Canon’s 24-70mm L range is built on a legacy and strong standing from the EF24-70mm series, both f/2.8L and f/4L models. They are well loved by professionals and serious amateurs alike, for its accuracy, sharpness, optics and versatility. The RF24-70mm f/2.8L IS USM lens is built upon those strong foundations and it got even better with the modern RF lens mount and EOS R technology. 

During my review of the Canon RF4-70mm f/2.8L IS USM lens, I shot a wide range of photography genres from portraiture, landscapes, product, street, cats. This lens was a breeze to use, fast and accurate, sharp and clear photographs, sweet bokeh at f/2.8 too! For those photographers who regularly use the 24-70mm focal length range especially Canon users who have the EF24-70m f/2.8L or EF24-70mm f/4L lenses, this would be a very familiar lens to you when you use it. I personally own the EF24-70mm f/4L IS USM lens and I can attest to its quality and versatility. 

Here are some of my content creation articles shot with the Canon RF24-70mm f/2.8L IS USM lens:

SingapoRediscovers with Canon RF24-70mm and RF70-200mm 

Cute and Friendly Neighbourhood Cats!

Sudio Tolv Audio Photography Adventure

OtterBox and LifeProof protection for your Apple iPhone 12 series

Jabra Evolve2 85 x Sonnenglas x Star Wars Lego x TGH Photography

Using the RF24-70mm f/2.8L IS USM lens, I am also considering whether to make the switch from EF to the RF model even though I am using both EF mount (with my Canon EOS-1DX Mark II) and RF mount lenses (with my Canon EOS RP) in my current setup.

Shooting videos with the RF24-70mm f/2.8L IS USM was pretty good, with the lens IS and paired with the 5-axis In-Body Image Stabiliser inside the EOS R6 or EOS R5, they make handheld videography smooth, stable and easy to use. I shot two videos using Canon EOS R6 with RF24-70mm f/2.8L IS USM lens. Both videos were shot by me, editing was by fellow photographer Isaac Ong. 

Cute and Friendly Neighbourhood Cats

BBQ with  Chef Keith

Thoughts and Views

The 24-70mm focal length lens is well loved by professionals. It’s a very versatile lens that can cover many photography genres, wide at 24mm and a bit of telephoto at 70mm. The photographs shot with this lens are sharp, detailed and beautiful. Bokeh at f/2.8 is creamy, smooth and beautiful. 

The Canon RF24-70mm f/2.8L IS USM is most welcomed by professionals, part of the RF holy trinity lenses setup from the Canon RF family (add the RF15-35mm f/2.8L IS USM and RF70-200mm f/2.8 L IS USM lenses to complete the setup).

With the lens image stabilisation up to 5 stops and paired with the EOS R5 or EOS R6 with the 5-axis In-Body Image Stabiliser feature, this powerful function and features helps us photographers and videographers in our shoots that we sometimes don’t realise about the two features in action when using the Canon EOS R6 or EOS R5 that would be most welcomed by photographers. 

Key information on Canon RF24-70mm f/2.8L IS USM

• Filter size: 82mm
• Max aperture: f/2.8
• Weight: 900g 
• Image Stabilisation: up to 5 stops
• Nano USM
• Additional Control Ring
• Dust and Drip Resistant 

For working professionals who wish to switch to Canon EOS R and RF lenses setup, the RF24-70mm f/2.8 L IS USM is one of the lenses that you would definitely be getting (or you want to have) for your professional photography setup.

More photographs shot with Canon RF24-70mm f/2.8L IS USM lens can viewed inside this Flickr photo album. Do check out my Canon EOS R6 review article and Canon EOS R5 review article and photos shot with the EOS R6 and EOS R5 in this Flickr photography collections.

I would like to thank Canon Singapore for the opportunity to review the Canon RF24-70mm f/2.8L IS USM lens.

The post Canon RF24-70mm f/2.8L IS USM Review appeared first on TGH Photography and Travel Portal/Blog.

I am currently reviewing both the Canon RF24-70mm f/2.8 L IS USM and RF70-200mm f/2.8 L IS USM lenses with my Canon EOS RP, building up my photographs that I am planning to curate and publish in my upcoming first photography zine and a future photo book on this SG55/SingapoRediscovers theme! The review of both Canon RF lenses would be published at a later date, do keep a lookout!

Meanwhile, I would like to share some photos of my SingapoRediscovers with Canon RF24-70mm and RF70-200mm. Can you guess the locations of those places in Singapore that I shot from the photos I shared below? 

Shot with Canon RF24-70mm f/2.8 L IS USM

Shot with Canon RF70-200mm f/2.8 L IS USM

Where are those locations in Singapore that I shot with both Canon RF24-70mm and RF70-200mm lenses, are you able to identify them? Have you been exploring more of Singapore’s natural beauty, your own backyard in your local neighbourhood? Besides the cute otters that have attracted local and international news coverage, have you spotted other wildlife around in Singapore?   

I would like to encourage you to explore your own backyard in Singapore with SingapoRediscovers, there’s no doubt that we are a small country in land size. However, Singapore has her fair share of charms, hidden gems, secrets and places tucked away, from cultural, heritage to nature and wildlife.

More SingapoRediscovers stories and photos coming soon! Stay tuned and keep a lookout!

A TGH Photography x Canon EOS RP Explorer Series Production

The post SingapoRediscovers with Canon RF24-70mm and RF70-200mm appeared first on TGH Photography and Travel Portal/Blog.

