“With the increasing demand for our EOS R system, we are dedicated to broadening our cost-effective APS-C EOS R offerings. The introduction of the RF-S10-18mm f/4.5-6.3 IS STM enables APS-C EOS R photographers to span a comprehensive focal length, from ultra-wide to telephoto. This versatile lens is not only affordable but is also perfect for diverse settings, from indoor photography to landscapes and even vlogging. We anticipate it becoming a popular choice for many enthusiasts.” Said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

A Pint-sized Lens for Travel and Handheld Vlogging 

The RF-S10-18mm f/4.5-6.3 IS STM lens is just 44.9mm long when retracted and weighs only around 150g, this lens is around 40% shorter and lighter than its EF mount counterpart, the EF-S10-18mm f/4.5-5.6 IS STM (approx.72mm, 240g), and trumps even the nifty EF-M11-22mm f/4.5-5.6 IS STM (approx.58.2mm, 220g) in portability. Its size makes it easy to stabilise during handheld vlogging, with its ultra-wide angle of view capturing both the vlogger and surrounding scenery in the same frame, rendering a selfie stick unnecessary. 

Its featherweight and tiny size also makes it a convenient addition to a travel camera kit. While you may barely feel its weight on hikes and long walks, it will certainly come in handy for capturing the stunning view that awaits!

Sharp, Steady Images Even in The Dark

The RF-S10-18mm f/4.5-6.3 IS STM delivers sharper, steadier images even in low light condition. With built-in Optical Image Stabilizer (Optical IS), camera shake can be reduced by up to 4 shutter speed stops’ equivalent (1), so images are less likely to be blurry even when the shutter speed slows. When combined with a camera with In-Body IS such as the EOS R7, Coordinated Control IS enhances the effect to up to 6 stops’ equivalent (2).

For video shooting, Optical IS coordinates with in-camera Movie Digital IS (3) to achieve steady, natural footage for shooting while walking, so you can film your travelog with minimal equipment. Three-way Coordinated Control IS with In-Body IS-equipped cameras further enhances the effect.

Unique Wide-angle Close-ups

Taking close-ups of small objects with background details is possible with the lens’ 0.14m closest focusing distance throughout the entire focal range, which achieves a maximum magnification of up to 0.23x when autofocus is enabled. One can turn off the AF at the 10mm mark to shoot even closer (closest focusing distance: 0.086m) and achieve half-macro (0.5x max. magnification) shots with the unique Centre Focus Macro effect.

Crisp Image Details Up to The Edges

Despite its lightweight body, the RF-S10-18mm f/4.5-6.3 IS STM delivers image quality that surpasses its bigger EF-S counterpart. The RF mount’s short back focus enables a lens configuration that optimises image quality while minimising the number of elements, keeping ghosting, chromatic aberration, and colour blurring well under control. Ornate details are rendered in crisp quality all the way to the edges. 

Optimised Focusing

Autofocus is driven by a leadscrew-type STM (stepping motor), which enables smooth, seamless focus transitions during video recording. The lens also supports Focus Breathing Correction, which digitally corrects the distracting changes in angle of view caused by focus movement when recording video.

Pricing and Availability

The Canon RF-S10-18mm f/4.5-6.3 IS STM will be launched at the recommended retail price of $529. The availability for this lens will be advised at a later date.

Notes:

1. Focal length 18mm, when using EOS R10, Yaw/Pitch axes.
2. Focal length 18mm, when using EOS R7, Yaw/Pitch axes.
3. On compatible cameras. When using Movie Digital IS, the shooting range becomes narrower.

Technical Specifications

* Information and pictures courtesy of Canon Singapore and Gloo *

The post Canon announced RF-S10-18mm f/4.5-6.3 IS STM for APS-C EOS R Cameras appeared first on TGH Photography and Travel Portal/Blog.

“Canon remains steadfast in its mission to address the varied needs of photographers through innovative product offerings. With the RF lens system, we’ve paved the way for groundbreaking lens designs, and the RF200-800mm f/6.3-9 IS USM exemplifies our commitment to adding unparalleled value to photographers. This lens offers a unique blend of extended super telephoto reach within a versatile zoom range, all while ensuring competitive pricing. Such an offering not only unlocks new creative avenues but also brings previously inaccessible possibilities within the grasp of photographers.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

Unprecedented Reach with Zoom Flexibility between 200mm to 800mm

There are two affordable super telephoto prime lenses in Canon’s line-up, the RF800mm f/11 IS STM and RF600mm f/11 IS STM. With the announcement of the RF200-800mm f/6.3-9 IS USM lens, this is going to offer zoom functionality, covering the telephoto focal range that would previously require at least 3 different lenses to cover. Whether your taking a bird in flight in the distance, or a motorsports athlete in various defining moments, the versatile 200mm to 800mm focal length range (320mm to 1280mm on an APS-C camera) let users seamlessly capture both close-ups and wider shots of the same subject simultaneously. This can be achieved without being restricted by the focal length or missing out capturing the moment due to changing of lenses. Coupled with the RF Extender 2X, the coverage is extended to 1600mm (2560mm on APS-C camera) sufficient for capturing stunning close-ups of the moon.

Convenient Handheld Shooting: Lightweight and Mobile with Up to 5.5 Stops’ Built-in IS

The RF200-800mm astounding zoom range might worry some photographers, however it only weighs 2,050g and 314.1mm long. This lens is comparable in size and weight to its counterparts that end at 600mm. This mobility makes it easy to follow and capture moving subjects when shooting handheld, even if they occur unexpectedly.

