“As the pinnacle of our EOS line up, the EOS R1 inherits the top-tier excellence of our 1 lineage, which has always been highly trusted by professionals. The EOS R1 will empower professionals and craftsmen with class-leading control and performance, to acquire mastery of their craft, by providing an additional edge in their professional production processes and workflows.” said David Yeo, Senior Marketing Manager of Consumer Business, Singapore Operations, Canon Singapore.

My visual storytelling/photography journeys with Canon EOS 1 series

My visual storytelling/photography journeys with Canon EOS 1 series began with the Canon EOS-1D Mark III in 2010, the first Canon EOS 1 series camera that I owned. I tested and reviewed the Canon EOS-1D X, EOS-1D X Mark II. My next EOS 1 series camera was the Canon EOS-1D X, before moving on to the Canon EOS-1D X Mark II. When I moved into the EOS R full-frame mirrorless series, without a flagship EOS 1 series camera in my lineup. 

Canon EOS R1 – First flagship EOS R system camera 

The Canon EOS R1 was announced on 17th July 2024. I would be sharing the information from the press release as I didn’t get the opportunity to have a short hands on with the Canon EOS R1 as compared to my previous Canon EOS camera announcements. The Canon EOS R1 is kind of familiar to me, given my history with Canon EOS 1 series cameras and the Canon EOS R3 that I reviewed in 2022.

EOS R1 Top Notch Speed: Accelerated Capture Image Processing

The Canon EOS R1 harnesses the power of a 24-megapixel back-illuminated (BSI) stacked CMOS sensor to elevate images to an impressive 96-megapixels with its unique In-Camera Upscaling technology. The sensor’s improved light efficiency and faster readout lay the foundation for the revolutionary capabilities of the EOS R1.

With the new Accelerated Capture image processing system, featuring the innovative DIGIC Accelerator alongside DIGIC X, processing speed and power are significantly amplified. Unprecedented levels of AF and subject tracking performance can be achieved through deep learning algorithms, where detailed scene analysis is enabled. With features such as In-Camera Upscaling and Neural Network Noise Reduction now executable in-camera, the EOS R1 supports fast-paced, time-sensitive workflows, ensuring the swift delivery of high-quality, publication-ready images to editors or press offices.

Capture Decisive Moments: Smarter Subject Detection and Tracking

The EOS R1 is Canon’s first camera to feature the next-generation Dual Pixel Intelligent AF system. This system leverages the Accelerated Capture image processing system’s powerful processing speed and power to achieve AF and subject detection performance that significantly surpasses that of the EOS R3.

One revolutionary new AF feature is the Action Priority AF mode, which detects crucial actions such as shooting, passing, and heading, specific to soccer, basketball, or volleyball.  Using deep learning, details such as ball position, players’ joints, and the presence of multiple people will be analysed. Once such actions are detected, the AF frame automatically switches to the subjects performing these actions, capturing those split-second decisive moments that might be missed, especially during dynamic, fast-paced games.

Be it shooting event photos or videos, the Register People Priority feature will come in handy; the camera will prioritise up to 10 specific preregistered individuals and constantly focus on them, even when the subjects’ faces are side facing.

Users can also look forward to improved AF and subject tracking in the existing People, Animal, and Vehicle-priority modes, as the Dual Pixel Intelligent AF is aided by Cross-type AF, which improves the camera’s ability to detect small subjects and subjects affected by patterns and/or horizontal lines—such as players wearing horizontal stripes or when shooting from behind net or fence.

In-camera Upscaling: Instant High-resolution Extreme Crops

The new In-Camera Upscaling function uses deep learning algorithms to quadruple the number of pixels in an image while preserving details and image quality, achieving image files that resemble those shot on a 96-megapixel camera. This will be useful for achieving high-quality extreme crops on the spot, which can be sent directly from the camera to a press office.

Image noise can become more apparent when images are magnified, but this will be addressed by the new in-camera Neural Network Noise Reduction function to improve image quality further. The function uses deep learning-based algorithms to reduce high-fidelity noise on RAW images, achieving amazingly clean high ISO JPEG images straight out of the camera.

The EOS R1 features a 5-axis In-Body IS (Image Stabilizer), with a newly designed mechanism and improved algorithms that increase its effectiveness compared to the EOS R3. When shooting with a compatible RF lens with Optical Image Stabilizer, users can expect up to 8.5 stops’ equivalent image stabilisation so handheld shot images where tripods are not available will remain sharp.

Never Miss Crucial Moments

The EOS R1 can shoot high-speed bursts at up to 40 fps with the electronic shutter, which allows for silent shooting, and up to 12 fps with the mechanical and electronic first-curtain shutter. This enables users to capture the perfect moment within fast action sequences. The faster sensor readout speed reduces rolling shutter distortion to practically negligible levels. This is equivalent to the EOS-1D X Mark III mechanical shutter, which will encourage users who previously refrained from using the electronic shutter due to potential subject distortion when capturing high-speed action. Reduced rolling shutter distortion will also benefit video, allowing for seamless action footage and fast camera movement without wobbly artifacts.

The EOS R1 comes with pre-continuous shooting for stills and pre-recording for videos. These functions capture moments before pressing the shutter or starting to record, making up for lost split-seconds. The pre-recording function captures up to 20 frames before the shutter button is fully pressed and can be combined with Action Priority AF or Register People Priority. It also captures a scene up to 5 seconds before recording video and stops recording when there is a change of scene, reducing unnecessary footage and streamlining post-production work.

Seamless Operation on the Field

The EOS R1 is also designed for seamless control and operation, enabling better responsiveness to dynamic situations. Eye Control AF, which allows users to control the AF frame with their eyes has been improved with new line-of-sight optics and detection algorithm, allowing for a faster, more reliable line of sight detection. The 9.44 million-dot, 0.9x magnification blackout-free EVF, which offers the highest definition and magnification in the EOS series, ensures that users get a large, bright, clear, and uninterrupted view of their subject and should satisfy even the DSLR users. An anti-fog structure in the EVF prevents fogging even under hot and humid conditions. 

