Singapore TV: From Local to Global 

Singapore TV: From local to global special exhibition showcases how they have grown in ambition, scale and international reach over the decades. This exhibition features original costumes, artefacts, photographs, magazines, multimedia installations and interactive experiences. 

Stepping into this special exhibition, you are invited to rediscover the stores, sets, and stars that have long become part of Singapore’s shared cultural fabric. 

Five Chronological Zones

This Singapore TV: From local to global special exhibition is divided into five chronological zones, inviting you to start your journey back in time through the history of local Chinese dramas, from its early beginnings to contemporary developments and future possibilities. Each zone showcases a distinct period of development and explores key themes, milestones and creative practices that have shaped the industry.

Zone 1 – Origins of local Chinese drama

Start off your nostalgia walk down memory lane by tracing the origins of local Chinese drama, from its formative years in the 1960s through the early 1980s. Want to have a  go at dubbing a scene from Good Morning, Sir!, you can do so! Also learn about local talent discovery programme Star Search, browse a display of vintage television magazine covers.

For those who grew up (like me) watching this iconic drama The Awakening, you can take photos with the props against a backdrop inspired by this drama. This scene triggered many memories for me, probably the first local Chinese drama that I watched.

Zone 2 – 1990s: The defining era of local Chinese dramas

Heading into the 1990s, this is widely regarded as the defining era of local Chinese dramas. In this section, there is a collection of 12 costumes seen in iconic dramas such as The Return of Condor Heroes and The Legend of Ji-Gong, as well a showcase of Star Awards trophies across different eras.

For those who remembered watching the following dramas, The Golden Pillow, The Untouchables and The Return of the Condor Heroes, don’t miss the recreated sets from those dramas, you can re-enact the iconic scenes if you like! The Untouchables (双天至尊) was one of my favourite dramas that time!

Anyone would like to be a TV star receiving the Star Awards trophy with its iconic tune playing behind the scenes? Don’t miss this segment to produce your own TV celebrity moment!

Zone 3 – 2000s: Competition and globalised media landscape

In the third zone, enter into the 2000s, this era faced intensifying competition and an increasingly globalised media landscape. Through timelines, magazine displays, and behind the scenes video interviews with industry professionals, you can gain insights into the evolving production ecosystem and international influences.

Zone 4 – Craft of Scriptwriting 

Learn more about the craft of scriptwriting in this fourth zone from the original and reproduced scripts from selected dramas alongside video clips illustrating how actors interpreted scripts and brought them to life on screen.

That’s also a video interview with Mediacorp scriptwriter, Ms Cheong Yan Peng, highlighting her creative process, challenges of the job, and her aspirations for the local entertainment industry. 

Zone 5 – Present and Future of Chinese dramas

In this final zone, take a look at the present and future of Chinese dramas via a TV installation wall with television sets across different generations. You can also engage with vertical format micro-dramas and an interactive voting wall, at which you can vote on the kinds of content and genres they hope to see in the future.

Two Talks in August and September 2026

In conjunction with this exhibition, SCCC will also present two talks in August and September 2026. Registration for the above talks will open nearer to the dates.

The first talk will feature Mr Su Zhangkai, a researcher in the fields of media, entertainment and history, who will discuss the formative years of Singapore Chinese dramas from 1963 to 1982. The second talk will feature award-winning scriptwriter Mr Ang Eng Tee; Emerald Hill – The Little Nonya Story Executive Producer, Ms Loh Woon Woon; and artistes Chen Liping and Richie Koh, who will share insights on how scriptwriting and acting have evolved across generations. 

SCCC Chief Executive Officer, Mr Alvin Tan, said, “Through this exhibition, we hope to bring visitors on a nostalgic trip back in time by tracing the evolution of local Chinese dramas, and to highlight the dynamism of the industry by charting out the future of local Chinese dramas both on the small screen locally and across digital platforms internationally. In doing so, we hope to showcase how local Chinese dramas often serve as a bellwether of prevailing societal norms, and as social glue through the creation of shared viewing experiences, while contributing to Singapore’s distinctive local Chinese culture and identity.”

Mediacorp Chief Executive Officer, Ms Tham Loke Kheng, said, “Chinese dramas are a major part of Mediacorp’s storytelling legacy. More than entertainment, they reflect Singapore society, capture the spirit of their times, and connect viewers across generations through shared stories and memories. Even as audiences discover and consume content in new ways, our commitment remains the same: to tell Singapore stories that resonate locally and travel further. This exhibition is proof of that journey – and a preview of where we are headed next.”