Up to 5.5 stops’ equivalent built-in optical image stabilization (2) effectively corrects the camera shake that becomes more prominent at long focal lengths, allowing sharp, stable images at as slow as 1/20 second even at the 800mm tele end. 

Designed for Action: High-speed AF, Operational Ease

Built for capturing high-speed action, the RF200-800mm f/6.3-9 IS USM is driven by the powerful Nano USM (Ultrasonic Motor), which also contributes to the lens’ compact size.  This enables fast and accurate focusing for stills, along with smooth and quiet focusing for video up to the entire image area with compatible cameras. Focus Breathing Correction is also supported. 

Swift, intuitive control extends to lens operations – in addition to a customisable focus/control ring, there are two lens function buttons that can be turned into shortcuts for functions such as AF or exposure control.

Dust- and Drip-resistant Sealing for Better Durability

Similar to an L-lens, the RF200-800mm f/6.3-9 IS USM features strategically placed dust- and drip-resistant sealing for better durability during outdoor shoots (3). It is also coated with white paint to reduce heat absorbency and internal temperature rise due to sunlight.

Personal Views and Thoughts

The RF200-800mm f/6.3-9 IS USM lens is going to further open up wildlife photography and sports photography at an affordable price, adding great versatility with the 200mm to 800mm focal length range, expanding a photographer’s needs/wants in both sports and wildlife photography. They would be ideal for those who are just starting into sports and/or wildlife photography, for those serious enthusiasts, I reckon. they would gladly welcome such a versatile super telephoto zoom lens especially if they are into sports and/or wildlife photography. As for professional photographers in the sports and/or wildlife segments, this might get their interest as well, as a backup or 2nd lens combo setup.

As a wildlife photographer and sports photographer, I hope to test and review the RF200-800mm f/6.3-9 IS USM lens when the opportunity arises, sharing my photographs, thoughts and views for this versatile telephoto zoom lens.

Pricing and Availability

The Canon RF200-800mm f/6.3-9 IS USM lens will be launched at a recommended retail price of $3,049. The availability will be advised at a later date.

Notes:

1.  As an AF interchangeable lens for full-frame sensor mirrorless cameras that have already been released as of November 1, 2023. (Based on Canon’s internal survey.)
2. At focal length of 800mm with EOS R. Yaw/Pitch directions.
3. This cannot guarantee complete exclusion of water and dust from entry.

Technical Specifications

* Information and pictures courtesy of Canon Singapore and Gloo *

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“The RF24-105mm f/2.8 L IS USM Z is crafted to meet the dynamic needs of today’s creators, seamlessly merging high-quality still photography with video capabilities in one lens body. Covering a versatile 24-105mm range, it promises sharp performance across varied perspectives, even under challenging light, thanks to its constant f2.8 aperture. The addition of the Power Zoom Adapter PZ-E2 accessory further elevates the video creation process, enhancing the RF24-105mm f/2.8 L IS USM Z’s zoom functionalities, making it a formidable tool especially for solo video creators.” Said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

Zoom Closer, Shoot Wider

The RF24-105mm f/2.8 L IS USM Z provides a constant maximum aperture of f/2.8 over its entire 24-105mm focal range, with stunning image quality to support high-resolution photography and 8K or 6K video throughout. Users can enjoy greater flexibility in both composition and exposure settings across a wide variety of subjects, especially when shooting in low light conditions or creating bokeh. 

As the first-ever RF lens to feature an iris ring usually found on cinema lenses, it enables silent, intuitive aperture control with smooth torque, ideal for adjusting exposure and bokeh effects during video recording. 

Beautiful circular bokeh can be achieved even with a narrower aperture setting via the lens’ 11 circular diaphragm blades—more than that on any other existing RF lens.

Steady, Consistent Focusing even During Zooming Sequences

Compared to existing RF professional standard zoom lenses, the RF24-105mm f/2.8 L IS USM Z offers better control over the focus fluctuations that tend to occur during zooming. This is due to optimised optical, mechanical, and electrical control including the adoption of two individually driven Nano USMs. Users can enjoy steadier, more consistent focusing when operating the zoom during video or high-speed burst shooting.

The lens also supports focus breathing correction during video shooting on a compatible camera. Users can expect seamless footage even when pulling focus from the closest focusing distance of 0.45m to a position located further away.

Powerful Image Stabilisation with Telephoto Lens-like Controls

The built-in Optical IS alone corrects camera shake by up to 5.5 stops’ equivalent; when combined with Coordinated Control IS on a camera body with In-Body IS, performance increases to up to 8 stops’ equivalent. Sharp, stable images can be captured even at a slower shutter speed, enabling both handheld still and video shooting in low light conditions. 

The RF24-105mm f/2.8 L IS USM Z is also the first standard zoom lens to feature the 3-mode IS mode switch usually found on telephoto lenses, so users can easily change IS modes to suit the situation.

Designed for Smooth Operation 

The RF24-105mm f/2.8 L IS USM Z features a fixed-length lens barrel design, ideal for video shoots that use a gimbal or rig as the centre of gravity remains consistent even during zooming.

In addition to the iris ring and IS mode switches, a new, customisable lens function button provides users with a programmable shortcut to their most-used functions, allowing faster response to changing shooting conditions.

The lens is bundled with a new tripod mount that can be easily attached and detached without special tools. A lens holder, LH-E1 (sold separately) that holds the lens on a rig system is also available.