Several new design and interface features provide more shortcuts for instant recall of stored AF settings, allowing faster user response to changing shooting conditions. These include:

• Focus preset, a function previously available only on super telephoto lenses that enables any camera button to be assigned to set the focus to a predetermined focus position so users can set focus instantly on a desired area.
• 2-level AF-On button functionality, where the AF-On button can be assigned to change different settings when half-pressed and fully pressed.
• Ability to register and recall different AF settings for different activities and shooting situations preregistered by the user.

Two CFexpress Type-B slots support steady high-speed recording of data-intensive files, such as 6K 60p RAW videos and 40 fps full-resolution burst images, to either card, with the other card available for simultaneously recording still images and proxy video files.

With dual shooting function, users can simultaneously record Full HD 60p videos and 16:9 JPEG, approx. 17.8-megapixel still images, improving efficiency in situations such as breaking news, interview videos where both stills and videos are required.

The EOS R1 is built with a light but strong magnesium alloy exterior, making it 23% lighter and 11% smaller than the EOS-1D X Mark III. It maintains an impact-resistant build and has dust- and water-resistant weather-sealing, to withstand extreme weather conditions.

Designed for Swift Editorial Workflows

The EOS R1 is the first EOS system camera to support the new Wi-Fi 6/6E wireless protocol in addition to the existing 5Ghz and 2.4Ghz bands, allowing for faster wireless file transmission to a smartphone, PC, or FTP/FTPS/SFTP server. It also supports the new high-speed 2.5GBase-T wired LAN protocol to existing wired LAN support. Users can use the latest high-speed communication standards to swiftly transmit large numbers of still photos and videos to their editors—an asset for news reporting where time is of the essence.

Other features that will benefit professional media workflows include:

• More precise deep learning-based metering
  The combination of smaller metering zones and expanded deep learning applications enables improved white balance and autoexposure accuracy across various scenes. Thus, photographers can rely more on the camera to produce accurate skin tones and sky colours, as well as more vivid greens. This enables users to rely more on the camera to determine the best settings when handling unpredictable, fluctuating environments. It also results in more beautiful images straight out of the camera.
• Blurred/out of focus image detection
  This function analyses and scores blurred and out-of-focus JPEG/HEIF images with people’s faces shot using the electronic shutter. It streamlines reviewing and selects the best images from the tremendous number captured by the high-speed electronic shutter, allowing photographers to upload their images sooner.
• Powerful industry-standard video options
  Besides its 6K 60p internal RAW video capability, the EOS R1 adopts many advanced video features shared with the Cinema EOS, such as Canon Log 2 and 3, false colours, and proxy recording. It is also the first EOS series camera to include the Custom Picture colour presets and support for in-camera LUT applications, previously exclusive to Cinema EOS cameras.
• Greater usability with Speedlites
  The EOS R1’s faster sensor readout speed enables flash photography support even during continuous shooting in the electronic shutter mode. The flash sync speed is the EOS R series’ highest at 1/400 sec, allowing more flexibility to use a wide aperture or freeze action without resorting to high-speed sync.

Pricing and Availability

The Canon EOS R1 will be available at the recommended retail price of $9,599 at Canon authorised dealers in November 2024.

Technical Specifications – Canon EOS R1

* Information and pictures courtesy of Canon Singapore and Litmus PR *  

The post Canon announced EOS R1 – First flagship EOS R system camera appeared first on TGH Photography and Travel Portal/Blog.

The RF100-300mm f/2.8L IS USM lens is based and innovated upon the EF300mm f/2.8L, a classic Canon telephoto lens for sports and action photography, that is renowned for its technology and excellent optical quality.

“With the new EOS R and RF lens ecosystem, Canon continues to push the boundaries of what’s possible in photography. The RF100-300mm f/2.8L IS USM is a testament to this – delivering superlative optical quality with its fast constant aperture and a useful range of focal lengths. As a game-changer for photographers who demand speed, flexibility, and versatility, the RF100-300mm f/2.8L IS USM empowers them to capture decisive moments with unparalleled precision and clarity.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

 Canon RF100-300mm f/2.8L IS USM – The Speed and Flexibility to Capture Decisive Moments

Constant Aperture f/2.8: Freeze action decisively from wide to close-up

The RF100-300mm f/2.8L IS USM’s constant aperture design allows users to utilise the large f/2.8 maximum aperture throughout the entire zoom range, even at the 300mm tele end. With this, users can freeze decisive moments at faster shutter speeds, which gives them a better chance of getting their desired shots. 

The distinctive, extremely creamy bokeh achieved through telephoto shooting at f/2.8 makes the RF100-300mm f/2.8L IS USM useful for creative expression even in genres such as portraiture, fashion, and weddings.

Zoom convenience: Multiple lenses in one lightweight body

The RF100-300mm f/2.8L IS USM’s 100mm to 300mm zoom capability (160mm to 480mm on an APS-C camera) covers the range that typically requires at least two or three lenses to achieve (Combinations previously required to achieve 100-300mm at aperture f/2.8: 70-200mm f/2.8 lens + 300mm f/2.8 prime lens, or 100mm + 135mm + 300mm prime lenses). Users can now conveniently zoom to track and keep dynamic subjects, such as soccer ball or birds in flight within the frame, even in locations with restricted mobility. It also means less gear to carry.

Extender compatibility: Reach up to 960mm f/5.6

For occasions that require greater reach, simply attach one of the compact, lightweight RF extenders. With Extender RF2x, you can zoom up to 600mm (full-frame camera) or a whopping 960mm full-frame equivalent (APS-C camera/APS-C crop mode) while maintaining a maximum aperture of at least f/5.6! 

Lightest 300mm f/2.8 Constant Aperture Zoom Lens for Full-Frame Cameras on the Market (1)

The RF100-300mm f/2.8L IS USM + EOS R3 combination is lighter than the EF200-400mm f/4L IS USM Extender 1.4x alone, weight over 1kg less. It also offers substantial mobility savings than the EF300mm f/2.8L IS II USM + EOS-1D X Mark III while offering 3x zoom functionality. 

Fast Focusing, Optical Excellence

Driven by precise dual Nano USMs, AF is quick and accurate, complementing deep learning-based subject detection and tracking on cameras like the EOS R3. An innovative new electronic floating focus control system improves image quality while reducing weight, enhancing the signature RF mount L-series optical quality. This would enable sharp shots of swift action, right down to every sweat drop or feather detail.