Singapore TV: From Local to Global – Special Exhibition by SCCC and Mediacorp

• Date: 9th July 2026 to 26th January 2027
• Venue: SCCC Creative Box Level 6
• Opening Hours: 10am to 6pm
• Admission: Free

For more details, please visit https://singaporeccc.org.sg/events/singapore-tv-from-local-to-global-special-exhibition/ 

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EOS R6 V with RF20-50mm f/4L IS USM PZ

EOS R6 V

The EOS R6 inherits the powerful stills and video performance of the EOS R6 Mark III in a new camera body that has been optimised for video content creation. The upgrades include a built-in cooling fan and social media content-friendly vertical tripod socket.  

Its full-frame CMOS sensor, with up to 32.5 effective megapixels and 7K Open Gate recording, allows users to utilise the full field of view of ultra-wide angle lenses opening up different possibilities. 

RF20-50mm f/4L IS USM PZ

This is the first ever full-frame professional grade L-series lens that comes with a built-in power zoom, pairing effortlessly with the EOS R6 V, giving users a compact, travel-friendly setup that doesn’t compromise on versatility. The focal length zoom range of 20-50mm covers everything from wide environmental shots to tighter conversational framing, while the built-in Power Zoom keeps transitions smooth and cinematic. 

With a constant aperture of f/4 throughout, giving users consistent reliable exposure even as they zoom with the RF20-50mm f/4L IS USM PZ lens.

One Take, Many Formats

The EOS R6 V features 7K Open Gate RAW/MP4 shooting, recording video via the entire sensor area. This feature offers creators more flexibility over what goes into the frame when repurposing horizontal content into a vertical format. Users are able to achieve more creative control without having to do multiple shoots.

The EOS R6 V’s built-in cooling fan also allows users to record in 7K Open Gate MP4 for approximately 3X longer when compared to the EOS R6 Mark III, making this camera ideal for long interviews, live events, or long single takes.

Built natively for vertical content with a dedicated vertical tripod socket delivering direct, stable mounting without the need for an extra bracket, while the UI automatically reorientates to match – keeping the shooting experience seamless from start to finish. Its linear design with minimal protrusions also integrates cleanly with rigs, attachments and accessories. 

Make Your Videos Dynamic

This EOS R6 V and RF20-50mm f/4L IS USM PZ combination is compact and lightweight, making them easy to use while on the move. With built-in image stabilisation, they are also easy to use handheld or on a gimbal and rig.

The EOS R6 V’s built-in five-axis sensor-shift image stabilisation system (In-Body IS) and Digital Movie IS coordinate with the RF20-50mm f/4L IS USM PZ’s Optical IS to stabilise footage set on on the go. This setup also supports the Subject Tracking IS mode, accounting for the subject position during stabilisation. The EOS R6 V retains a large, ergonomic grip that offers comfort and a stable hold during handheld shooting. 

The 20mm wide-end of the RF20-50mm f/4L IS USM PZ lens is ideal for stunning, and perspective rich establishment shots. They can show plenty of context, including stunning interior scenes. At this lens 50mm long end, it offers a 0.24m minimum focusing distance that captures close-up shots with a natural perspective. 

Users can make use of the zoom ring or the EOS R6 V’s zoom lever to zoom seamlessly from one end to the other in one smooth take. They can also vary the degree of the ring/lever movement to alternate between two zoom speeds. Fast and slow zooming are configurable up to 15 levels each.

A new zoom mode selector switch enables switching between power zooming and the familiar manual zoom operations found on conventional zoom lenses. The lens barrel length does not change when zooming, therefore support systems will not require rebalancing. 

Superior Stills 

Shooting in stills mode, the EOS R6 V shares the powerful performance of the EOS R6 Mark III and EOS C50. The high-resolution 32.5 megapixel full-frame sensor captures excellent detail and dynamic range, with ample allowance to crop in closer or produce 300 dpi A3-sized prints comfortably. 

The RF20-50mm f/4L IS USM PZ’s professional-grade optics are specially designed to combat distortion, chromatic aberration, flare and ghosting, thus ensuring high image quality. 

The EOS R6 V’s electronic shutter supports up to 40fps continuous shooting and pre-shooting, with identical autofocus features and capabilities as the EOS R6 Mark III. The In-Body IS achieves a stabilisation effect of up to 7.5 stops at the centre and 7.0 stops at the image edges when shooting stills. 

The RF20-50mm f/4L IS USM PZ lens performs extremely well when shooting in low light, with its built-in Optical IS correcting camera shake up by up to 6 stops equivalent. When mounted on an EOS R series camera with In-Body IS, it can achieve an effect of up to 8.0 stops at the centre and 8.0 stops at the edges. 