The Durability of an L-lens

As a professional L-series lens, the RF24-105mm f/2.8 L IS USM Z inherits the reliable build of other lenses in the series, including dust and dirt-resistant fluorine coating on the front lens surface, as well as dust- and drip-resistant weather sealing to withstand unpredictable weather conditions.

Sophisticated Single-Operator Control

The Power Zoom Adapter PZ-E2 enables single-operator smooth, precise zoom control during videography. By simply pressing a button, even budding videographers can easily achieve seamless zooming unassisted. Fine control over the zoom speed is available through a dial, so users have greater flexibility to set a speed that suits their creative direction, be it high-speed zoom action, slow, gradual zooming, or in between. Zoom speed can be increased by using an external power supply through the USB Type C port, instead of drawing power from the camera.

A detachable thumb rest and ergonomically placed buttons allow for comfortable handheld operation. Designed to be compact, lightweight, and easy to transport, the Power Zoom Adapter PZ-E2 can be easily attached and removed without special tools even when the lens is combined with a rig, gimbal, or tripod. 

Pricing and Availability

The RF24-105mm f/2.8 L IS USM Z and Power Zoom Adapter PZ-E2 will be launched at the recommended retail price of $4,739 and $1,589. Availability will be advised at a later date.

Technical Specifications 

* Information and pictures courtesy of Canon Singapore and Gloo *

The post Canon announced RF24-105mm f/2.8L IS USM Z professional lens appeared first on TGH Photography and Travel Portal/Blog.

“Canon remains steadfast in our commitment to empower photographers with the precise tools necessary to realize their creative visions. As we continue to expand our RF lens portfolio, we remain attuned to the diverse needs of photographers. In addition to our exceptional super telephoto RF lenses, we recognize the significance of wide-angle capabilities. The RF10-20mm f/4L IS STM seamlessly covers the full focal range within our RF ecosystem, boasting an expansive 10mm rectilinear field of view and improved optical image stabilization. Its lightweight design enhances value, addressing photographers’ ultra-wide needs.” Said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

The Advantage of Going Wider

The wider the focal length, you can view the bigger difference every 1mm makes. At the focal length of 10mm, the area covered by this lens is nearly twice that at 14mm, and 1.4x that at 12mm, which significantly increases possibilities when shooting large subjects in tight spaces.

With this unique perspective effect that exaggerates relative distances, objects near the lens look bigger and more impressive. Concurrently, this wide-angle zoom lens capability allows the flexibility to frame the scene tighter, making this ultra-wide angle EF10-20mm f/4L IS STM lens an asset for expanding creative expression.

When paired with an APS-C EOS R camera, this lens continues to be an ultra-wide angle lens, capturing a field of view from 16 to 32mm on a full-frame lens.

Powerful yet Light

If a lens goes wider while maintaining maximum aperture and performance traditionally meant that it would be a heavier lens. However, this RF10-20mm f/4L IS STM lens goes against this with a dramatic weight reduction. The RF10-20mm f/4L IS STM lens weighs approximately 570g, shaving off over 600g off the EF11-24mm f/4L USM lens, even with its additional Optical IS unit, yet this is of a smilier size to the existing f/4L trinity lenses.

The portability also makes it ideal for handheld shooting and use with gimbal, making the RF10-20mm f/4L IS STM a powerful yet light lens.

Outstanding Image Quality All the Way to the Edges

The RF10-20mm f/4L IS STM lens is Canon’s first ultra-wide angle zoom lens with a focal length under 13mm to equipped with the Optical Image Stabilizer (Optical IS). With this feature, users can now take long exposures hand-held with up to 5 shutter stops of image stabilisation (6 stops through Coordinated Control IS with compatible cameras). Optical IS also works in tandem with Movie Digital IS to achieve image stabilisation during video shooting, ensuring smooth handheld footage even while walking.

The RF10-20mm f/4L IS STM additionally supports the new Peripheral Coordinated Control (2), which effectively compensates the peripheral blurring that tends to occur with ultra-wide-angle lenses. This works with the optimised lens configuration and in-camera correction to control distortion and chromatic aberration throughout the entire zoom range. This results in outstanding image quality that is on par, if not better than that of the EF11-24mm f/4L USM’s stellar reputation.

Nimble AutoFocus

The lens focusing system, including the STM motor and focusing lens, is designed to optimise AF performance. This ensures swift focusing during still photography, along with high-precision, smooth and quiet AF drive during video recording. Performance is on par, if not better, than the EF11-24mm f/4L USM. It also newly adopts the lens position sensor used in Nano USM lenses, which, when combined with the lead-screw type STM, shortens startup time so users can start shooting quickly from power-on.

Intuitive and Innovative Design

As with the esteemed L-series lenses, the RF10-20mm f/4L IS STM boasts a sturdy and durable design, complete with fluorine coating and dust- and drip-resistance quality. On top of the RF lens’ control ring for exposure control, a new function button can be assigned as a convenient shortcut for various functions and is easily accessible with the left thumb. The lens has a rear gelatin filter holder for those who wants to explore more creative expressions through the use of different filters. 

Pricing and Availability

The RF10-20mm f/4L IS STM will be available at Canon authorised dealers from 20 October 2023 at the recommended retail price of $3,599.

Technical Specifications

Notes:

1.  Among all Interchangeable lens for cameras compatible with 35mm full-frame sensor (excluding fisheye lenses). As of October 10, 2023. Based on Canon research.
2. Available only on EOS R5 updated to firmware ver. 1.9.0 or later. Movie Digital IS must be turned off.

* Information and picture courtesy of Canon Singapore and Gloo *

The post Canon Expands Horizons with RF10-20mm f/4L Ultra-wide angle lens appeared first on TGH Photography and Travel Portal/Blog.