The lens supports focus breathing correction during video shooting, delivering professional-looking footage straight out of the camera.

Other Notable Features

• Up to 5.5 stops’ in-lens image stabilisation; up to 6 stops’ image stabilisation through Coordinated Control IS 
• IS Modes 1,2, and 3: for image stabilisation optimised for different shooting situations
• 5 customisable lens function buttons: for direct lens operation regardless of camera orientation
• Signature white weather- and heat-resistant thermal barrier coating with matching Lens Hood ET-124
• Dust- and drip-resistant construction and sealing befitting L-series lenses

Pricing and Availability

The RF100-300mm f/2.8L IS USM will be available at the recommended retail price of $14,699 from end May 2023.

Notes:

(1) According to a survey by Canon. As of April 2023.

* Information and picture courtesy of Canon Singapore and Gloo *

The post New Canon RF100-300mm f/2.8L IS USM – Versatile Telephoto Lens appeared first on TGH Photography and Travel Portal/Blog.

Here’s a throwback in time to my previous years articles on World Photography Day, my thoughts, feelings and photographs that I shared at that point in time. Looking back in time on my previous years World Photography Day can be pretty nostalgic.

• World Photography Day 2019
• World Photography Day 2020
• World Photography Day 2021

For World Photography Day 2022, what does this year 2022 mean to me for my photography?

On a personal photography basis, It has been a fun, reviewing and testing the Canon EOS R3 in Q1 of 2022. Currently in Q3 2022, I am reviewing and testing the Canon EOS R7, the mini stories that I produced and published with the two latest cameras from Canon, bringing back the fun in photography, exploring and my visual story telling. 

For World Photography Day 2022, I would be sharing some curated photographs shot with the Canon EOS R7 review camera to tell my thoughts, feelings and connections with my visual stories/photographs.

Another milestone for me would be bringing my visual story telling and photographs from a digital world to a physical (book/zine) print world, with the upcoming official launch announcement of my second photography zine.

A return to leading photography walks, combining with photography coaching/teaching and photography/cameras consultancy. This is a sector that I haven’t fully tap into, and I am going to do more in this sector.

On the business/commercial photography sector, it has been a constant challenge, adapting and evolving with the changing media landscape, types of media consumption. The future can’t be just standalone photography, it’s a hybrid of photography, videography and social media marketing, a mini digital agency.  

On World Photography Day 2022, let’s continue to explore, photograph, document and share our visual stories. Once again, to all fellow visual story tellers and photographers, wishing you all a Happy World Photography Day 2022!

* A TGH Photography x Canon EOS R7 Explorer Series Production * 

The post Happy World Photography Day 2022! appeared first on TGH Photography and Travel Portal/Blog.

Both RF600mm f/11 and RF800mm f/11 were reviewed together with the Canon EOS R3 full-frame mirrorless camera. Inside my Canon EOS R3 review article, I shared on bringing the RF600mm f/11 and RF800mm f/11 lenses out for photography walks and wildlife shoot, part of my own short visual stories collection titled, “A TGH Photography x Canon EOS R3 Explorer Series Production”.    

Interesting lenses, why does Canon design and manufacture such type of prime lenses? That got me thinking, I finally got to test and review both lenses, let me share with you my experiences, thoughts and views.

During my photography walkabouts, I alternate between those two lenses to bring out with my other Canon lenses. The RF600mm f/11 is more versatile as it can cover more areas beside wildlife photography, it can be used for cityscape and landscape photography. However, for wildlife photography, a longer focal length is always preferred and most welcomed, thus the RF800mm f/11 is stronger in the wildlife photography segment.

Pros 

• Lightweight, compact and portable 
• Not expensive compared to the L lens 600mm and 800mm counterparts 
• Output is sharp for the f/11 lenses when shot in good light conditions
• Paired with a fast and accurate AF camera such as the Canon EOS R3, it makes RF600mm f/11 and RF800mm f/11 easy to use in good light conditions

Cons

• It’s f/11 only
• Not a fast prime lens 
• Struggle in low light situations – photos output quality is not good and autofocus (AF) is slow 

600mm f/11 vs 800mm f/11, how to choose?

Choose 600mm f/11 for both cityscape / travel / wildlife, it’s a more versatile lens that can do a good mix of photography genres when traveling overseas.

Choose 800mm f/11 for dedicated wildlife photography, the field of view is a lot more cropped and tight. 

Thoughts and Views

• Both Canon RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses are good starter prime lenses for photographers starting to enter into wildlife photography.
• When used in good light conditions, it’s easy to use and can produce decent sharp photos
• The price point for both lenses, it’s value for money without breaking your personal bank owning telephoto lenses. Owning a large aperture / fast prime telephoto lens such as RF400mm f/2.8L IS USM, 600mm f/4L IS USM lenses or RF800mm f/5.6L IS USM lenses, you need the extra funds as they are very expensive.
• Both are ideal travel photography / wildlife photography lenses, it’s really lightweight, compact and portable, easy to use.

In my personal humble opinion, for those are who are looking into owning the Canon RF600mm f/11 IS STM or RF800mm f/11 IS STM lenses, a key point to take note is to know and understand the limitations of f/11, how you can make the best of those two prime f/11 lenses, and making the best use of light and timing to ensure its strengths are being tapped upon.

If you would like to view more photos shot with the Canon RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses, you can visit my Flickr collections and check them out! Do also check out my Canon EOS R3 photography album too! 

I would like to thank Canon Singapore for the opportunity to review the Canon RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses. 

The post Canon RF600mm f/11 and RF800mm f/11 Review appeared first on TGH Photography and Travel Portal/Blog.

Just like my previous Canon cameras reviews, I would bring them out for as many different types of photography shoots and outings, putting them to the test in various photography genres. Starting my own short visual stories collection titled, “A TGH Photography x Canon EOS R3 Explorer Series Production” of my Canon EOS R3 review adventures and journeys.  