Capture Yourself Effortlessly

Content creators can now film themselves easily with the EOS R6 V and RF20-50mm f/4L IS USM PZ setup. The former has a front recording button and tally lamp that lights up when recording is in progress, and the latter’s zoom ring is easily accessible from the front. 

Users requiring remote camera and zoom control can achieve them via the Camera Connect app. Another alternative that users can consider is the new Wireless Remote Control BR-E2, which allows for creative camera placement. 

The Bluetooth-connected Wireless Remote Control BR-E2 offers users greater control over both still and video shooting functions compared to its predecessor (Wireless Remote Shutter BR-E1), including a dedicated movie shooting button and assignable functions. It comes included with the new Tripod Grip HG-200TBR, a portable tripod grip that can function as a desktop tripod and a selfie stick. 

Powerful and Cost-Efficient Duo

The EOS R6 V and RF20-50mm f/4L IS USM PZ combination integrate many of Canon’s powerful features, making them an excellent, cost-efficient combination that deliver lasting value across shoots. Built for advanced filmmaking workflows, the EOS R6 V supports Canon Log 2/3, Custom Picture, custom LUT, waveform monitor display, 4-channel audio recording and a standard HDMI Type-A terminal. For creative expression, Colour Filters and S&F (Slow & Fast Motion) mode give filmmakers intuitive tools to craft their visual style. 

At just approximately 98.4mm and approximately 420g, this compact and lightweight RF20-50mm f/4L IS USM PZ lens delivers outstanding optical perforce on par with – if not better than – the popular RF24-105mm f/4L IS USM. Versatile constant aperture and unique video-centric features like power zooming make it a capable tool for any creative workflow, while the dust and drip resistant build ensures it holds up wherever the shot takes you.

“The EOS R6 V and our first L-series power zoom lens mark an important step in empowering Singapore’s fast-growing community of content creators. By combining professional imaging performance with features designed for real-world and on-the-go production, we are giving creators a comprehensive storytelling toolbox, whether they are seasoned professionals or just beginning their creative journey”, said Too Kok Yong, Head of Singapore Operations Group, Canon Singapore. 

Pricing and Availability

* Information and pictures courtesy of Canon Singapore and Brave Communications *

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GenerativeAI

I have been working on GenerativeAI technology, experimenting, learning, writing and sharing more about this GenerativeAI technology, how it would impact photographers, videographers, creatives, artists, and content creators, in both positive and negative aspects. I am in the midst of compiling my research, learning and testing, I am also planning interviews with AI technology industry professionals as well as speaking to fellow photographers, videographers, creatives, artists, and content creators.

GenerativeAI artworks with Adobe Firefly – Generative Fill and Text to Image

With my Adobe Photography subscription plan, I went on to produce GenerativeAI artworks with Adobe Firefly – using their Generative Fill and Text to Image functions.

My first GenAI artworks project produced with a combination of my original photography works enhanced by Adobe Firefly Generative Fill is arriving soon. I am also testing TinTint from Taiwan, I would share more of my experiences on GenAI digital artworks on my TGH Photography and Travel website. Here’s a peek into my GenAI Artworks Vol. 1 – Aurora Borealis in Singapore. 

Here’s another GenAI artwork generated by Adobe Firefly Text to Image, using this text, “Generate a cover photo that showcases this title “Technology Week of ATxSG 2024 | AI Topics | Networking and Meetings”.

Photo Books

With my first photo book for 2024 completed, I have plan a series of projects to be published into photo books/zines. I look forward to further expand my photo books printing with TinTint, let’s see how my photo book “GenAi Artworks Vol. 1 – Aurora Borealis in Singapore” turns out when I receive it.  

Upcoming photo books personal projects

• Tension exhibition 
• Marina Bay Singapore curated collection over the years photo zine/book
• Hokkaido Travel Adventures photo zine/book
• SG Community Cats photo zine/book 

The above projects would keep me busy for Q2 and Q3 2024 on my personal side of my photography and content creation. 

Updates

There might be a change of hosting company for my TGH Photography and Travel website. I am considering migrating and changing my hosting company. If this takes place, I would update in an article.

Meanwhile, I am still playing catch up with my articles, in the areas of photography, travel, arts and heritage media news coverage, as well as my key backlogs.

If you like to meet and catch up in person during ATxSG 2024, drop me a message!

The post BroadcastAsia/Media Week of ATxSG 2024 | GenerativeAI | Photo Books | Updates appeared first on TGH Photography and Travel Portal/Blog.