The 70-200mm focal length range is one of the most popular lens used by both professionals and leisure photographers around the world. It’s versatile and can be used in a number of photography genres including landscape photography. From events, portraiture, sports and wildlife photography, the 70-200mm lens is a “staple” lens for many photographers. For commercial photography work, the f/2.8 does make a difference, one of the reasons that made me changed from my EF70-200mm f/4 L USM to EF70-200mm f/2.8 L IS USM a few years back.

The Canon 70-200mm L series lenses are really good, excellent quality and optics, for both the f/4 and f/2.8 series. One of my favourite lenses, the EF70-200mm f/4 was actually my second L lens and I used it for 10 years before upgrading to EF70-200mm f/2.8 for my commercial photography work. Canon has many years of professional experience and manufacturing quality in the L lenses, I am confident that this new RF70-200mm f/2.8 L IS USM telephoto lens would continue on Canon’s 70-200mm L lenses legacy. 

With the announcement of the RF70-200mm f/2.8L IS USM lens, I would have options to add this to my Canon EOS RP setup or continue using my EF70-200mm f/2.8L lens with the adaptor. How I would want to build my Canon EOS RP and RF lenses setup, it’s still a work in progress (and a lot to strategise and plan) since I have my existing Canon EOS-1DX Mark II DSLR inside my setup.

For those who have just started/concentrating on the Canon EOS R and RF lenses system, you have less headache and can start to welcome the new RF lenses being announced and arriving into the market. The new RF L lenses announcements showed Canon’s commitment to the Canon EOS R and RF lenses lineup, I am looking forward to more lenses on their RF lenses roadmap!

Let me share with you more information and details on the RF70-200mm f/2.8L IS USM telephoto lens:

“The RF70-200mm f/2.8L IS USM completes Canon’s Zoom Trinity Lenses, the other two lenses  being the RF15-35mm f/2.8L IS USM and RF24-70mm f/2.8L IS USM,” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore. “The shooting range of the RF70-200mm f/2.8L IS USM is incredibly diverse with its ability to shoot from still portraits to fast-moving sporting activities. Together with its lightweight and compact body, the RF70-200mm f/2.8L IS USM truly makes for an ideal partner in producing high quality images.”

Reduction in Overall Length and Weight

Compared to the well-established EF70-200mm f/2.8L IS III USM lens (the existing EF mount model), the RF70-200mm f/2.8L IS USM is approximately 27% shorter and 28% lighter. In shooting situations, the lens and camera body combination is about 30% lighter compared to the existing EF lens and DSLR body combination. This would significantly help to lighten the load for shooting over a long period of time.

By using an extending zoom type design, coupled with the large diameter mount, short back focus and effective use of aspherical lenses, there is a significant reduction in the total length of the lens when it is at its shortest.

With a length of approximately 170.2mm when stored with its lens and dust cap, the RF70-200mm f/2.8L IS USM can be easily stored in a camera backpack, leaving room for other lenses or equipment.

New Optical Design with Electronic Floating Focus System

With the large diameter and short back focus of the new EOS R full-frame mirrorless camera system, this significantly increases the degree of freedom in lens design compared to conventional EF lenses, while maintaining high image quality.

The new optical design of the RF70-200mm f/2.8L IS USM consists of 17 elements in 13 groups, with two aspherical lenses, four UD lenses and one super UD lens. For the very first time, Canon is using an electronic float focus control in the RF70-200mm f/2.8L IS USM that drives the two lens groups individually. This feature makes the lens more compact and reduces the minimum focusing distance from 1.2m to 0.7m. With electronic floating focus control, ‘breathing’ due to focus movement can also be reduced so movies can be shot with a stable composition.

The RF70-200mm f/2.8L IS USM is designed with Subwavelength Structure Coating (SWC), a special coating that enables excellent anti-reflectivity. This coating effectively suppresses reflections in situations where the light source appears on the screen, reducing flaring and ghosting.

High Speed and Smooth AF for Still and Movie Shooting with Two Nano USMs

For the very first time on a Canon lens, two thumb sized ultrasonic motors known as Nano USM are included in the RF70-200mm f/2.8L IS USM and used for the floating focus control. By using two Nano USMs for lens driving, a high degree of quietness, power saving, and high-speed operation are achieved while retaining the compact size. This also achieves high-speed, high-precision still image AF and smooth movie AF in combination with the Dual Pixel CMOS AF in the EOS R series cameras.

The RF70-200mm f/2.8L IS USM is equipped with an IS (lens-based image stabiliser) with a CIPA standard of five stops for still images. There are also three IS modes which are optimised for subject movement – IS mode 1 for still subjects, IS mode 2 for panning and IS mode 3 for irregular movement such as sports. 

Durable and Built to Last

As an L-series lens designed for professional use, the RF70-200mm f/2.8L IS USM adopts unique extendable design that allows air to pass through but not dust and moisture. This ensures water and dust resistance which makes it an ideal companion even during unfavourable weather conditions.

The RF70-200mm f/2.8L IS USM is the first RF lens designed with a white heat shield coating, which suppresses the rise in temperature, especially when it is used during hot weather. A lens

hood in the same colour as the RF70-200mm f/2.8L IS USM is also included, with a sliding window for easy operation of polarising filters with the hood attached.

Canon has also newly developed a compact tripod mount that can be easily removed with a simple operation. The easy-to-read index allows users to quickly change the vertical and horizontal framing when using a tripod.

Pricing and Availability

Pricing and availability will be advised at a later date.

* Information and pictures courtesy of Canon Singapore and Ogilvy *

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