First up was Rainbow illumiNation – Celebrating 1 year of Very Momentary Exhibition, supporting local creative artist Wei and his creative artwork creations, World Water Day 2022 and Earth Day 2022 – Invest In Our Planet, bringing wildlife photograph, nature, conservation and sustainability topics out from the photographs that I shot with the Canon EOS R3. There’s also an urban / city landscape photography exploration with the RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses that I was also reviewing together with the Canon EOS R3, titled “Singapore Cityscapes (600mm and 800mm perspectives).

The Canon EOS R3 is more than just a fast and powerful full-frame mirrorless camera for the professionals in journalism and sports that place high standards and demand for very fast speed action and accuracy, it’s also for the wildlife, visual story tellers and professional photographers in other genres as well, to capture the priceless moments and presenting them to the world.

You read my visual stories from my EOS R3 explorer series production, now let me share with you my points, thoughts and views from this Canon EOS R3 review.

Aesthetics 

For photographers who own/used the EOS 1D series, the Canon EOS R3 will feel natural and at ease in your hands. It’s just like the EOS 1D series, the looks, feel and ergonomics. The EOS R3 is lighter in weight as compared to the EOS 1D counterparts. The EOS R3 EVF is bigger in size, that is to accommodate Eye AF.

A lightweight magnesium alloy body making the EOS R3 very rugged, tough and durable, able to withstand extreme conditions along with its weather sealing features. Just like the EOS 1D series predecessors, you have the faith and trust in the EOS R3 to rough it out and deliver the goods in extreme conditions. 

Years ago, I felt that the flip screen would not look professional on the EOS 1D series. Fast forward today,  I take back my words, the flip screen is so useful and versatile, providing flexibility and more ways to approach photographing in various situations. The flip screen on the EOS R3 won’t make it less professional, my personal opinion is that this would be most welcomed by photographers in today’s demand for both stills photography, videography and content creation.

There is the joy stick on the EOS R3, it’s really a joy to use, along with the iconic wheel button on the Canon EOS camera bodies that we are familiar with. This combination of using the wheel button + mode dial + front dial + joy stick is more than just an ease to use, it’s handy and great joy to use. 

The Canon EOS R3 gives you full control on the camera body using the LCD screen, giving you another user interface option when operating the Canon camera. The best of both worlds of having both physical controls, dials, buttons and modern technology using touch screens.   

Operations

The legacy of the EOS 1D series has been passed on to the EOS R3, the fast speed auto-focus (AF) with precision and accuracy on the subjects that you are focusing and photographing. Inside the EOS R3, Canon has raised the mirrorless AF speed and accuracy to another level, we saw it in  Canon’s EOS R5 and R6 AF capabilities. The EOS R3 has set the bar higher on another level, it’s not just going to amaze, they are what professional photographers in journalism, reportage, sports, wedding, fast-paced events, wildlife photographers would want to have in their professional series EOS R full-frame mirrorless camera. Not just for professionals, serious enthusiasts photographers would welcome the EOS R3 too! This EOS R3 is capable to line-up in the 1 digit series of the EOS R family, why is not named as EOS R1 and named as EOS R3 instead? Close to the end of my article, I would share my personal thoughts and views on this.

Drive mode

Single shooting / High speed continuous + / High speed continuous / Low speed continuous / Self-timer 10s / Self-timer 2s

Shutter mode

Mechanical / Electronic 1st curtain / Electronic 

The mechanical shutter is awesome, the EOS R3 electronic shutter is even better. You can just put to electronic shutter without too much worries and concentrate on capturing the moments and actions up to 1/64,000 at 30 fps with its electronic shutter. 

Silent shutter function on / off

There is a silent shutter function that allows photographers to switch on to use when the shooting situation requires. The EOS R3 has a soft shutter sound, it’s almost negligible that you won’t notice it much when you are using it.

Servo AF 

1 – Versatile multi-purpose setting

2 – Continue to track subjects, ignoring possible obstacles

3 – Instantly focus on subjects suddenly entering AF points

4 – For subjects that accelerate or decelerate quickly 

Auto – Tracking automatically adapts to subject movement 

Subject to detect 

People / Animals / Vehicles / None

With the above four selections, photographers can switch the settings inside the EOS R3 as and when required. Dedicated settings for photographing people, animals or vehicles would be most welcomed by photographers, they are fine-tuned to assist photographers in capturing their subject matters at right moments.  

Canon’s Dual Pixel CMOS AF II system along with EOS iTR AF X brings Canon AF to another level with improved with Eye Detection AF (Human), Body Detection AF and Head Detection AF. Portraiture photographers would most welcome this improvement when they put to “People” mode. 

For wildlife photographers, the “Animals” to detect mode would vastly help in focusing and capturing wildlife in action. Motorsports photographers, the “Vehicles” to detect mode would be most welcomed by them. 

In addition to EOS R3 fast and accurate AF, the ability to choose the subject to detect makes it even easier and a bigger breeze for photographers. Switching to subject – animals, when shooting wildlife made it so much easier for me even when shooting small birds from far.

Auto-Focus Capabilities/Areas 

Spot AF / 1-point AF / Expand AF area / Expand AF area: Around / Flexible Zone AF 1 (Square) / Flexible Zone AF 2 (Vertical) / Flexible Zone AF 3 (Horizontal) / Whole area AF 

For those who are familiar with Canon AF system, you would know the different AF capabilities and AF areas that you can choose from. One of the EOS R3 strong capabilities that I like a lot is the Flexible Zone AF functions that give the photographers more control and specific areas to concentrate the focusing of their subjects. 

The Flexible Zone AF (Square, Vertical or Horizontal) can be versatile and useful in situations such as wildlife photography.

In-Body IS

The EOS R3 is equipped with an In-Body IS (IBIS), that was first incorporated in the EOS R5 and EOS R6 camera bodies. When coupled with lenses that has image stabilisation (Optical IS), they can achieve an image stabilisation effect of up to 8 stops. That would be most welcome by photographers who need to shoot in handheld low light situations. 

One of the features on the wish list of photographers, Canon’s IBIS capability is now equipped inside the professional EOS R camera bodies. An excellent and most welcome feature for photographers and videographers, yet photographers and videographers may forget about the IBIS that’s aiding them in their low light shoots. 