7 models of Prime Series RF Cinema Lenses

The 7 models of Prime Series RF Cinema Lenses are of the focal lengths 14mm / 20mm / 24mm / 35mm / 50mm / 85mm / 135mm respectively. They are compatible with the Canon EOS C70 (released in November 2020) and EOS R5 C [1] (released in March 2022) RF Cinema Cameras.

These lenses are compatible with the transmission protocol of RF mount, and as with previous models [2], operators can control magnification, chromatic aberration correction, peripheral light correction and a dual pixel focus guide via camera body operations. In addition to these functions, the new lenses feature distortion aberration correction. These features support efficient video production not only during on-location recording but also post-shoot editing.

High Optical Performance

The new products achieve high optical performance suitable for use with 4K and 8K cameras by optimally positioning large-diameter aspherical lens elements and lens elements with anomalous dispersion glass. Their compatibility with the full-frame large-format sensor, bright T values [3], and the use of 11 aperture blades allow for a shallow depth of field for subjects, natural round blurring, and soft image expressions. In addition, since the color balance is unified throughout the series, adjusting color tones when changing lenses, while shooting the same scene can be done with greater ease.

With an appropriate sense of torque of the operation ring, the new lenses allow for precise and smooth adjustments that are required for cinema shooting. In addition, due to the unified design across the series, including the gear position of the operation ring, the diameter of the lens and the rotation angle (operation angle), the lens can be exchanged smoothly without the need to adjust the mounting position of the mat box or external focus adjustment accessories for each model. A new knurled surface near the mount provides a comfortable fit in the user’s hand, allowing the lens to be held securely without gripping the operation ring when attaching and detaching different lenses.

Availability

The availability of this new series of RF Cinema Lenses for the Cinema EOS System are as follows:

Notes:

[1] Performance guaranteed in VIDEO mode, when used with EOS R5 C

[2] EF-mount PRIME Series lenses

[3] The brightness of a cinema lens is generally expressed as a T value, which is obtained by additionally reflecting the transmittance of the glass to the F value.

* Information and pictures courtesy of Canon Singapore and Gloo *

The post Canon announced RF Cinema Lenses for the Cinema EOS System appeared first on TGH Photography and Travel Portal/Blog.

“As the lightest, thinnest, and smallest prime lens in the EOS R ecosystem, the RF28mm f/2.8 STM is unobtrusive, seamlessly pairing with the camera body to unlock a world of creative possibilities. Despite its slim and compact profile, the RF28mm f/2.8 STM delivers exceptional performance and features that will appeal to a large segment of photographers.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

Slim Pocketable Body, Outstanding Mobility 

The Canon RF28mm f/2.8 STM is less than 2.5cm long when retracted, weighing no more than a bar of soap at around 120g. This lens is thin, just like the word “pancake” suggest, it also barely adds to the size and weight of your camera – you could even use it in place of a lens cap!

Enjoy the lightest, flattest, and most portable combination possible with your full-frame or APS-C camera, whether you are travelling light, exploring the streets, shooting long videos or vlogs handheld.

Excellent Image Quality

The RF28mm f/2.8 STM lens is designed with an efficient optical layout comprising three 3 large-diameter plastic-moulded aspherical lens, offering excellent sharpness and clarity from the image centre to the edges, all within a compact package.

The image quality is a notch above that of the EF40mm f/2.8 STM and RF50mm f/1.8 STM, which are known for their superior performance.  

Versatile Focal Length on Both Full-frame and APS-C

With its wide f/2.8 aperture, the RF28mm f/2.8 STM offers beautiful bokeh along with the speed necessary for freezing fast motion and achieving sharper handheld shots in low-light situations. The versatile 28mm focal length is just enough to easily frame a wide range of scenes on both APS-C and full-frame cameras. 

On full-frame cameras such as the EOS R8 and EOS R6 Mark II, it provides a wide angle-of-view that can capture landscapes and cityscapes with the right amount of perspective, or portraits that show ample background context without the subject appearing too small in the frame.

On APS-C cameras such as the EOS R50 and the EOS R7, it offers a standard angle-of-view equivalent to 45mm on a full-frame camera, providing a natural perspective that is easy to compose with. Half-body portraits are possible from a comfortable distance away—close enough to communicate without getting in your subject’s face! Pair it with the new EOS R100 to get the smallest combination possible.

With its high mobility, image quality, and easy-to-use focal length, one might be inspired to move around and get creative. New angles and perspectives are just a tilt and a step away.

OC-E4A: Take Your Accessories Off-camera

In addition, the Off-Camera Shoe Cord OC-E4A has been introduced – a multi-function hotshoe extension that succeeds the Off-Camera Shoe Cord OC-E3. The new cord allows hotshoe accessories such as flashes and microphones to be placed off-camera while maintaining the most stable communication possible, paving the way for greater creative expression. Both the camera connector and accessory connector feature dust- and water-resistant capability, akin to that of the EOS-1D series professional camera.

Pricing and Availability

The RF28mm f/2.8 STM will be available at Canon authorised dealers at the recommended retail price of $459 from 4th July 2023.

Technical Specifications

* Information and pictures courtesy of Canon Singapore and Gloo *

The post Canon announced RF28mm f/2.8 STM – First-ever RF Mount Pancake Lens appeared first on TGH Photography and Travel Portal/Blog.

The RF100-300mm f/2.8L IS USM lens is based and innovated upon the EF300mm f/2.8L, a classic Canon telephoto lens for sports and action photography, that is renowned for its technology and excellent optical quality.