It also incorporates the newly developed e-Xs V digital drive unit which features enhanced operability and functionality into an ergonomic design inherited from its predecessor. In order to meet diversifying shooting needs, this zoom lens will realize immersive visual expressions in various usage scenarios including live broadcasts and news reports in addition to program recordings at studios and remote production using a variety of special equipment.

CJ27e x 7.3B

The product features both a 7.3mm wide-angle end suitable for framing entire studios or sprawling landscapes and 27x zoom magnification which covers a wide range of frequently used focal lengths, thereby enabling shooting up to the telephoto end at 197mm. The lens also contains a built-in 2x extender which can double the zoom range, making it possible to take highly detailed shots at ranges up to 394mm at the telephoto end.

Despite the high magnification of 27x, the operational responsiveness of the new product’s focus and zoom functions remains the same as those of existing lenses, while the operational responsiveness of the iris has been improved. This makes it possible to accurately capture rapidly moving subjects in cases such as sports broadcasting. Additionally, this will be the first of Canon’s digital drive units to be equipped with highly versatile USB Type-C ports, which will enable the export or import of lens setting data to or from USB memory drives and firmware updates by users. The USB ports can also be used to export lens focus, zoom, and iris setting data and control the lens from remote systems, thereby improving compatibility with remote shooting and virtual production, which are growing in demand.

For more information, please visit Canon website https://sg.canon.

* Information and pictures courtesy of Canon Singapore and Gloo *

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Viddsee X Dolby Laboratories Collaboration

Through Viddsee and Dolby Laboratories collaboration, Dolby will support storytellers by offering post-production support, training and workshops on using Dolby’s technologies in their films kicking off with Solitude – Viddsee’s first Dolby-enabled Original.  

Ashim Mathur, Vice President, APAC Marketing Dolby Laboratories said: “We are thrilled to work with Viddsee in showcasing the short film, Solitude in Dolby Vision and Dolby Atmos. Dolby Vision brings the characters in Solitude to life with sharper contrast, richer details, and a remarkable color range whilst Dolby Atmos offers a premium, multidimensional audio experience that draws you into the action. Consumers can experience Solitude in Dolby Vision and Dolby Atmos on Dolby-enabled mobile devices. Dolby is looking forward to working with Viddsee and its content creation community to take the industry to the next level by enhancing their storytelling with Dolby Atmos and Dolby Vision.” 

Ho Jia Jian, CEO and Founder of Viddsee, said: “We are proud to showcase what this collaboration with Dolby means for our storytellers. It has the potential to equip storytellers in this region with improved technical capabilities for their films, not only helping the careers of our budding filmmakers, but creating platforms and opportunities to showcase stories from the best quality possible. 

“This collaboration will help us to achieve our vision of enabling storytellers, through a tech-driven media ecosystem, with the right tools and guidance to produce impactful films which are recognised among both Singaporean and global audiences.” 

Viddsee’s first Dolby-enabled Original – Solitude 

Viddsee’s first Dolby-enabled Original – Solitude, was screened on 24th October 2023 at the Infocomm Media Development Authority (IMDA)’s PIXEL Innovation Hub. After the screening, there was a panel discussion on how the partnership has elevated the audio-visual quality of the film.

Following the success of Solitude, Viddsee and Dolby will work together to offer up to 10 filmmakers from Viddsee’s upcoming Scene City Anthology slate over the next two years with an opportunity to produce and distribute their films in Dolby Vision and Dolby Atoms. This partnership will also provide educational opportunities for Viddsee’s creator community through workshops and masterclasses held by Dolby. 

You can visit this link to watch this short film Solitude at https://www.viddsee.com/video/solitude.  

For filmmakers and content creators 

After watching the screening of Solitude at IMDA PIXEL Innovation Hub, listening to the panel discussion on Viddsee and Dolby Laboratories partnership, I personally feel that this collaboration announcement would be great, not just for filmmakers, also for those in the content creators segment. 

As a photographer, visual storyteller and content creator myself, that is gradually adding in videos via vlogs, Instagram Reels, TikTok and short story videos into my portfolio of works, with access to Dolby technologies would help in my storytelling journeys via my content creation/video stories, whether with my Canon EOS R6 Mark II or/and Apple iPhone 15 Pro Max.

While producing videos is not my main strength, creating visual stories through my photography. writing and content creation are my key strengths, I am going to bring across to my videography and filmmaking side of things, let’s see where all these brings me.

* Information courtesy of Viddsee and Black Dot *

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Unprecedented Speed Redefining Possibilities

The new Atlas Pro 256GB, Atlas Pro 512GB, Atlas Ultra 1TB, and Atlas Ultra 2TB cards leverage PCIe Gen 4 technology to enable mind-blowing 3650MB/s read and 3000MB/s write speeds; a 97% increase from the previous generation cards. These major speed increases make it possible to not only capture stunning 4K, 6K, and 8K+ videos while enabling the next generation of cameras but also access and offload content for editing and distribution like never before. Even with these incredible performance increases, the power consumption of OWC memory cards is only one third of the allowable specification, making them ideal for any battery-operated cameras – past, present, or future.