Eye Control AF

The return of Canon’s Eye Control into the EOS R3. Before you are able to utilise this function, you need to do a calibration with your eye. The calibration is pretty straight forward and not too difficult to complete the Eye Control setup. 

Using Eye-Focus to control the AF point, it’s a hit and miss for me. While I welcome this useful and great capability inside the EOS R3, there were times when I couldn’t fully control the AF point, making me frustrated. 

Some points to highlight would be, I am wearing glasses thus it might affect the eye-control functionality. I also have a short review period, that doesn’t give me a lot of time to get used to the Eye Control and fine-tuning it further to my liking and preferences. 

Eye-Focus can be very useful in situations when the photographer prefers to do it through  the viewfinder, concentrating on focusing on his subjects, pressing the button to photograph the priceless moments that they are seeking/waiting for, and preferring not to utilise the wheel dial and joy stick. 

ISO Levels

ISO 100 – 102,400

The EOS R3 ISO level has a range from ISO 100 to 102,400. Although this would allow the photographer to shoot at high ISO, the tolerance and preferred ISO level to use, can be personal and subjective. My personal tolerance lSO level is 51,200, I would avoid using higher ISO beyond this level whenever possible. 

Record func+card/folder selection 

Equipped with dual card slots, one for CFexpress, one for SD card, it’s very useful if you choose or prefer to record stills photography and video separately into different cards. The future for high speed shooting, volume and buffer recording is with CFexpress card, their pricing is still pretty high at juncture in time, we need to give them more time before the prices would come down, making it more affordable. 

I usually prefer a dual card slots system, giving me the options to record into 1 card or both cards when the situation requires. Having a dual card slot is a great backup function to have on the camera.

Video

Movie rec. size

6K RAW (6000×3164) 50.00 fps / 25.00 fps / 24.00 fps (PAL)

4K-DCI (4096×2160) 50.00 fps / 25.00 fps / 24.00 fps (PAL)

4K-U (3840×2160) 50.00 fps / 25.00 fps (PAL)

FHD (1920×1080) 100.00 fps / 50.00 fps / 25.00 fps / 24.00 fps (PAL)

The EOS R3 can record videos up to 6K RAW, onto the CFexpress card, while 4K video can be simultaneously recorded on an SD card. In the current environment and demands, shooting in 4K would be sufficient for most situations in both work and leisure videography. The ability to shoot in 6K RAW is an added bonus for the photographer/videographer should the need arises.

In my personal opinion, the EOS R3 primary function is a stills photography camera for fast paced action. The video is a secondary function that allows the user to record videos, switching in between photography and videography as and when required.

Thoughts and Views

For existing Canon EOS 1D users, EOS R5 and EOS R6 users, it’s very easy and fast for these group of photographers to get used and acclimatised to the Canon EOS R3. The functions and user interface (UI) are very similar (if not most of them are the same). If you are familiar or owns a EOS 1D series, the EOS R3 will be second nature to you, it’s almost exactly the same!

The EOS R3 is a very fast and accurate full-frame mirrorless camera Sports, wildlife and press photographers will love this camera, that would also be for wedding and events photographers as well. AF for mirrorless cameras have improved tremendously over the years, the revolution has started in the EOS R5 and EOS R6 full-frame mirrorless cameras. In the EOS R3, they have gone up another level higher and better.

Videography for EOS R3 complements the photographer, when they have to shoot videos on top of their photography. 

The EOS R3 is first and foremost a very high speed, very fast AF powerful stills camera, just like its predecessor from the 1D series, the legacy lives on in the EOS R3 even though it’s not named together as the Canon 1 digit series. 

Due to the changing media landscape, media consumption and demand, while stills photography still has an important role to play, video consumption has risen exponentially, whether it’s your filmmaking production level, serious amateur using YouTube/Vimeo, or even using TikTok, Instagram Reels. 

Videography in a hybrid digital mirrorless camera complements the user in their quest to capture both stills and videos for the work/projects required or for the leisure user to have both forms of media production for their social media.  

Eye-Control / Eye-Focus

The EOS R3 eye-control feature that allows photographers to use their eye and focus on their subjects through the EVF. Personally, I like this feature a lot, adding on another method to focus on moving subjects, beside using the joy stick or LCD touch screen, ideal for photography genres such as wedding and events photography.

While it is most welcomed as an additional method to help the photographer focus on their subjects during their shoot, this is like a rough diamond that still needs refinement and improvement with technological and firmware upgrades. 

High ISO 

The EOS R3 maximum ISO is 102,400, allowing photographers to push the limits of their photography in low light situation. Personally, my tolerance level for the usable high ISO is 51,200, the ISO levels beyond that are too grainy for my personal liking and usage. 

1/64,000s 

The EOS R3 can shoot up to an amazing speed of 1/64,000s with its electronic shutter. Is this a myth or a marketing gimmick, some might ask? No, it’s not a myth and not a marketing gimmick. When I had a first taste of 1/64,000s high speed action during my initial short hands on session with the EOS R3, I was more than blown away, I wanted to test it out in the field.

Although during my short review period with the EOS R3, I couldn’t fully put the 1/64,000s shutter speed to more tests/shoots, I managed to photograph some scenes using 1/64,000s.

Shooting at 1/64,000 might sound very far fetch for many photographers, this is true to a certain extent, not many photographers will or need to shoot at 1/64,000. Nevertheless, for wildlife and sports photographers, 1/64,000 might just be the key element for them to nail that shot that they always wanted to shoot e.g. the very fast motorsports action scenes, an artistic scene of water droplets hitting the water or the kingfisher diving right at the moment into the water catching its prey.

Or like me, photographing the fireball sunset shining brightly over the horizon, overpowering the bright sunset and creating an artistic silhouette. 

Why is this not R1 and named R3?

During my first short hands on media session with the EOS R3, after my first touch, feel and testing, the EOS R3 feels and works like the Canon EOS 1D series, I was impressed with specifications and capabilities. During the time whereby I had the EOS R3 for review, I was thinking much further and deeper, why is this not named EOS R1 and named EOS R3 instead? 