“With the new EOS R and RF lens ecosystem, Canon continues to push the boundaries of what’s possible in photography. The RF100-300mm f/2.8L IS USM is a testament to this – delivering superlative optical quality with its fast constant aperture and a useful range of focal lengths. As a game-changer for photographers who demand speed, flexibility, and versatility, the RF100-300mm f/2.8L IS USM empowers them to capture decisive moments with unparalleled precision and clarity.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

 Canon RF100-300mm f/2.8L IS USM – The Speed and Flexibility to Capture Decisive Moments

Constant Aperture f/2.8: Freeze action decisively from wide to close-up

The RF100-300mm f/2.8L IS USM’s constant aperture design allows users to utilise the large f/2.8 maximum aperture throughout the entire zoom range, even at the 300mm tele end. With this, users can freeze decisive moments at faster shutter speeds, which gives them a better chance of getting their desired shots. 

The distinctive, extremely creamy bokeh achieved through telephoto shooting at f/2.8 makes the RF100-300mm f/2.8L IS USM useful for creative expression even in genres such as portraiture, fashion, and weddings.

Zoom convenience: Multiple lenses in one lightweight body

The RF100-300mm f/2.8L IS USM’s 100mm to 300mm zoom capability (160mm to 480mm on an APS-C camera) covers the range that typically requires at least two or three lenses to achieve (Combinations previously required to achieve 100-300mm at aperture f/2.8: 70-200mm f/2.8 lens + 300mm f/2.8 prime lens, or 100mm + 135mm + 300mm prime lenses). Users can now conveniently zoom to track and keep dynamic subjects, such as soccer ball or birds in flight within the frame, even in locations with restricted mobility. It also means less gear to carry.

Extender compatibility: Reach up to 960mm f/5.6

For occasions that require greater reach, simply attach one of the compact, lightweight RF extenders. With Extender RF2x, you can zoom up to 600mm (full-frame camera) or a whopping 960mm full-frame equivalent (APS-C camera/APS-C crop mode) while maintaining a maximum aperture of at least f/5.6! 

Lightest 300mm f/2.8 Constant Aperture Zoom Lens for Full-Frame Cameras on the Market (1)

The RF100-300mm f/2.8L IS USM + EOS R3 combination is lighter than the EF200-400mm f/4L IS USM Extender 1.4x alone, weight over 1kg less. It also offers substantial mobility savings than the EF300mm f/2.8L IS II USM + EOS-1D X Mark III while offering 3x zoom functionality. 

Fast Focusing, Optical Excellence

Driven by precise dual Nano USMs, AF is quick and accurate, complementing deep learning-based subject detection and tracking on cameras like the EOS R3. An innovative new electronic floating focus control system improves image quality while reducing weight, enhancing the signature RF mount L-series optical quality. This would enable sharp shots of swift action, right down to every sweat drop or feather detail.

The lens supports focus breathing correction during video shooting, delivering professional-looking footage straight out of the camera.

Other Notable Features

• Up to 5.5 stops’ in-lens image stabilisation; up to 6 stops’ image stabilisation through Coordinated Control IS 
• IS Modes 1,2, and 3: for image stabilisation optimised for different shooting situations
• 5 customisable lens function buttons: for direct lens operation regardless of camera orientation
• Signature white weather- and heat-resistant thermal barrier coating with matching Lens Hood ET-124
• Dust- and drip-resistant construction and sealing befitting L-series lenses

Pricing and Availability

The RF100-300mm f/2.8L IS USM will be available at the recommended retail price of $14,699 from end May 2023.

Notes:

(1) According to a survey by Canon. As of April 2023.

* Information and picture courtesy of Canon Singapore and Gloo *

The post New Canon RF100-300mm f/2.8L IS USM – Versatile Telephoto Lens appeared first on TGH Photography and Travel Portal/Blog.

Going back in time and doing a recap, the EOS R6 was announced in July 2020, I had a short hands on session with the EOS R6, followed by a review article that I published in March 2021. Fast forward approximately 2.5 years from July 2020 to November 2022, the new EOS R6 Mark II is here, with big shoes to fill. Having tried, tested and reviewed the EOS R6, it was Born to Rule, making huge waves and impressions in the photography, as well as videography and content creators markets, on both professional and leisure sectors. It’s more than just impressive, the EOS R6 is a powerful workhorse full-frame mirrorless camera and the EOS R6 Mark II is going to change the game further and better. 

“As a rapidly growing segment, content creators are becoming increasingly sophisticated when producing content. To meet the needs of these creators, we are leveraging on our imaging expertise to deliver the EOS R6 Mark II with strong feature sets for both stills photography as well as videography, perfect for a wide range of content creation activities.” Said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore. 

Canon EOS R6 Mark II: Game changer for photography and videography

What makes the Canon EOS R6 Mark II, a game changer for photography and videography? First up, let’s start off and explore into the video capabilities of the EOS R6 Mark II.

EOS R6 Mark II: Meeting the Needs of Professional Video Workflows

The EOS R6 II records 6K RAW externally via HDMI, maintaining high quality even with intense post-processing, with Full HD proxy data simultaneously recorded to one of the 2 SD card slows for ease of editing. 

Internally, it is capable of high-quality 4k 60p video oversampled from 6K, and High Frame Rate video up to Full HD 180p, in addition to Canon Log 3 and HDR PQ video. It has improved heat management, therefore unlimited continuous recording of 4K 30p is now possible.

