Canon’s 24-70mm L range is built on a legacy and strong standing from the EF24-70mm series, both f/2.8L and f/4L models. They are well loved by professionals and serious amateurs alike, for its accuracy, sharpness, optics and versatility. The RF24-70mm f/2.8L IS USM lens is built upon those strong foundations and it got even better with the modern RF lens mount and EOS R technology. 

During my review of the Canon RF4-70mm f/2.8L IS USM lens, I shot a wide range of photography genres from portraiture, landscapes, product, street, cats. This lens was a breeze to use, fast and accurate, sharp and clear photographs, sweet bokeh at f/2.8 too! For those photographers who regularly use the 24-70mm focal length range especially Canon users who have the EF24-70m f/2.8L or EF24-70mm f/4L lenses, this would be a very familiar lens to you when you use it. I personally own the EF24-70mm f/4L IS USM lens and I can attest to its quality and versatility. 

Here are some of my content creation articles shot with the Canon RF24-70mm f/2.8L IS USM lens:

SingapoRediscovers with Canon RF24-70mm and RF70-200mm 

Cute and Friendly Neighbourhood Cats!

Sudio Tolv Audio Photography Adventure

OtterBox and LifeProof protection for your Apple iPhone 12 series

Jabra Evolve2 85 x Sonnenglas x Star Wars Lego x TGH Photography

Using the RF24-70mm f/2.8L IS USM lens, I am also considering whether to make the switch from EF to the RF model even though I am using both EF mount (with my Canon EOS-1DX Mark II) and RF mount lenses (with my Canon EOS RP) in my current setup.

Shooting videos with the RF24-70mm f/2.8L IS USM was pretty good, with the lens IS and paired with the 5-axis In-Body Image Stabiliser inside the EOS R6 or EOS R5, they make handheld videography smooth, stable and easy to use. I shot two videos using Canon EOS R6 with RF24-70mm f/2.8L IS USM lens. Both videos were shot by me, editing was by fellow photographer Isaac Ong. 

Cute and Friendly Neighbourhood Cats

BBQ with  Chef Keith

Thoughts and Views

The 24-70mm focal length lens is well loved by professionals. It’s a very versatile lens that can cover many photography genres, wide at 24mm and a bit of telephoto at 70mm. The photographs shot with this lens are sharp, detailed and beautiful. Bokeh at f/2.8 is creamy, smooth and beautiful. 

The Canon RF24-70mm f/2.8L IS USM is most welcomed by professionals, part of the RF holy trinity lenses setup from the Canon RF family (add the RF15-35mm f/2.8L IS USM and RF70-200mm f/2.8 L IS USM lenses to complete the setup).

With the lens image stabilisation up to 5 stops and paired with the EOS R5 or EOS R6 with the 5-axis In-Body Image Stabiliser feature, this powerful function and features helps us photographers and videographers in our shoots that we sometimes don’t realise about the two features in action when using the Canon EOS R6 or EOS R5 that would be most welcomed by photographers. 

Key information on Canon RF24-70mm f/2.8L IS USM

• Filter size: 82mm
• Max aperture: f/2.8
• Weight: 900g 
• Image Stabilisation: up to 5 stops
• Nano USM
• Additional Control Ring
• Dust and Drip Resistant 

For working professionals who wish to switch to Canon EOS R and RF lenses setup, the RF24-70mm f/2.8 L IS USM is one of the lenses that you would definitely be getting (or you want to have) for your professional photography setup.

More photographs shot with Canon RF24-70mm f/2.8L IS USM lens can viewed inside this Flickr photo album. Do check out my Canon EOS R6 review article and Canon EOS R5 review article and photos shot with the EOS R6 and EOS R5 in this Flickr photography collections.

I would like to thank Canon Singapore for the opportunity to review the Canon RF24-70mm f/2.8L IS USM lens.

The post Canon RF24-70mm f/2.8L IS USM Review appeared first on TGH Photography and Travel Portal/Blog.

Canon announced RF15-35mm f/2.8 L IS USM and RF24-70mm f/2.8 L IS USM lenses, these two focal range lenses are part of the holy trinity lenses that we photographers know and relate to. With the addition of these two RF L lenses, this announcement displays and reinforces Canon’s commitment to the RF lenses lineup and the EOS R full frame mirrorless cameras. The holy trinity lenses combination, 15-35mm, 24-70mm and 70-200mm focal length range, are very versatile and capable for many photography genres. These two lenses are highly anticipated and eagerly awaited by photographers using the Canon EOS R system.

Personally for me, this would also be a time for serious planning and consideration. With my current Canon EOS RP camera, I have the RF24-105mm f/4 L IS USM lens and I can also use my EF lenses (EF17-40mm f/4 L USM, EF24-70mm f/4 L IS USM and EF70-200mm f/2.8 L IS USM) for my Canon EOS 1DX Mark II. Investing in excellent quality lenses like the Canon L series, last you for a good decade at least (My EF17-40mm lens was probably bought in 2006 and I am still faithfully using it). Moving forward, I am planning to refresh some of my Canon L lenses, which lenses am I looking at and planning, is currently classified.