Industry’s First Backward and Forward Compatibility

For over three decades, OWC has provided solutions to extend the use life of technology. The new Atlas CFexpress 4.0 memory cards continue that commitment by utilizing OWC’s Innergize software to upgrade the firmware on previous PCIe Gen3 Atlas Ultra 1TB and 2TB cards to CFexpress 4.0 firmware. Memory card users have never had the opportunity to elevate their card’s performance and prolong its usefulness with field firmware upgrades. This OWC exclusive upgrade almost doubles the current read/write speeds, from 1850MB/s and 1700MB/s read/write speeds to 3650MB/s and 3000MB/s.

In addition, Atlas CFexpress CFA 4.0 memory cards are backward compatible with CFA 2.0 PCIe Gen 3 hosts, providing both flexibility and performance.

“We always want to ensure that our customers can get the most out of our products, which is why we spent considerable time and effort ensuring our latest PCIe Gen 3 CFexpress Ultra 1 and 2TB cards that launched earlier this year were forward compatible with the latest CFA 4.0 specification”, said Larry O’Connor, founder and CEO at OWC. “Giving existing OWC Atlas memory card owners the flexibility to upgrade their products and take advantage of the latest speeds without having to purchase new cards is a game changer that we are delighted to bring to the table”.

The OWC Atlas Ecosystem

OWC has built the most comprehensive assortment of hardware and software solutions to support anyone through the creative process from Capture to Completion. The OWC Atlas ecosystem is the first step of the process to ensure photographers/videographers have the tools they need to get their vision from camera to audience.

Atlas Memory Cards

Atlas CFexpress and SD memory cards provide flexibility and choice for photographers and videographers based on their cameras and how they use them. Because they are tested under the most aggressive settings each card type can handle, Atlas memory cards securely store irreplaceable content and deliver the highest reliability and performance.

OWC Innergize

OWC’s Innergize software is an integral part of the ecosystem built for OWC Atlas memory cards and readers. Innergize first checks the health of an Atlas card to ensure it is reliable to use, and then cleans and restores performance so there will be zero dropped frames when shooting video or continuous burst photos. Atlas owners can then upgrade their firmware in the field to take advantage of the latest card improvements and ensure OWC cards and readers will perform optimally with their cameras.

Atlas Card Readers

Go from ingest to edit with a wide range of bus-powered portable Atlas card readers, as well as SD and CFexpress card reader equipped OWC docks and storage solutions. OWC memory card readers have been specifically designed and extensively test proven to deliver effective heat dissipation so Atlas memory cards will deliver maximum sustained throttle-free performance.

Pricing and Availability and Upgrades

Atlas Pro CFexpress 256GB ($169.99) and 512GB ($199.99) memory cards are now available. Atlas Ultra CFexpress 1TB ($579.99) and 2TB ($999.99) memory cards are now available.

The new version of OWC Innergize, with the capability to upgrade Atlas CFexpress 1TB and 2TB memory cards with 1850MB/s on the card label to the new CFexpress 4.0 specification is available for Mac today. The Windows version will be available soon.

*The price and availability may differ from the region. Please get in touch with OWC Asia sales  (sales-asia@owc.com) for details.

** Information and pictures courtesy of Other World Computing (OWC) **

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7 models of Prime Series RF Cinema Lenses

The 7 models of Prime Series RF Cinema Lenses are of the focal lengths 14mm / 20mm / 24mm / 35mm / 50mm / 85mm / 135mm respectively. They are compatible with the Canon EOS C70 (released in November 2020) and EOS R5 C [1] (released in March 2022) RF Cinema Cameras.

These lenses are compatible with the transmission protocol of RF mount, and as with previous models [2], operators can control magnification, chromatic aberration correction, peripheral light correction and a dual pixel focus guide via camera body operations. In addition to these functions, the new lenses feature distortion aberration correction. These features support efficient video production not only during on-location recording but also post-shoot editing.

High Optical Performance

The new products achieve high optical performance suitable for use with 4K and 8K cameras by optimally positioning large-diameter aspherical lens elements and lens elements with anomalous dispersion glass. Their compatibility with the full-frame large-format sensor, bright T values [3], and the use of 11 aperture blades allow for a shallow depth of field for subjects, natural round blurring, and soft image expressions. In addition, since the color balance is unified throughout the series, adjusting color tones when changing lenses, while shooting the same scene can be done with greater ease.