An alternative Quick Control screen that resembles those on Cinema EOS cameras provides an intuitive interface for users using the EOS R6 Mark II alongside the Cinema EOS System.

Video: Seamless Creative Expression

The EOS R6 Mark II is the first Canon EOS camera to support focus breathing correction, which reduces unwanted changes in angle of view during focus transitions. This complements existing features such as AF speed adjustment, providing greater control over focus transitions which is crucial for expression. 

In addition to the existing zebra display, the EOS R6 Mark II is equipped with the false colour function widely used in the Cinema EOS system, making it easier to adjust exposure even in tricky conditions. 

Two other video features making their full-frame EOS camera debut are: 

• Pre-recording for movies: A staple feature on Cinema EOS cameras, this allows users to capture moments that occur up to 5 seconds before the record button is pressed, reducing the need to “record on standby”. 
• Hybrid Auto Mode: This records a video 2-4 seconds before shutter release during still image shooting and automatically compiles them into a digest movie for the day, providing readily available video content to suit a variety of purposes. 

Video: High-quality Livestreams with UVC/UAC Compatibility 

The EOS R6 Mark II supports UVC (USB Video Class) and UAC (USB Audio Class) protocols, enabling high-quality Full HD 30p video and audio to be delivered to a Windows/Mac OS computer in real time, making it ideal for livestreams, remote meetings, and computer-based video recording. Live streamers and content creators can now take full advantage of a full-frame camera and high-quality lenses through plug and play on both Windows and Mac OS. 

Up to 40 fps Burst with AF/AE Tracking: Enhanced Detection and Tracking Capabilities 

In electronic shutter mode, the EOS R6 Mark II can go up to 40fps continuous shooting. This is the first EOS camera to go beyond 30 fps in AF/AE-tracking continuous still shooting capabilities. In mechanical shutter mode, continuous shooting is up to 12 fps with AF/AE tracking.

The EOS R6 Mark II has added horses, trains, and aeroplane to the existing subjects detectable by the deep learning-based algorithm. Users can also specify right or left eye priority for Eye Detection AF in photo or video mode.They also have more flexibility to decide on the subjects to be detected. There is also a new “Auto subject detection” mode, allowing users to automatically detect more than 1 type of subject within the same frame. 

Tracking performance has been improved with the expanded application of deep learning technology to subject tracking. By extracting subject features based on deep learning, the camera can now maintain consistent tracking even with changes in posture, orientation, or ambient brightness. This applies to animals, vehicles, and other subjects of the user’s choice for both stills and videos.

Other noteworthy new features that aid responsiveness include:

• AI Focus AF mode: This automatically detects subject motion and switches between One-Shot AF and Servo AF modes, allowing better response to subjects with changing states of motion. 
• Digital teleconverter: Increases the focal length by 2x or 4x with the touch of a button, allowing quick response to unexpected telephoto shooting moments without the need to change lenses. 

New Developed 24.2MP Image Sensor

The EOS R6 Mark II has a newly developed 24.2-megapixel full-frame image sensor that achieves a higher pixel resolution than the 20.1-megapixel EOS R6 with new sharpness processing that achieves visual resolution surpassing even the 30.4-megapixel EOS 5D Mark IV. The native ISO speed is up to 102,400. 

The EOS R6 Mark II is equipped with In-Body IS and HDR PQ HEIF recording. A new “Moving subject priority” HDR mode has been added, which helps to overcome the difficulty of creating HDR merges of moving subjects by achieving the same effect with just one shot. 

Greater Connectivity: Supports 5GHz Connection, Easier Smartphone Connection 

Faster wireless connections to smart devices are now possible as the EOS R6 Mark II supports both 5GHz and 2.4GHz wireless connections. Smartphone connectivity is also expanded, with Camera Connect app functions such as automatic data transfer and shutter release, which are now also possible via a wired USB connection. Data transfer to FTP servers is also supported via wired and wireless methods 

Designed for Durability and Power Efficiency 

The EOS R6 Mark II features dual SD card slots for extra reliability, and a dust- and drip-resistant construction designed to support outdoor shooting. Designed for power efficiency, it can shoot up to 760 shots on a single charge using the LP-E6NH battery. 

RF135mm f/1.8L IS USM: Better Bokeh, Faster Speed and Up to 8 Stops IS

For those who are familiar with the Canon EF lenses lineup, the EF135mm f/2L USM is probably not a Canon L lens that gets your attention as much, versus the holy trinity lenses. Canon photographers who work with prime lenses, the EF135mm f/2L is popular among portraiture photographers and still a highly sought after portraiture lens. 

It’s great to see the legendary 135mm making a comeback in the RF lenses lineup, the RF135mm f/1.8L IS USM, with better bokeh and faster speed. This is currently the only 135mm lens in the market to be equipped with built-in optical image stabilisation with up to 5.5 stops, and up to 8 stops IS when combined with a compatible camera via Coordinated Control IS. 

This RF135mm f/1.8L lens only weighs approximately 935g – lighter than some lenses with similar specifications but without image stabilisation. With a larger f/1.8 aperture, compared to its EF counterpart, this not only provides beautiful bokeh for excellent subject-background separation, but also allows faster shutter speeds in challenging lighting conditions.

Powered and driven by the fast and smooth Nano USM, supporting focus breathing correction, making the RF135mm f/1.8L an ideal choice for video production. There are also 2 new customisable lens function buttons on the lens body providing intuitive control over various AF and/or exposure settings, allowing a swifter response to changing conditions.