A monster and powerful full-frame mirrorless camera for the sports, wildlife photographer, as well as for press photographer and photojournalist too. The EOS R3 is more than ready, it can safely and proudly take over the EOS 1D X series as the Canon’s top range camera yet it sits just below the EOS 1D X Mark III, based on how Canon name their cameras.

The EOS R3 has placed huge expectations for the rumoured EOS R1, what would the ultimate Canon flagship full-frame mirrorless EOS R1 camera be like in the near future?

On a personal and professional basis, is it time for me to fully switch over to Canon mirrorless by replacing my EOS 1D X Mark II with the EOS R3?  

More photographs of my Canon EOS R3 review can be viewed on my Flickr collection! 

Thanks to fellow photographer Isaac Ong for taking my profile photo, shot withe Canon EOS R3. 

* I would like to thank Canon for the opportunity to review the Canon EOS R3 full-frame mirrorless camera. * 

The post Canon EOS R3 Review appeared first on TGH Photography and Travel Portal/Blog.

At the Canon Singapore media launch event, the media had the opportunity to view and try out the two latest Canon EOS R APS-C cameras. Personally, the EOS R7 caught my attention, not just in terms of its capabilities, aesthetics and ergonomics, as well as the new potential and opportunities for photographers who are into sports and wildlife photography. As a former Canon EOS 300D, 30D and 70D owner/user as well as having reviewed EOS 7D Mark II, I am familiar and experienced with what this EOS R7 (successor to the well received and capable EOS 7D Mark II) can offer with this setup. The EOS R10 would be the entry level starter camera for photographers who are upgrading from their compact cameras or smartphones.

The Canon EOS R7 is designed for more experienced users who require a faster camera to capture dynamic subjects such as sports and wildlife. It’s a high-performance 32.5-megapixel APS-C mirrorless camera, featuring In-Body Image Stabilization (In-Body IS), weather-sealing, and dual SD card slots. 

As for the Canon EOS R10, it’s a 24.2-megapixel APS-C mirrorless camera, featuring a built-in flash and a smaller form factor, is designed for more standard everyday needs. 

There are two RF-S lenses that are launched along aside with the EOS R7 and EOS R10, they are the RF-S18-45mm f/4.5-6.3 IS STM and RF-S18-150mm f/3.5-6.3 IS STM, two new lenses built to fully optimise the mobility advantages of the new APS-C cameras. 

“EOS R7 and EOS R10 marks a significant evolution of the EOS R system. With the addition of these APS-C mirrorless cameras to the EOS R system, there are many opportunities in Singapore for them to shine. The APS-C segment is favoured by many photographers for the smaller form factor, affordability, and advantages such as increased reach for genres like sports and wildlife. With otters and a plethora of birds in Singapore to photograph, these APS-C cameras will provide budding photographers with an affordable step into our mirrorless R system. In addition to the new native RF-S lenses, the wide range of compatible EF and EF-S lenses via mount adapter also means an enlarged ecosystem of lenses to explore and express your photographic vision.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore. 

Inheriting the AF technology of the EOS R3

The EOS R7 and EOS R10 are supported by the powerful DIGIC X image processing engine, they are the first to inherit the new autofocusing (AF) technology that debuted on the EOS R3. This technology harnesses the deep learning-based subject detection capabilities of the EOS iTR AF X system – tracking subjects more tenaciously across the entire image area, regardless of the AF area mode. This provides highly responsive and reliable autofocusing, even in dynamic scenes. 

High-speed Continuous Shooting; RAW burst mode 

Both the EOS R7 and EOS R10 are capable of up to 15 fps high-speed continuous shooting in mechanical and electronic first-curtain shutter modes (with AF/AE tracking)—the fastest speed not just among all APS-C EOS cameras, but also in the EOS R series (1). This is nearly equivalent to the EOS-1D X Mark III, Canon’s flagship DSLR, which shoots up to approx. 16 fps with the optical viewfinder. 

In electronic shutter mode, the EOS R7 is capable of shooting 32.5-megapixel images at up to approximately 30 fps continuous shooting, whereas the EOS R10 shoots 24.2-megapixel images at up to approximately 23 fps (2). 

Both cameras feature a RAW burst mode, which shoots full-resolution RAW images at up to 30 fps. The mode supports pre-shooting, which starts recording the scene up to 0.5 second before the shutter is released, aiding the capture of unexpected opportunities. 

Newly Developed APS-C CMOS sensors and Digic X

The EOS R7 and EOS R10 both utilise newly developed APS-C CMOS image sensors that are 32.5 and 24.2 megapixels respectively. Powered by the Digic X image processing engine, they combine together to produce image quality and visual resolution beyond what the megapixel count suggests.

The visual resolution of the EOS R7 surpasses that of the EOS 90D and the EOS M6 Mark II despite having the same megapixel resolution, whereas that of the EOS R10 is equivalent to the same two cameras. Silky hair, fabric textures, and other fine details can be captured with precision and sharpness. 

Image Stabilisation

The EOS R7 is the first APS-C EOS camera to feature the sensor-shift type 5-axis In-Body IS (Image Stabilizer) mechanism, which can achieve up to 8 stops’ equivalent image stabilisation (3) during video and still image shooting. Both the EOS R7 and EOS R10 feature Movie Digital IS, which conducts 5-axis image stabilisation for steadier videos even with a lens that has no Optical Image Stabilizer (Optical IS). 

Superior Video Quality

Content producers would be keen and interested on video quality. The EOS R7 can be use 7K oversampling to record high-quality 4K UHD video at up to 30p in the new 4K UHD Fine mode. Un-cropped 4K 60p recording is possible in 4K UHD Standard mode.

They are also the first APS-C EOS photography camera to support the Canon Log 3 gamma, that is good for colour grading and HDR video production.

As for the EOS R10, it’s capable of high-quality 4K UHD Fine 30p video achieved by 6K oversampling. Both cameras are capable of 4K HDR PQ video recording.

Built-in Telephoto Effect: Longer reach with the Full Camera resolution

APS-C sensor cameras have a strength, that is their inherent telephoto effect, that is just like having a built-in extender. For photographers who are into wildlife, sports and other subjects that require longer focal lengths, this will greatly benefit them.