With an appropriate sense of torque of the operation ring, the new lenses allow for precise and smooth adjustments that are required for cinema shooting. In addition, due to the unified design across the series, including the gear position of the operation ring, the diameter of the lens and the rotation angle (operation angle), the lens can be exchanged smoothly without the need to adjust the mounting position of the mat box or external focus adjustment accessories for each model. A new knurled surface near the mount provides a comfortable fit in the user’s hand, allowing the lens to be held securely without gripping the operation ring when attaching and detaching different lenses.

Availability

The availability of this new series of RF Cinema Lenses for the Cinema EOS System are as follows:

Notes:

[1] Performance guaranteed in VIDEO mode, when used with EOS R5 C

[2] EF-mount PRIME Series lenses

[3] The brightness of a cinema lens is generally expressed as a T value, which is obtained by additionally reflecting the transmittance of the glass to the F value.

* Information and pictures courtesy of Canon Singapore and Gloo *

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As a F1 and motorsports fan, also a sports/motorsports photographer myself, I love watching F1 motorsports racing action on television. For my hometown Singapore GP, my last attendance was in 2015, after a few years gap, I am back enjoying F1 racing in town for Singapore GP 2023. I am also a technology geek/writer myself (check out my TGH Technology and Business portal/blog), I am also amazed by the technology setup behind the scenes powering F1 action on the ground, on broadcast channels, media outlets and on social media platforms.

Thanks to Lenovo Singapore hosting a media session on Friday 15th September 2023, I get to know more in-depth about Formula 1 x Lenovo Technology – Bringing F1 fans on a thrilling ride beyond the grandstand. Listening first hand and understanding how Lenovo Technology is powering F1, from Pete Samara, Director of Strategic Technical Ventures, Formula 1, Ken Wong, Executive VP and President, Solutions and Services Group, Lenovo, and Sumir Bhatia, President of Asia Pacific, Infrastructure Solutions Group, I couldn’t ask for more, from a F1 fan, a motorsports photographer, and a technology writer/geek myself!

Lenovo – One of the official technology partners of F1

In 2022, Lenovo as announced as one of the official technology partners of F1 in a multi-year partnership starting in 2022, which saw Lenovo’s cutting-edge technology used across F1 operations to bring the highest level of racing experience to a global fanbase and broadcast material that gets used by media outlets in more than 170 terrorises worldwide.

“In the highly competitive world of motor racing, technology plays an increasingly crucial role. Lenovo is providing us with its industry-leading technology and solutions, helping us to define new operating models to shape a faster, smarter, and more sustainable sport”, commented Pete Samara, Director of Strategic Technical Ventures at Formula 1. “We need to have military levels of control but also be extremely flexible in bringing in new and cutting-edge technology and production developments. Lenovo is helping us to incorporate innovative technologies into a 100% reliable, repeatable, and efficient operation whilst still accommodating continuous improvement.”

“At Lenovo, we are constantly focused on creating innovative technologies that allow for elevated experiences on all spectrums, all around the world. Lenovo’s transformation from a hardware company to a provider of end-to-end technology solutions and services has allowed businesses worldwide to harness the full power of technology”, said Ken Wong Executive VP and President, Solutions and Services Group, Lenovo. “The full power of Lenovo’s wide range of hardware and software, and professional support and services for Formula 1 will be on display at the Singapore Grand Prix this weekend, supporting its operations all the way from HQ to the track. As Formula 1 synchronizes a million and one moving pieces to create an exhilarating experience, we’re proud to ride along as an Official Partner.”

Millions of data points stored to capture the best broadcast

When you are watching F1 motorsports action from your television, technology gadgets, on social media/internet, do you notice the huge volume of data that F1 generates with each individual car generating millions of datapoint across all races. 

Therefore, you would need powerful, stable and reliable technology across the board to handle all that heavy requirements. Lenovo Technology has the servers, storage, edge, and device solutions to help F1 teams capture millions of data points that are then transformed into actionable insights. 

For those watching the FORMULA 1 SINGAPORE AIRLINES SINGAPORE GRAND PRIX 2023 will bring a deluge of data and insights on G-force numbers, steering angles, brake impact, throttle push, and all the audio and video from the cameras and microphones. Lenovo servers and edge devices collecting all that data will put it right back into the hands of the broadcast team instantly.

At the Formula 1 Media & Technology Centre in Biggin Hill, UK and at the onsite Event Technical Centre which are powered by Lenovo technology, including laptops and desktop devices, workstations, monitors, tablets and Motorola smartphones, the broadcasting team transforms all track-generated data, in real time, into an exciting experience as on-screen graphics and footage for hundreds of millions of fans and viewers.