Canon’s L lenses branding and quality are well-known in the market, the RF135mm f/1.8L IS USM features professional-grade optical, imaging, and build quality. It has a highly durable body, dust and drip-resistant construction, high vibration shock resistance, and fluorine coating ensuring excellent reliability even under harsh shooting conditions.

Speedlite EL-5: High-performance Professional Speedlite for EOS R series cameras

Some of the recent EOS R cameras are equipped with the new 15-pin Multi-Function Shoe, the new Speedlite EL-5 leverages on this, achieving faster and more stable communication with the camera, which improves overall performance and reliability. This also allows additional functionalities such as wireless control via smartphone.

Built for Speed: Fast Recycling Up to 0.1s; at least 95 continuous flashes at full output

The Speedlite EL-5 is smaller, lighter and more affordable than the Speedlite EL-1, it uses the same high-capacity rechargeable LP-EL lithium-ion battery but with better efficiency. The EL-5 features a recycling time of approximately 0.1s to 1.2s and can emit continuous flashes approximately 95x or more at full output (GN 60).

If you require fine lighting control, microflach as low as 1/1024 can be activated for such situations. 

Enhanced Connectivity: Expanded wireless functions for more creative freedom

Wireless flash functionality has been expanded – in addition to compatibility with wireless control as a transmitter and a receiver. The Speedlite EL-5 also supports wireless remote control of flash settings using a smartphone via the Camera Connect app. It also shares the same dust and drip-resistance quality as the EOS R5 body, ensuring stable performance.

As of November 2022, the Speedlite EL-5 is compatible with the EOS R6 Mark II, EOS R3, EOS R7 and EOS R10 via a firmware update.

Initial Thoughts and Views

Having tested and reviewed the EOS R6 previously, I would be making comparisons with the new EOS R6 Mark II during the media session when I saw it for the first time. Notable improvements for me would be the 40 fps continuous shooting as well as improved tracking performance. The other key highlights for me would be from the video segment, the improvements and the quality of professional video workflow packed inside the EOS R6 Mark II. 

A hybrid camera for photographers and videographers/content creators, a game changer. While an increase from 20.1MP to 24.2MP may not be enough to satisfy every user out there, this is sufficient to get most of the jobs done or even your personal photography requirements. I am interested to see for myself the quality and output from the new 24.2MP sensor.

I hope to share more on them when I get the opportunity to review the Canon EOS R6 Mark II when it is available.

Pricing and Availability

The Canon EOS R6 Mark II will be available from Canon authorised dealers at the following recommended retail price, from 18th November 2022.

Pre-Order Promotion!

From 2nd to 16th November 2022, there will be a pre-order promotion, for which customers will be entitled to the following:

• Additional 24-month warranty package (worth up to $360)
• 2 x sensor cleaning services (worth $40) for registered EOS R6 Mark II within 36 months from date of purchase

With the additional warranty on top of the standard 12 months’ warranty, customers will enjoy 36 months of warranty in total.

The Canon EOS R6 Mark II will be shipped from 18th November 2022. 

Pricing and availability of the RF135mm f/1.8L IS USM and Speedlite EL-5 will be advised at a later date. 

* Information and pictures courtesy of Canon Singapore and Gloo *

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“We are excited to introduce these new lenses to our RF line-up as it reaffirms our commitment to ensure that photographers have the right RF lens for every occasion, from fast primes to versatile zooms and ultra-wide to telephoto. These latest additions are lightweight and affordable, which will appeal to a wider segment of photographers as they are also compatible with both full-frame and APS-C EOS R bodies as well.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

For prime lens users, the new RF24mm f/1.8 MACRO IS STM completes the affordable range of RF prime lenses, which now overs 16mm, 24mm, 35mm, 50mm and 85mm focal lengths. Similarly, for the new RF15-30mm f/4.5-6.3 IS STM lens, they now complete the affordable zoom lenses line-up, covering a range of focal lengths from 15mm to 400mm.

Both lenses take advantage of the large diameter and short back focus that the EOS R camera system is renowned for, which results in both a compact optical system and excellent quality throughout the whole image. 

RF24mm f/1.8 MACRO IS STM : Wide-angle with Beautiful Bokeh

The RF24mm f/1.8 MACRO IS STM on a full-frame EOS R camera body has a minimal form factor, it’s also identical to the highly popular RF35mm f/1.8 IS STM lens in size. This make this RF24mm f/1.8 MACRO IS STM lens great and ideal for travel and landscape photography, or as an everyday lens.

When the RF24mm is mounted on an APS-C EOS R camera body, the focal length becomes 38mm, which is closer to the human’s eye field of view. This would make it suitable for portraits or street photography. At f/1.8, the RF24mm f/1.8 MACRO IS STM is at least two stops brighter than a typical kit zoom lens, allowing it to create beautiful bokeh, a stunning background blur effect which cannot be achieved by a zoom lens. With a large aperture, this would also make it an ideal lens for astrophotography.

The RF24mm f/1.8 MACRO IS STM can also double up as a macro lens, which is an uncommon attribute for wide-angle lens. With a minimum focusing distance of only 0.14m, it can achieve up to 0.5x magnification. This combination of 24mm with f/1.8 aperture creates a unique wide-angle close-up with beautiful bokeh, making it ideal for food or flower shots during travel or as an everyday lens.

The RF24mm f/1.8 MACRO IS STM has a native lens image stabilisation (Optical IS) of up to 5 stops and can go up to 6.5 stops when coupled with a compatible camera body with in-body image stabilisation (In-Body IS). This enables precise snapshots with minimal camera shake in a dim environment, with low shutter speeds or other scenarios prone to camera shake. 

