At NHB inaugural Craft X Design showcase held at the National Museum of Singapore, visitors can get up close and personal with four prototypes of contemporary and creative amalgamation of tradition, heritage and culture, combined with modern contemporary living and design through the world, eyes, craft and skillsets of the cultural and heritage practitioners and contemporary modern designers coming together in a unique and eye opening experience.

Craft X Design was introduced by NHB, part of their efforts under Our SG Heritage Plan to cultivate stronger public awareness and appreciation of Singapore’s Intangible Cultural Heritage. This helps to create platforms to showcase Singapore’s rich and diverse trades and crafts. 

Mr Yeo Kirk Siang, Director, Heritage Research & Assessment, NHB, said, “By actively nurturing partnerships between crafts persons and local designers to produce contemporary products using traditional craft techniques or materials, we aim to revitalise local traditional crafts, by opening up new markets and new customer bases, and thus ensuring their long-term sustainability and commercial viability. The result of the pilot edition of Craft X Design conveys the important message that traditional crafts continue to have a place and relevance in our society today through innovation.” 

Traditional Chinese Lanterns | Harmony Spheres 

Practitioner: Jimm Wong

Designers: Melvin Ong, Xu Xiao (NextOfKin Creatives)

Traditional Chinese lanterns have a long tradition and history dating back to the Han Dynasty (206BC to 220AD). In Singapore, they are traditionally hung in places of worship and clan associations, and during festivities or special occasions such as deities’ birthdays, weddings and Mid-Autumn Festival. 

Traditional Chinese lanterns are made of bamboo frames, the bamboo splints are cut to the required length and thickness, followed by soaking in water before being heated over a fire and the bamboo strips can be Ben for the lantern frame. This would followed by gluing the oil-coated silk paper onto the lantern frame, before they can be painted with traditional characters, motifs and/or family surnames. 

In a modern reinterpretation of the traditional Chinese lantern by NextOfKin Creatives, they designed it to be an elegant dining lamp, titled “Harmony Spheres”. This symbolises a nice and good mix of tradition and contemporary, by preserving the lighting function and the bamboo strips of a traditional Chinese lantern, while adding a contemporary spin through its unique multi-spherical structure.

This Harmony Spheres lamp is further inspired by the Chinese ivory puzzle ball, they have intricately carved layers that can rotate individually. With its open-ended spheres further producing a layered and textured lighting effect. The translucent exterior design produces a graceful arc of the bamboo ribs, held together by 3D-printed rims.

In order to see, feel and experience this Harmony Spheres lamp, get up close and personal (without touching it) at this exhibition. You will be able to feel the tradition and contemporary combining together as one.  

Ketupat Weaving | Raya Furniture

Practitioner: MDM Anita Tompang 

Designer: Mr Andrew Loh

Whenever I see a Ketupat, the first thing that comes to my mind is delicious Malay cuisine. Ketupat is a rice cake wrapped in a pouch, traditionally woven with coconut leaves, used in religious ceremonies throughout the Malay world as form of food offering. In Singapore, it’s usually prepared as a festive food by the Malay-Muslim community during Hari Raya Puasa and Hari Raya Haji. 

Ketupat weaving is often a family activity that brings together generations together in a celebratory spirit of Hari Ray festivities. More than just weaving ketupat for rice cakes, ketupat pouches are also woven from colourful ribbons to decorate Malay homes during festive periods, they can be woven into a variety of shapes and sizes, including the ketupat raya, the most common ketupat from seen during the Hari Raya festive celebrations. 

How do you transform the ketupat into something contemporary? Through Raya, a celebration of the ketupat raya. It’s being transposed from ketupat raya to contemporary furniture, paying tribute to the sophistication and versatility of the weaving techniques. 

How is Raya Furniture produced? They are woven around foams of different densities instead of coconut leaves and rice cakes, inspired by the function of ketupats as containers. Each module is woven or riveted together with other modules, stacked in different combinations to create the bench and stool on display. 

The modular nature of Raya furniture is a respond to the growing nature of creative designed spaces and encourages users to experiment with modifying/re-transforming their Raya modules into a variety of functional everyday uses.