Let me share more information and details on Canon’s two new RF zoom trinity L lenses:

“The new RF24-70mm f/2.8L IS USM and RF15-35mm f/2.8L IS USM lenses, part of the Zoom Trinity, are much-anticipated zoom lenses added to complement the EOS RF lenses line-up and deliver on Canon’s commitment to building up the lens ecosystem for users of the EOS R and RP,” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore. “As Canon’s first f/2.8 wide zoom lenses to be equipped with image stabilisation, coupled with features such as Nano USM for high-speed AF, these two lenses aim to deliver spectacular image quality that can adapt to the needs of photographers today.”

Both lenses cater to a wide variety of photography applications – the RF24-70mm f/2.8L IS USM’s versatile focal length range of 24-70mm makes it suitable for everyday use while the ultra-wide zoom range of the RF15-35mm f/2.8L IS USM makes it handy for landscapes and events such as weddings. Whether one is an advanced amateur or a seasoned professional photographer, they can rely on the high performance by Canon’s premium L-series lenses.

Edge-To-Edge Sharpness Throughout Zoom Range

The large diameter mount and the short back focus, which are common features of the RF mount, allows a large aperture lens to be placed near the imaging surface. This allows the advantage of achieving high image quality with gentle refraction of light rays and low aberrations, while retaining a more compact form. Users can expect lens aberrations to be significantly reduced with the arrangement of three glass-moulded aspherical lenses and three UD lenses on RF15-35mm f/2.8L IS USM and two UD lenses on RF24-70mm f/2.8L IS USM. The ASC coating on both lenses also helps to suppress flaring and ghosting, which could compromise image quality.

Unique to both RF lenses is the customisable control ring for exposure adjustment; ISO, shutter speed, aperture or exposure compensation. The tactile control ring allows a more precise control. The tiny yet powerful Nano USM focus drive system allows smooth, fast and quiet focusing. This is especially useful for wedding photographers shooting intimate moments such as vow exchanges or prayers in a place of worship.

Astounding Image Precision with IS

Both the RF24-70mm f/2.8L IS USM and RF15-35mm f/2.8L IS USM are equipped with the CIPA standard 5-stop IS, which gives users the ability to capture hand-held night scenes and dark indoor shots with minimal blurring. With the Dual Sensing IS feature for still images, the amount of shaking is detected from the camera’s CMOS sensor image information, in addition to the lens’ gyro sensor. By comparing and analysing these information, it is possible to detect and correct low-frequency shaking (slow shaking of the body due to breathing, etc.) that could not be detected on the lens side with high precision.

When recording movies or videos, Combination IS (the in-lens optical IS combined with the in-camera 5-axis electronic IS) enhances the effects of image stabilisation even further. The amount of shake that cannot be fully compensated for using lens IS alone is compensated further with in-camera electronic image stabilization.

Create Beautiful Bokeh with Bright Aperture of f/2.8

The RF24-70mm f/2.8L IS USM and RF15-35mm f/2.8L IS USM belong to Canon’s premium L-series range, denoted by the red line on the front barrel of the lenses. Both lenses feature water and dust resistant construction, so they can still perform in the event of sudden rainfall during outdoor shoots. The fluorine coating on the front and rear elements of both lenses helps to easily repel oil and water stains – which can be easily cleaned off with a dry cloth.

With the versatile day-to-day focal length range, the RF24-70mm f/2.8L IS USM can be used for various applications ranging from night scenes to portraits. The large and bright aperture enable users to shoot with less subject blurring at faster shutter speeds even in low light conditions, such as when photographing at night or indoors. For portrait photography, the f/2.8 aperture can create a beautiful bokeh effect, enhanced by the 9-blade circular diaphragm.

With the RF15-35mm f/2.8L IS USM, users can create images that utilise the ultrawide perspective of the lens and the blurring of the large f/2.8 aperture, expressing unique views of close up subjects. The extra one mm at the wide-angle end of the RF15-35mm f/2.8L IS USM (compared to the conventional 16mm) makes for dynamic photo expression with more emphasis on perspective and is especially useful for architecture and interior shots.

Pricing and Availability

Pricing and availability for the two lenses will be advised at a later date.

Check out my Canon EOS R articles that I published earlier: Key links and information on Canon EOS R versus Canon EOS RP

The Canon Mirrorless Journey from Canon EOS M to EOS R

Canon EOS RP review article

Canon EOS RP review photos on Flickr

Canon EOS R review article

Canon EOS R review photos on Flickr

* Information and pictures courtesy of Canon Singapore and Ogilvy *

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