The field of view is automatically “zoomed in” by about 1.6 times the focal length indicated on the lens. On the other hand, unlike using the 1.6x crop mode on full-frame EOS R cameras, recording uses the full resolution of the image sensor. 

When shooting video on the EOS R7, the inherent 1.6x APS-C crop can be combined with the 4K UHD crop mode for an even stronger telephoto effect of around 1.8 times that of the focal length. 

Better Portability and Affordability

APS-C image sensors are roughly 40% the size of 35mm full-frame image sensors, allowing the camera and lens systems built around them to be smaller, lighter, more portable, and easier to handle. This also translates to better affordability. 

By optimising material use and structural design, Canon has further reduced the weight of the cameras compared to their DSLR equivalents. The improvement in handling ease is multiplied when combined with one of the new RF-S kit lenses, which reduces total weight by as much as 24%. 

New Multi-Function Shoe for Improved Functionality 

Like the EOS R3, instead of the conventional hotshoe, both the EOS R7 and EOS R10 are equipped with a new Multi-Function Shoe. This supports high-speed communications and audio input, expanding the range of supported accessories beyond Speedlites. For protection against dust and moisture, the Multi-Function Shoe should be covered with the bundled Multi-Function Shoe Cover ER-SC2 (available for purchase separately). 

Cross-compatibility with RF and EF/EF-S lenses 

Besides the RF-S lenses which were developed specifically for APS-C EOS R cameras, the EOS R7 and EOS R10 can also directly take RF lenses designed for full-frame cameras. This also applies for EF and EF-S lenses via the EF-EOS R mount adapters. When a lens designed for full-frame cameras is attached, the 1.6x telephoto effect will automatically be applied. The cameras are not compatible with EF-M lenses. 

New Features to Enhance Creative Expression 

The EOS R7 and EOS R10 contain some new features and enhancements, which will streamline workflows and expand creative expression. These include a new Panorama Shot SCN mode and an improved Panning SCN mode with better image stabilisation to increase the chances of successful panning shots. In addition, a new in-camera Depth Compositing mode automatically merges focus bracketed images into an image that is clearly in focus from front to back. The EOS R7 also features a new auto-level function that automatically detects and rotates the image sensor to correct tilted images in still images and video, saving users the time and effort required to ensure a camera is level. 

Both cameras also have improved auto white balance accuracy, due to a new auto white balance algorithm developed using deep learning technology. 

Canon’s first RF-S lenses: RF-S18-45mm f/4.5-6.3 IS STM and RF-S18-150mm f/3.5-6.3 IS STM 

Debuting alongside the EOS R7 and EOS R10, the RF-S18-45mm f/4.5-6.3 IS STM and RF-S18-150mm f/3.5-6.3 IS STM are kit lenses intended as the first lens for new users of the EOS R system. With reduced size and weight due to the smaller APS-C sensor image circle, they are almost the same length and weight as their pocketable EF-M mount equivalents – while offering the benefits of the larger RF mount. 

The RF-S18-45mm f/4.5-6.3 IS STM is a standard zoom lens with a focal length range of 29-72mm in full-frame equivalent terms, offering a wide-angle to medium telephoto range suitable for capturing everyday moments. It is approximately 44.3mm long and weighs approximately 130g, similar to the EF-M15-45mm f/3.5-6.3 IS STM. 

Meanwhile, the RF-S18-150mm f/3.5-6.3 IS STM is a superzoom lens that covers a larger focal length range of 29-240mm in full-frame equivalent terms. A versatile all-purpose lens for travel, the extra reach makes it suitable for capturing distant scenery, casual sports and wildlife photography. in addition to daily life. It weighs only around 310g and is 84.5mm long, similar to the EF-M18-150mm f/3.5-6.3 IS STM. 

Besides EOS R APS-C cameras, the RF-S lenses can also be mounted directly onto full-frame EOS R system cameras, which will automatically enable the 1.6x crop mode. 

Pricing and Availability

The Canon EOS R7, EOS R10, RF-S18-159mm f/3.5-6.3 IS STM, RF-S18-45mm f/4.5-6.3 IS STM will be available from Canon authorised dealers.

Update 3rd June 2022 – Pre-Order your Canon EOS R7!

You can pre-order your Canon EOS R7 from 1st to 21st June 2022! Check out the details below!

Update 8th July 2022 – Pre-Order your Canon EOS R10!

You can pre-order your Canon EOS R10 from 5th to 25th July 2022! Check out the details below!

EOS R10 Retail Price 

Product Specifications 

EOS R APS-C Cameras

RF-S Lenses

Notes:

(1) Among EOS R series cameras as of May 23, 2022. 

(2) Depending on the nature of subject or shooting conditions, rolling shutter image distortion may occur.

(3) When the RF24-105mm f/4 L IS USM is attached (f = 105mm, Yaw/Pitch direction, CIPA standard compliant)

* Information and pictures courtesy of Canon Singapore and GLOO *

The post Canon EOS R(evolution) Expands into APS-C with two new Mirrorless Cameras and new RF-S lenses appeared first on TGH Photography and Travel Portal/Blog.

#InvestInOurPlanet

If we do not Invest in Our Planet, if we do not start to take action, the world will lose our home and only home because we all live on this planet. 

Who doesn’t want a healthy and comfortable home to live in? 

#WhatWillYouDo 

What can you do for Earth Day and what will you do? Earth Day website has a list of excellent recommendations on what you can do!

Some of the things that you can do 

• Use less plastic
• Visit nature and outdoors, take photos of your beautiful landscapes and horizon
• Bring your own reusable water bottle
• Recycle, Up-cycle
• Share your photos and stories

We can all make a difference 

Every individual on earth can play a part, no matter how big or small. Through our civic actions, making our voices heard, spreading the word on climate change, sustainability, eco-friendly measures. 

Not just today on 22nd April, we can continue investing in our planet on a daily basis, making a difference to the world today and for the future.

Photographing Singapore outdoors/nature/green areas/wildlife

With my Canon photography gear and my trusted f-stop gear backpack, going into nature and green areas, enjoying the outdoors, fresh air, it was very therapeutic for me, photographing  nature, green areas and wildlife. 

When I was testing and reviewing the Canon EOS R3 recently, revisiting the outdoors, nature and green areas in Singapore, observing the close proximity of our nature/green areas, urban areas and wildlife living together.