Coupled with the silent Stepping Motor (STM), the RF24mm f/1.8 MACRO IS STM is perfect for videos. Vloggers who often use a small tripod or selfie stick will appreciate its light weight and compact size.

RF15-30mm f/4.5-6.3 IS STM : Versatile with Near Macro Capabilities

An ultra-wide angle zoom lens is usually expensive to own, however the RF15-30mm f/4.5-6.3 IS STM lens is going to change that, it’s designed to meet the budget of photography enthusiasts while providing a practical focal length range that covers 15-30mm. The weigh is approximately 390g, its small size form factor makes it great and ideal for travel photography. Comparing the RF15-30mm f/4.5-6.3 IS STM to the RF15-35mm f/2.8L IS USM lens, the RF15-30mm f/4.5-6.3 IS STM is approximately 53% lighter (approximately 390g vs 840g).

At the 15mm focal length, the RF15-30mm f/4.5-6.3 IS STM covers a view much wider than any standard kit lens, allowing users to include the atmosphere or environment along with the subject, especially in scenarios such as small rooms or tight spaces where backing up is not possible.

At the 30mm zoom telephoto end, users can capture images utilising a natural angle of view and perspective that is closer to the human eye.

When the RF15-30mm f/4.5-6.3 IS STM is mounted on an APS-C EOS R camera body, this lens now has a very versatile 24-48mm focal length range, offering a wider angle of view at the wide end compared to a kit lens. The lens can still be used even if the user switches to a full-frame camera in the future, making it an excellent future-proof investment.

The RF15-30mm f/4.5-6.3 IS STM corrects chromatic aberration throughout the zoom range with the use of two Ultra-low Dispersion lenses, achieving crisp and clear images with minimal colour blur.

The RF15-30mm f/4.5-6.3 IS STM has a native lens image stabilization (Optical IS) of up to 5.5 stops, which can go up to 7 stops of image stabilisation when paired with a compatible camera body with in-body image stabilisation (In-Body IS). This enables low light photography with minimal camera shake and achieve images with low shutter speed that usually would require a tripod.

RF15-30mm f/4.5-6.3 IS STM can achieve a magnification of up to 0.52x on the 15mm wide end while in manual focus mode for close-up shots. The RF15-30mm f/4.5-6.3 IS STM has a minimum focusing distance of just 0.128m.

With wide angle capabilities, both the RF24mm f/1.8 MACRO IS STM and RF15-30mm f/4.5-6.3 IS STM will come in handy for indoor photography which are often limited by space constraints, while their compact and lightweight size make them a breeze to use outdoors. Their wide angle(s) of view, built-in IS and smooth autofocus for video make them well-suited for shooting videos on top of delivering excellent still images.

Pricing and Availability

The new RF24mm f/1.8 MACRO IS STM and RF15-30mm f/4.5-6.3 IS STM lenses will be available from Canon authorised dealers as follows:

Technical Specifications

* Information and pictures courtesy of Canon Singapore and Gloo *

The post Canon Announced Two New Versatile RF Lenses appeared first on TGH Photography and Travel Portal/Blog.

Canon develops the key imaging system components featured inside its EOS series of digital interchangeable-lens cameras, from the CMOS sensors, image processors and interchangeable lenses- under the core concept of, “Speed, Comfort and High Image Quality”. Canon has put together a wide range of product lineup, from high-performance flagship models that are highly trusted by professionals, to entry level models that allow users to enjoy high image quality shooting with easy operation. Besides that, users have access to a wide and rich selection of RF and EF series lenses that make possible a wealth of creative expression. Canon continues to support the diverse needs of customers.

In September 2003, Canon introduced the EOS Kiss Digital (EOS Digital Rebel or EOS 300D in other regions). This was the dawn of digital SLR cameras, a groundbreaking camera that brought about a breakthrough in the digital SLR market, a competitively priced digital SLR that featured a compact, lightweight design, capturing the top share of the global market and setting the stage for growth in the digital SLR market.

From then on, Canon has continued to grow and develop, launching a range of groundbreaking products, including the professional EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. In October 2018, the Canon EOS R System was born from Canon’s desire to construct the ideal lens mount and maximise the appeal of its new RF lenses. Canon has since continued to expand the range of imaging creativity and new possibilities for visual expression, including the release of Canon EOS R5 – the first camera to feature 8K video recording (2) in July 2020.

In 2021, Canon announced the Canon EOS R3 full-frame mirrorless camera (released in November 2021). This camera features the high performance and reliability demanded by professional and enthusiast users, along with eight new RF lenses (3). Through new launches such as the Canon EOS VR System, Canon further expanded its lineup and they managed to secure the No.1 share of the global market for the 19th consecutive year.

Canon will continue to refine its diverse imaging technologies based on its core optical technology while further strengthening and expanding the EOS series of cameras and RF/EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and to promote the spread of photo and video culture.

Notes

(1) Based on a Canon survey.

(2) Among digital interchangeable-lens cameras released prior to July 8, 2020.

(3)  In 2021, Canon released the following eight digital interchangeable lenses: RF70-200mm F4 L IS USM (March), RF100mm F2.8 L MACRO IS USM (July), RF400mm F2.8 L IS USM (July), RF600mm F4 L IS USM (July), RF14-35mm F4 L IS USM (September), RF100-400mm F5.6-8 IS USM (October), RF16mm F2.8 STM (October), RF5.2mm F2.8 L DUAL FISHEYE (December). All release months based on Japanese release dates.

* Information and picture courtesy of Canon Singapore and GLOO *

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