On the other hand, I haven’t been writing about bird photography as much as I should, even though I have a strong interest in this field. Therefore, in conjunction with WMBD 2023, I am finally putting together my bird photography adventures and experiences over the years. 

World Migratory Bird Day 2023 Theme: Water

The theme for WMBD 2023 is Water and the importance for migratory birds. Water is fundamental to all living on planet Earth. Water is a scarce natural resource, human beings are increasing demand for water, placing huge stress on our land and nature ecosystem. With our aquatic ecosystem under huge stress and threats, our flora and fauna are also affected as well. 

To all bird photographers and bird watchers,, let’s celebrate World Migratory Bird Day 2023, as well as eBird Global Bird Day 13th May 2023, share the birds you spot on eBird, photograph the birds if you can, spread awareness on conservation – birds, water and nature spaces.

Singapore – A major migratory bird hub / stopover destination 

Just like Singapore is a global air transit hub for the world with our iconic internationally famous Changi Airport, we are also a major migratory bird hub / stopover destination. Singapore is part of the East Asian-Australiasian Flyway, migratory birds making a pitstop in Singapore, giving bird photographers here in Singapore many opportunities to photograph them in action, the diversity and beauty of those migratory bird species. 

Recent research findings have also indicated that Singapore’s status as a major migratory bird hub has grown in stature, Singapore now has become the intersection of 2 major flyways, adding the Central Asian-Indian Flyway to the East Asian-Australiasian Flyway.

Singapore, a small country by land size, now can play a bigger and wider international role in the migratory birds journey with those 2 major flyways, a transit hub for migratory birds. 

Article References:

• NParks article Feathered Global Ambassadors: https://www.nparks.gov.sg/nparksbuzz/issue-42-vol-3-2019/conservation/feathered-global-ambassadors 
• Mothership https://mothership.sg/2020/12/migratory-bird-central-asian-flyway-singapore/ 
• Nature Portfolio Scientific Reports: https://www.nature.com/articles/s41598-020-77897-z 

Bird Photography with Canon EOS cameras 

Over the years, I have enjoyed my bird photography with various Canon EOS cameras and lenses, from my own camera equipment to review units. For WMBD 2023, I would like to share curated bird photography works from my more recent bird photography shoots.

West Coast Park / Sungei Ulu Pandan Kechil 

Sungei Ulu Pandan (Clementi / Sunset Way)

Pasir Ris Park / Sungei Tampines 

Labrador Park

Botanic Gardens 

Windsor Nature Park

The above collection of bird photographs were shot with various Canon mirrorless cameras that I am currently using or tested/reviewed them most recently over the past 1-2 years. such as the EOS R3, EOS R7, EOS RP and EOS R50 cameras. 

I have more bird photography shots curated inside this photo album, a small collection of Birds in Singapore (Flickr album), you can view them here – https://flic.kr/s/aHsjBnNjyL 

Bird Photography Tips

Here are some handy and useful bird photography tips for those who are starting out on their bird photography journey.

Camera Equipment

Based on my Canon cameras usage, reviews and experiences, you can read more about my reviews on those Canon cameras listed below:

Cameras

Canon EOS R3 | EOS R5 | EOS R6 | EOS R7 | EOS-1D X Mark III | EOS-1D X Mark II | EOS-1D X |

If you have the budget, go for the EOS R3 (FF mirrorless) or EOS-1D X Mark III (FF DSLR), the EOS R5 and EOS R6 are also very capable FF mirrorless cameras, well liked and received by bird photographers. The EOS R7 (APS-C mirrorless) has recently been added, becoming a popular mid level camera suitable for bird photography. 

Lenses

• Fast lens (big aperture lens if you own one e.g. 400mm f/2.8)
• Telephoto zoom lens: RF100-500mm f/4.5-7.1L | EF200-400mm f/4L with 1.4x Extender | RF100-300mm f/2.8L | EF or RF 70-200mm f/2.8L
• Telephoto prime lens: RF600mm f/4L or EF600mm f/4L | EF500mm f/4L | RF400mm f/2.8L or EF400mm f/2.8L | RF600mm f/11 | RF800mm f/11 |

Settings

• AI Servo (Canon) | AF-C (Nikon) | Continuous AF (Sony) |
• Subject tracking: Animal 
• High FPS (e.g. 20fps)
• Fast shutter speed (1/1250s to 1/2500s depending on the action and activity)
• Tripod (for the big prime lens)

Beyond the technical specifics and hardware

• Read, learn, know and understand more of the birds that you are photographing. 
• Observe the birds, their surroundings, actions, and patterns. 
• Be patient, don’t make too much noise. 

Bird Photography Locations in Singapore

While Singapore is a very small country in terms of land size, we do have our own nature reserves and outdoor nature areas that we can be proud of. For bird photography, there are a number of destinations that bird photographers like to visit for their bird photography action.

Sungei Buloh Wetland Reserve is the most well-known bird photography location in Singapore, this wetland reserve tucked away in the north west corner of Singapore is the hub for migratory birds, taking a pitstop for rest break and refuelling their body for further flight down south. 

Other popular bird photography locations in Singapore include Central Catchment (Bukit Timah to MacRitchie, Windsor Nature Park), Kranji Marshes, Pasir Ris Park, Singapore Botanic Gardens, Hampstead Wetlands Park, Lorong Halus / Coney Island, Pulau Ubin, Jurong Lake Gardens, Bishan-AMK Park, Marina Bay East/Gardens By The Bay. 

West Coast Park, Labrador Park, Southern Ridges, Fort Canning Hill, Tampines Eco Green, are also bird photography locations that bird photographers would also visit and check out.