We need to together Invest In Our Planet, I will continue to play my part with my photography and writing. 

* A TGH Photography x Canon EOS R3 Explorer Series Production * 

The post Earth Day 2022 – Invest In Our Planet appeared first on TGH Photography and Travel Portal/Blog.

From the modern iconic Marina Bay, Gardens By The Bay, Changi Airport, to our heritage buildings and districts such as our museums, those images are some of the cityscapes that would come to your mind when we mention Singapore. 

For a country that is small in land size, do we have the wide landscape view that allow us to use our telephoto lens such as a 70-200mm to compose and isolate tight landscape scenes that we photographers enjoy when we travel overseas? How about using longer telephoto lenses such as 600mm or 800mm for cityscapes or landscapes? Is that even possible? 

I have been photographing Singapore Cityscapes for a period of time, through my documentation and exploration perspective, from photographing iconic famous landmarks to the heritage, cultural and the heartlands in Singapore, usually through my work horse lens, the wide angle zoom (now 16-35mm, formerly 17-40mm). 

We may be a small country, the changes in Singapore’s built and natural landscapes have been ongoing. This is like a perpetual documentation project to photograph Singapore Cityscapes as it changes over the years.

My recent review adventure with the Canon EOS R3 brought me revisiting different locations in Singapore, along with RF600mm f/11 IS STM lens and RF800mm f/11 IS STM lenses that I am also reviewing as well. Lenses with focal length such as 600mm or 800mm are usually associated with sports and wildlife photography. Are they even suitable for landscape/cityscape photography?

Here are some Singapore Cityscapes shot with the Canon EOS R3 with RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses. 

Stay tuned for my upcoming review articles (and more photos) on the Canon EOS R3, RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses! 

* A TGH Photography x Canon EOS R3 Explorer Series Production * 

The post Singapore Cityscapes (600mm and 800mm perspectives) appeared first on TGH Photography and Travel Portal/Blog.

Canon develops the key imaging system components featured inside its EOS series of digital interchangeable-lens cameras, from the CMOS sensors, image processors and interchangeable lenses- under the core concept of, “Speed, Comfort and High Image Quality”. Canon has put together a wide range of product lineup, from high-performance flagship models that are highly trusted by professionals, to entry level models that allow users to enjoy high image quality shooting with easy operation. Besides that, users have access to a wide and rich selection of RF and EF series lenses that make possible a wealth of creative expression. Canon continues to support the diverse needs of customers.

In September 2003, Canon introduced the EOS Kiss Digital (EOS Digital Rebel or EOS 300D in other regions). This was the dawn of digital SLR cameras, a groundbreaking camera that brought about a breakthrough in the digital SLR market, a competitively priced digital SLR that featured a compact, lightweight design, capturing the top share of the global market and setting the stage for growth in the digital SLR market.

From then on, Canon has continued to grow and develop, launching a range of groundbreaking products, including the professional EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. In October 2018, the Canon EOS R System was born from Canon’s desire to construct the ideal lens mount and maximise the appeal of its new RF lenses. Canon has since continued to expand the range of imaging creativity and new possibilities for visual expression, including the release of Canon EOS R5 – the first camera to feature 8K video recording (2) in July 2020.

In 2021, Canon announced the Canon EOS R3 full-frame mirrorless camera (released in November 2021). This camera features the high performance and reliability demanded by professional and enthusiast users, along with eight new RF lenses (3). Through new launches such as the Canon EOS VR System, Canon further expanded its lineup and they managed to secure the No.1 share of the global market for the 19th consecutive year.

Canon will continue to refine its diverse imaging technologies based on its core optical technology while further strengthening and expanding the EOS series of cameras and RF/EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and to promote the spread of photo and video culture.

Notes

(1) Based on a Canon survey.

(2) Among digital interchangeable-lens cameras released prior to July 8, 2020.

(3)  In 2021, Canon released the following eight digital interchangeable lenses: RF70-200mm F4 L IS USM (March), RF100mm F2.8 L MACRO IS USM (July), RF400mm F2.8 L IS USM (July), RF600mm F4 L IS USM (July), RF14-35mm F4 L IS USM (September), RF100-400mm F5.6-8 IS USM (October), RF16mm F2.8 STM (October), RF5.2mm F2.8 L DUAL FISHEYE (December). All release months based on Japanese release dates.

* Information and picture courtesy of Canon Singapore and GLOO *

The post Canon Celebrates 19th Consecutive Year of No.1 Share of Global DILC Market appeared first on TGH Photography and Travel Portal/Blog.

Just like this Rainbow illumiNation by Very Small Exhibition celebrating one year of Very Momentary Exhibition at Paya Lebar Quarter. Can you see the light at the end of the tunnel, the rainbow arch waiting for us as we move towards it?

It was comforting and encouraging, I reckon many of us shed tears of joy as we can start to embark on the next steps to further opening up Singapore. You can read on ChannelNewsAsia, in full: PM Lee’s address on Singapore’s new phase towards living with COVID-19. At an appropriate time, I might just reflect and recollect my personal, emotional, mental, struggles in both personal and business, and along with my visual story telling together in another article, over this past 2+ years of living, struggling, surviving, learning and growing from this global pandemic. 

We can finally start to see some light at the end of the tunnel, it’s a huge step even, we are not totally out of the woods yet. Many of us would be looking forward to travel out out of Singapore for a break in other countries, we have been cooped up too long on our small island country. 

I don’t wish to make any travel plans or commitments at this stage, I am coming up with some travel plans in mind, maybe a short trip (3D2N or 4D3N) in Q2 or Q3 2022, a long (1-2 weeks) trip during Q3 or Q4 2022.

Would I be able to get my travel photography and writing commissioned works? Or travel media trips? I am keeping my fingers crossed. 

I am just like this Grey Heron perched on the Old Jurong Railway Bridge, eagerly looking up and getting ready to fly away, traveling and exploring in other parts of the world again. 

* A TGH Photography x Canon EOS R3 Explorer Series Production *

The post 24th March 2022 – Start to see light at the end of the tunnel appeared first on TGH Photography and Travel Portal/Blog.