Over 600 Formula 1 employees from executives to track-side operational engineers are equipped with a resilient slew of devices and digital workplace solutions that works reliably whichever part of the world or climate conditions they are in.

Racing towards a sustainable future 

The topic of sustainability is definitely on the agenda of Formula 1, they are making changes, actions and efforts on this area. The FORMULA 1 SINGAPORE AIRLINES SINGAPORE GRAND PRIX 2023 will also witness Formula 1’s consistent efforts to improve sustainability in motorsports. 

Contributing from one race to another, Lenovo’s Asset Recovery Services help the organization develop and implement a sustainable disposal strategy for hardware. Through Lenovo’s asset recovery services, Formula 1 has been able to offset some of the cost of a technology refresh as well as guarantee secure and reliable data destruction.

Singapore GP is also playing its own vital role in F1 consistent efforts to improve sustainability in motorsports. Check out two local Singapore creative artists, House of VSE/Very Small Exhibition and It Takes Balls, their artworks on display at Singapore GP 2023, part of Singapore GP sustainability drive #SGPDrivesChange. 

Formula 1 x Lenovo Technology

As you are watching F1 action in Singapore this weekend (and upcoming F1 races), live in person at Marina Bay Circuit, or from the television from the comfort of your home, in different parts of the world. Do take the time to ponder on how Lenovo Technology is helping to power F1 action on your screens and social media, bringing you on a thrilling, high octane, adrenaline packed racing ride beyond the grandstand. 

Alright, it’s time let’s go for F1 action, have a great Singapore GP 2023 race day! 

* Information courtesy of Lenovo and Zeno Group *

** A TGH Photography x Canon EOS R6 Mark II Explorer Series Production ** 

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Safeguarding Tomorrow’s Future by International SOS

The International SOS podcast is titled “Safeguarding Tomorrow’s Future”, experts from International SOS will share their insights on travel risks that youths may be more susceptible to, and how to prevent or mitigate those risks. There will be six episodes that will be launched on a weekly basis starting from 15th May 2023.

Lim Hui Ject, International SOS’ Managing Director (Singapore & Brunei), says: “We recognise the many risks associated with youth independent travel and we are glad to be able to step in and offer guidance through our subject matter experts. We have seen a rise in international travel with international trips in the last eight months surpassing the average monthly number of international trips in pre-COVID times. With the overall increase in international travel, we also expect this to include an increase in youth travel as well. With COVID-related restrictions preventing youth from travelling for so long, we worry that their excitement may cloud their decision making when it comes to their travel plans. As a pioneer and leader in international health and security risk management, we would like to act to help guide young travellers, as they begin exploring travelling independently.”

Social Media Impacts and Influence on Youth Travellers

Youth travellers are less likely to think through the potential risks of their travel plans in depth and are easily influenced by social media. Studies by Condor Ferries, a ferry and cruise company in the UK, found that 90 per cent of them have their international travel decisions influenced by social media content. Furthermore, many youths will be travelling for the first time without their parents or teachers to look out for them. Their lack of exposure in travelling independently results in them having less experience in managing any potential risks by themselves.

Dr Low Kiang Wei, Medical Director (Singapore), International SOS adds: “As highlighted in International SOS’ Risk Outlook 2023, looking beyond COVID-19, emerging global issues, such as rising levels of social unrest and the growing impact of climate change, are an additional dimension of worry for youths exploring independent travel. As these issues are likely to stay for the long term, we must equip our youths with the necessary capabilities to deal with these issues.”

The podcast will also feature local university students who have recently gone on overseas trips and are willing to share more about their travel experiences. The series will cover six topics with relevant subject matter experts addressing the risks associated with these topics.

Bala Selvam, Regional Security Manager, International SOS, adds: “By getting the youths to highlight their own experiences and concerns over six different topics, it allows the subject matter experts to address real risks based on the youths’ authentic experiences. It also ensures that youths are provided with holistic advice through the different topics and episodes. This helps the youth to address their checklist of concerns as they plan for their first independent trip.”

International SOS Podcast on Expert Tips for Safe Independent Youth Travel

To help youths travelling independently in a safe manner, International SOS has six episodes covering the following topics below:

1. Staying Safe While Saving Money – Dissecting traditional and shared economy options for travel accommodation and transportation with the focus on how young people can balance staying safe while saving money.
2. How Extreme Weather Puts Your Trip At Risk-What you need to know about health and safety risks of natural disasters and extreme weather
3. Caught Up In Crowds– Keeping yourself safe in crowded environments, know the signs and how to protect yourself.
4. Let’s Party Safely– The medical and security risks of substance ingestion, such as alcohol and drugs, while overseas.
5. Mental Wellness While Abroad– Unpacking the emotional journey of going abroad to a new environment – how one can cope and seek support.
6. When Sharing Becomes Dangerous– The potential dangers of sharing of personal details and itinerary while abroad, both online and offline.