Peranakan Beadwork and Embroidery | Rejuvenation Gown

Practitioner: Raymond Wong

Designers: Joanna Lim, Joanne Quak (Aller Row)

Peranakan beadwork and embroidery are exquisitely beautiful and intricate crafts, marked with a rich repertoire of motifs and techniques that weave together diverse Chinese, Malay, Indian, and European influences, reflecting Peranakan culture. Two iconic examples of Peranakan beadwork and embroidery are the beaded slippers (kasut manek) and the Peranakan kebaya dress. 

Peranakan beadwork uses glass and metal seed beads, individually stitched in place onto the cloth. The Peranakan kebaya featured two triangular front panels (lapik) that fall gently over the hips. Combining lacework as well as satin, zigzag and buttonhole stitches are employed to outline floral or geometric motifs on the kebaya. 

Rejuvenation Gown is a contemporary take on the traditional Peranakan kebaya, adapting and incorporating elements of Peranakan kebaya onto a cape-sleeved couture gown, fusing Lim and Quak’s joint vision of creating fashion wear tailored for the modern women, as well as showcasing Wong’s interest in Peranakan culture and expertise in traditional Peranakan beadwork and embroidery techniques. 

Rangoli | Refined Rangoli

Practitioner: Ms Vijaya Mohan

Designer: Jarrod Lim (Jarrod Lim Design)

Rangoli, is a traditional Indian art form dating a long wat back in time to pre-Aryan India. It is a multi-coloured floor decoration, using rice flour or other natural substances such as grains, seeds, vermillion and/or turmeric powder, to create motifs that symbolise joy, prosperity, and/or thanksgiving to the deities. 

They are traditionally drawn on the ground at the entrance of households and are commonly seen during Indian festivals such as Deepavali. Their shapes may range from geometric shapes, to auspicious animals and floral designs, to symbols of Hindu deities. Some of the popular motifs include circular designs that signify the continuity of time, the lotus flower with Goddess Lakshmi in the middle, that represents prosperity and fertility in Hinduism. 

From a 2D art form to a 3D art form, giving rise to Refined Rangoli, widening the possibilities and diversities of Rangoli art form into a modern contemporary design of 3D metalware, including a lampshade and a bowl, a combination of decorative art form with new practical applications. 

Refined Rangoli metalware preserves Rangoli’s artistic flavours and cultural expressions, bringing them to life via laser cutting technology, producing intricate Rangoli motifs carved out onto slices of stainless steel. The thin and flexible metal slices were then folded by hand into the form of the lampshade and bowl.

In order to see, feel and experience the Refined Rangoli, get up close and personal (without touching it) at this exhibition. You will be able to feel the tradition and contemporary combining together as one.  

NHB Craft X Design showcase – A Must Visit 

The inaugural NHB Craft X Design showcase is amazing, a real eye opener into how we can merge the world of heritage, culture and traditions together with modern contemporary inputs from design and applications to everyday living. 

This showcase is an inspiration to all, it’s also a modern contemporary method of continuing heritage, culture and traditions from the older generations to the younger generations. Highly recommended for extended families to bring their children/grandchildren to visit, learn and appreciate about Singapore’s Intangible Cultural Heritage, preserving, conserving and passing on our heritage, culture and traditions to the future generations.

Craft X Design Showcase Information

Venue: National Museum of Singapore, Longer Concourse, Level 1, 93 Stamford Road, S178897

Date: 2nd July 2022 to 31st July 2022

Time: Opens daily 10am to 7pm

Admission: Free

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How I met Alvin was most likely to be a museum event, I was introduced by Belinda, the great connector and networker. “Come and visit the Intan!” Alvin said to me. “Alright, sure!” I replied to Alvin. Fast forward to 16^th June 2019, I finally visited the Intan! I had one of my most memorable visit to a museum here in Singapore, an exquisite Peranakan Experience at the Intan. Let me bring you through on my story of learning and exploring up close and personal Peranakan history, heritage and culture at the Intan with Alvin Yapp.

I joined a scheduled Intan Tea Tour with two other visitors from overseas, along with another family based in Singapore, on a Saturday morning. The Intan attracts both local and international visitors. The tour took about an hour, starting with a brief history on the origins of Peranakan history, heritage and culture by Alvin. Thereafter, he brought us around a tour of his Peranakan museum on the ground floor, telling the stories, the origin and history behind them.

