the camera can also record and display data such as peripheral illumination correction, effectiveness of lateral chromatic aberration correction, F-number and focal length. 

Canon CJ20eX5B – Designed for 4K broadcast cameras

Together with the Canon EOS C70 and Mount Adapter EF-EOS R 0.71x announcements, Canon announced the launch of a new addition to its UHDxs series of portable zoom lenses for 4K broadcast cameras employing 2/3 inch sensors.

The CJ20eX5B offers a 20x zoom ratio with a focal length of 5 mm at the wide end while achieving superb 4K optical performance throughout the entire zoom range. Delivering high optical performance, the CJ20eX5B creates immersive and high-quality visual expression of content such as sports broadcasting and programming content filmed on-location. With the addition of this new lens for 4K broadcast cameras, Canon helps support a wide range of user needs. 

The CJ20eX5B features a wide-angle focal length of 5 mm—ideal for capturing expansive scenes including full stadium views—while also providing a 20x zoom ratio that accommodates a range of frequently used focal lengths up to 100 mm. On top of this, the lens is equipped with a built-in 2x extender that enables users to quickly double the focal length up to 200 mm while preserving fine visual details. 

While delivering 4K optical performance, the CJ20eX5B achieves a compact and lightweight design comparable to HD camera lenses, weighing only approximately 2.24 kg (4) and measuring approximately 166.3 mm (W) x 110.8 mm (H) x 251.7 mm (D). As such, the lens maintains the high levels of maneuverability required while reducing operation stress during production. 

The CJ20eX5B utilizes fluorite, UD and super UD lens (5) elements, all optimally arranged in a proprietary optical configuration. This allows for excellent suppression of chromatic aberrations such as color bleeding and fringing to achieve excellent image quality all the way to the peripheral areas of the image. 

Notes:

(1) The EOS C70 measures approximately 160.0 mm (W) x 130.2 mm (H) x 115.9 mm (D) and weighs approximately  

(2) Includes CN-E (EF cinema) lenses. Excludes RF lenses, EF-M lenses, EF-S lenses and some manual focus lenses.  

(3) As of September 25, 2020, the following lenses are compatible: the EF16-35mm f/2.8L III USM (released in October 2016), the EF24-70mm f/2.8L II USM (released in September 2012), the EF24-105mm f/4L IS II USM (released in November 2016). Canon plans to gradually expand the list of compatible lenses by providing free-of-charge firmware updates. EF lenses are still compatible with the camera, but Canon recommends that firmware updates be installed in order to effectively utilize functions which link the camera and lens.  

(4) For the CJ20eX5B IASE S. The CJ20eX5B IRSE S weighs approximately 2.16 kg. The CJ20eX5B IASE S is equipped with a focus servo motor, while the CJ20eX5B IRSE S is not.  

(5) A lens element utilizing ultra-low dispersion (UD) glass. Super UD lenses realize further improvements in performance over UD lenses.  

* Information and pictures courtesy of Canon Singapore and Gloo PR *

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