Catch the International SOS Podcast on Expert Tips for Safe Independent Youth Travel on:

• Spotify: https://open.spotify.com/episode/2nv8D3LOTpvl9tt5ahT80v
• Apple Music: https://podcasts.apple.com/us/podcast/episode-1-staying-safe-whilst-saving-money/id1613327018?i=1000609332688
• International SOS’ website: https://www.internationalsos.com/podcast/safeguarding-tomorrows-future

Youth Travellers – Sharing is Caring!

In this digital and social media age, youth travellers are at the top on this age of digital and social media, hands on and well-immersed in the fields of digital and social media usage. Remember to share about Expert Tips for Safe Independent Youth Travel by International SOS with your fellow youth travellers through your social networks and social media platforms – Sharing is Caring!

To all youth travellers planning and seeking your own travel adventure around the world, remember to take note of those safety tips while you are travelling around the region or around the world, seeking unique YOLO experiences, growth, learning and fun.

* Information courtesy of International SOS and Black Dot *

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“The PowerShot V10 embodies Canon’s spirit of innovation, redefining traditional imaging devices to meet the ever-changing needs of consumers. With the rise in popularity of short-form content, and the demand for better output, Canon developed the PowerShot V10 to help users elevate their content quality. It marries Canon’s superior imaging technologies with a pocketable design, enabling users to create high-quality footage on the go – this reinforces our commitment to supporting every type of content creator out there.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

Small in Package, Big on Content

It may look petite with a 9cm long body, however the PowerShot V10 is a video content creation powerhouse. They have an integrated retractable, tillable stand that can unfold to provide tripod-like support whenever, and whatever you need it. You do not to scramble for random supportive objects that leave you with little control over your shooting angles!

There is also a built-in large-diameter three-element microphone that cancels noise and products clear, high-quality audio, perfect for creating videos with that ASMR (Autonomous sensory meridian response) effect.

3-in-1 content creation kit

You now can have a 3-in-1 content creation kit with the PowerShot V10. This new content creation kit essential for travel vlogging, breakdancing demos, cinematography experiments, to on-location livestreams. It fits into your small bag with room to spare, along with your smartphone, earbuds, and power bank.

Superior Image Quality

Powered by Canon’s EOS imaging technology, this allows the PowerShot V10 to produce stunning, low-noise footage with vivid colours, even in low-light venues with “romantic” mood lighting. You are now ready to impress your audience with clear and beautiful footage form the PowerShot V10.

Easy Creation Regardless of Skill Level

There are various shooting modes that include auto and manual exposure, and as many as 14 colour filters, the PowerShot V10 is equipped to help you achieve your ideal results regardless of your skill level or the extent you intent to edit your footage. You can now experiment with different camera angles using the tilt-type monitor, which lets you see and adjust high-angle and low-angle shots comfortably.

With Face Tracking AF that automatically detects and keeps your face in frame, this AF will prove to be a breeze even for beginners. You can also switch to Specified Frame AF to focus on wherever you tap.

There is a new Movie Auto ND filter that automatically turns the built-in 3-stop ND filter on or off according to ambient brightness. You now can record perfectly exposed transitions from the dim indoors to the sunny outdoors in one smooth take!

The ergonomic vertical grip provides both right- and left-handers with a comfortable, stable hold, perfect for trying out new transitions or taking long handheld videos such as virtual tours of your travel accommodation.

Designed for ease of shooting, the lens’ wide angle-of-view lets you record yourself with your friends and the background behind you, all from a natural, non-outstretched arm position. 

With 14 kinds of aspect ratio markers, you can be ensured that important elements are always perfectly framed even when your video are to be edited for different sharing platforms

Easy Livestreaming

The PowerShot V10 supports real-time delivery methods such as livestreaming, which can be done directly to Facebook or YouTube via the Camera Connect app without the hassle of complicated settings. This can be achieved even when you are out and about: simply tap on your smartphone’s mobile network directly.

Alternatively, you can also use the PowerShot V10 as a webcam via the plug-and-play USB-C connection.

Pricing and Availability

The PowerShot V10 will be available at Canon authorised dealers at the recommended retail price of $609 from 15th June 2023.

Technical Specifications

* Information courtesy of Canon Singapore and Gloo *

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