On the second floor, there are even more Peranakan treasures! Prior to going up, Alvin kindly requested “No photography is allowed to be taken on the second floor”. We respected his privacy and request, no questions asked. Oh, what are the type of Peranakan treasures and collection on the second floor? I would like to keep this a suspense, for you to visit the Intan and discover them for yourself!

Upon finishing the tour, we went back down to the ground floor, sat down, had tea, delicious Nonya kueh and continued chatting with Alvin, listening to his stories. As the other visitors left, I stayed behind for a bit longer, preparing for the second half of my exquisite Peranakan experience. While chatting with Alvin, he shared this with me, “Every piece of Peranakan artefact inside the Intan has a story behind it.” I was curious, wanting to learn and understand more about Intan.

Me: When and how did the Intan get started?

Alvin: The Intan is sometimes referred to as an ‘Accidental Museum’ I started collecting Peranakan antiques to learn about my own culture. When I had my own apartment, visitors were keen to visit me to view and learn about P culture. We eventually registered ourselves at The Intan in 2006, and NHB appointed The Intan as a member of the museum roundtable association in 2010.

Me: What are some of your favourite Peranakan collections and what are some of the stories behind them?

Alvin: Each piece has it’s own story. My first piece is a humble planter’s chair. I got it from a garage sale by using my Dad’s station wagon. Another piece that is special to me would be a pair of beaded slippers that my g’ma gave to my mum. I always say….everything else, money can buy. Heirloom pieces are priceless.

Me: What makes the Intan so special and unique?

Alvin: Everything Here are some things we keep hearing from our guests

1. Am surprised that the owner still lives in the house
2. Special to visit a ‘house’ museum where we can interact and engage with the owner/collector himself.
3. It’s a living museum
4. Very experiential where we can ask all the questions we want
5. You can also check out Tripadvisor reviews….wat travelers’ say about The intan is extremely interesting!

There were stories on some of the Peranakan collections, some were heart warming, some heart wrenching when I heard it from Alvin, while looking at the Peranakan collections, I was amazed, touched and enlightened by them. That is the exquisite Peranakan experience that I am talking about earlier, only at the Intan, surrounded by a vast and wide collection of Peranakan history, heritage, culture, conservation and preservation, through the private stories, heart, mind, soul and amazing passion of Alvin Yapp, the owner of the Intan.

The Intan is not a big museum by floor size, it is a “huge” museum by the diversity of Peranakan culture packed inside there, filled with such a rich Peranakan history, heritage, culture, stories behind them and a level of passion unparalleled by the private museum owner Alvin Yapp. This is definitely one of the best private museum in Singapore, in my personal humble opinion.

I would like to invite you to book a visit to the Intan, go for your own exquisite Peranakan experience adventure! Thank you Intan, thank you Alvin, for this memorable exquisite Peranakan Experience!

<A TGH Photography x Canon EOS RP Explorer series production>

Information on the Intan

Address: 69 Joo Chiat Terrace, Singapore 427231

Telephone: +65 6440 1148

Email: contactus@the-intan.com

Important! Take note!

The Intan is a private Peranakan Museum. Please be kindly reminded that visits to the Intan are STRICTLY by appointments only! Book your Intan tour here on their website!

Social Media

Website: http://the-intan.com

Facebook Page: https://www.facebook.com/TheIntanSG/

Instagram: https://www.instagram.com/theintansg/

Twitter: https://www.instagram.com/theintansg/

The post An Exquisite Peranakan Experience at the Intan appeared first on TGH Photography and Travel Portal/Blog.

As you watched and immersed yourself into the heart, mind and soul of this immigrant in Singapore (going back in time to a much earlier generation) who came to Nanyang for a better life and married a local Malay woman. As his business flourished, he also had a good loving and happy family, a comfortable life. However, he still think about his family in his hometown.

In order to cheer him up, his grandchildren, came up with something special for their grandfather, a harmonious and special fusion of two polar genres, Nanyin and music of today’s era.

This family and love story, Memoirs of Nanyang, presented to you through this remarkable perfomance, a combination of 2,000 year old Nanyin music, meeting Malay music and Mandarin pop music, that would impress and amaze you on how different cultures and music are able to combine together, producing such an amazing musical performance, celebrating the spirit and essence of family, love, bonding and multiculturalism.

Be touched, be mesmerised, be awed, by Memoirs of Nanyang.

Memoirs of Nanyang (情锁南洋)

Date: Saturday 25^th May 2019

Time: 2.30pm – 3.30pm

Venue: Singapore Chinese Cultural Centre Auditorium

Ticket Pricing: S$38 , S$28 (excludes booking fee)

Tickets: https://www.sistic.com.sg/events/csccce2019

Singapore Chinese Cultural Centre

Website: https://www.singaporeccc.org.sg

Facebook Page: https://www.facebook.com/singaporechineseculturalcentre

Instagram: https://www.instagram.com/singaporechineseculturalcentre/

YouTube: https://www.youtube.com/channel/UCAyGrbeMegLonj-e3dI_Rtg

Siong Leng Musical Association

Website: http://www.siongleng.com

Facebook Page: https://www.facebook.com/SiongLengMusicalAssociation/

Instagram: https://www.instagram.com/siongleng.sg/

YouTube: https://www.youtube.com/channel/UCeB6bb5Z6WV-rf4szH4PYdw

I would like to thank Singapore Chinese Cultural Centre and Siong Leng Musical Association for the invitation to a preview of Memoirs of Nanyang – A Nanyin Musical.

The post Memoirs of Nanyang – A Nanyin Musical appeared first on TGH Photography and Travel Portal/Blog.

Together with Victor, June, Iris, Uncle CE and myself, along with John, our EOS World Community Manager and Ron from Canon Imaging Academy of Canon Singapore, we had a fun morning photo walk, helping out the group guides in the photo walk, starting off from Old Bibik’s Peranakan Kitchen. The Peranakan Project Photo Walk was organised by Marine Parade Cluster, whereby my friend Jude is also active inside the Marine Parade Cluster.

Group photo courtesy of John

For those who love delicious Peranakan cuisine, do visit Old Bibik’s Peranakan Kitchen, we had a delicious brunch before starting off on our photo walk. Before starting the guided photo walk, participants had the opportunity to do food photography shoot with the Peranakan dishes setup on the table.

A big group photograph was taken outside Old Bibik’s Peranakan Kitchen before the start of The Peranakan Project, a photo walk exploring and learning about Peranakan history, heritage and culture in the Joo Chiat district. We visited some of the iconic landmarks in Joo Chiat district, the colourful Peranakan Houses along Koon Seng Road, Katong Houses along 150 East Coast Road, Katong Antique House, Kim Choo Kueh Chang before finishing the photo walk at Joo Chiat Community Club. Our group made pit stops at some of the back alleys of Joo Chiat district where there were interactive stations for participants to join in and have fun.

As one of the photo guides and helpers, I didn’t take as many photographs as I would like, since I had to help to keep a lookout for my group’s participants, therefore I took photos of the participants and behind the scenes photos instead. I had previously explored Joo Chiat district on a number of occasions, just a few weeks back prior to the Peranakan Project photo walk, I planned a video and photo shoot for Hpility SG Vivo Smartphone project in this vicinity.

Personally for me, the visit to Katong Antique House was very memorable, a remarkable private museum that has a long and rich history and heritage packed inside there. I hope to visit them again to learn more about in-depth about Peranakan history, heritage and culture. Kim Choo Kueh Chang was also great, participants got the opportunity to taste some of the nonya delights, absolutely authentic and delicious.

A photo walk, would never be a real photo walk until you started chatting with participants, photo guides and helpers on camera gears, the debates and discussions between photographers whether they are enthusiasts or professional photographers. I brought my Canon EOS RP full-frame mirrorless camera out for the Peranakan Project photo walk, attracted some fanfare attention from fellow Canon photographers as well photographers using other camera brands. We did have some interesting chats and debates among us at the Joo Chiat Community Centre! Nevertheless, the lightweight Canon EOS RP makes it very ideal for street photography and travel photography too!

Thanks to Marine Parade Cluster for organising The Peranakan Project photo walk, it was fun to help out in a small way back to the community and heritage sector.

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