World Migratory Bird Day Information 

If you like to know more about World Migratory Bird Day, please visit the links below for more information and updates.

• Website: https://www.worldmigratorybirdday.org/ 
• Twitter: https://twitter.com/WMBD 
• Instagram: https://www.instagram.com/worldmigratorybirdday/ 
• YouTube: https://www.youtube.com/user/WMBDcampaign 

World Migratory Bird Day 2023 (May Edition)

To all fellow bird and wildlife photographers, nature and wildlife conservationists and supporters, we all can do a part in spreading the awareness for our birds, water and nature areas, not just on World Migratory Bird Day itself. 

Let’s continue to spread the word, awareness, conservation and protection for our wildlife and nature areas. 

The post World Migratory Bird Day 2023 (May 13th) appeared first on TGH Photography and Travel Portal/Blog.

Let me share with you more on my Canon EOS R5 review journey, photographs that I shot with the review camera, my thoughts and views on this new Canon full-frame mirrorless camera that is born to rule.

Aesthetics 

When you hold the Canon EOS R5 camera body, you would find it very familiar. The Canon EOS R5 body is similar to the Canon EOS R, it has a top LCD panel, slightly bigger in width with dual card slots and bigger battery. It has a magnesium alloy body: Strong, sturdy, durable and solid feel, not too heavy and easy to carry around. 

Canon photographers rejoice! Our favourite joy stick is back! Although it’s easy to use the LCD screen for moving and controlling the auto-focus (AF) point, the joy stick gives us photographers another option when using the camera especially when we are looking through the viewfinder to photograph our subjects. Fast and accurate AF point movement on both LCD screen and viewfinder, making our photography easier and faster.

Dual card slots are back, another feature that photographers would like to have it (the earlier EOS R and EOS RP have single card slots) back on the EOS R series cameras. With two card slots, 1 for SD and 1 for CFexpress, you can record them separately, this would be most welcomed by working professionals. The CFexpress would provide the incredible speed needed for your high fps RAW shots and for your 8K videography production. 

Powered by the LP-E6NH battery (you can still use the LP-E6 and LP-E6N batteries), providing more juice for your photography and videography. Just like the Canon EOS R, there is also a cover protecting the sensor when the EOS R5 is switched off. 

Technology 

Photography 

One of the key features that I like about the Canon EOS R5 is the auto-focus (AF) capabilities. It’s powered by the latest DIGIC X processor and 45MP CMOS sensor. AF speed is fast and accurate, up to 20 FPS. Animal detection AF is excellent in most cases. The Dual Pixel CMOS AF II combined with the fast processing speed of the latest DIGIC X processor brought about big improvements in the EOS R5 AF capability.

The AF is responsive and fast when changing from viewfinder to LCD screen. Using the joystick allows easy movement of AF point/zone to the subject when looking through the viewfinder. The ISO is from 100 to 51,200, my personal tolerance level is around ISO 25,600 that I find it usable.

Eye tracking is fast and accurate, improved from Canon EOS R, making portraiture photography fast and ease of use to get the subject’s eyes sharp and accurate. The Animal detection AF is welcomed by wildlife photographers, fast AF speed, accuracy and ease of usage. 

AF – People / Animals / No priority 

AF – Eye tracking / Spot AF / 1-point / Expand AF area / Expand AF area : around / Zone AF / Large Zone AF : Vertical / Large Zone AF : Horizontal

The Large Zone AF: Vertical and Large Zone AF: Horizontal are two interesting AF selections that can be chosen by the photographer. These two selections would be helpful in animal/wildlife photography.

Servo AF 

Case 1 – Versatile multi purpose setting

Case 2 – Continue to track subjects, ignoring possible obstacles

Case 3 – Instantly focus on subjects suddenly entering AF points

Case 4 – For subjects that accelerate or decelerate quickly

Videography

In the modern world today, video has risen in prominence and significance with the rise of social media and internet usage. A modern digital camera is no longer just for photography, it now can produce excellent videos as well. 

On the Canon EOS R5, it’s easy to navigate and use the movie recording function. You can shoot in different modes, from 8K to FHD that would be sufficient for most leisure and serious amateur users. As for those into filmmaking, commercial videography, you have the options of shooting and showcasing in 8K format, or shoot in 8K and export to 4K format, or shoot in 4K. The video AF is fast, accurate and responsive, easy to use too.  

8K-D 25p / 24p (8192 x4320) 

8K-U 25p (7680×4320)

4K-D 50p / 4K-D 25p / 4K-D 24p (4096×2160)

4K-U 50p / 4K-U 25p (3840×2160)

FHD 50p (ALL-I / IPB) / FHD 25p (ALL-I /Standard IPB / Light IPB) (1920×1080)

Videography works with EOS R5

I didn’t get to spend more time doing videography works with the EOS R5 as I probably shoot more stills photography doing wildlife photography with the RF100-500mm lens. However, I did manage to shoot short video clips of 30s and 1min for my documentary coverage of Tanglin Halt and Clementi Forest, both areas that I have been documenting and photographing since 2011. 

I shot the videos in 8K format, while I have no qualms about the 8K video quality, it’s very demanding on computer hardware and resources. My videos are edited by fellow photographer Isaac Ong and I would upload them into YouTube and share here when the videos are ready. I would add on Isaac’s thoughts and views on the suggested computing hardware, technical specifications and resources required, should you be looking at doing 8K video production with the Canon EOS R5. 

5-axis In-Body Image Stabiliser 

There is the new 5-axis In-Body Image Stabiliser, coupled with Optical Image Stabiliser on the appropriate lens attached, this powerful function and features helps us photographers and videographers in our shoots that we sometimes don’t realise about the two features in action when using the Canon EOS R5.

From low light handheld photography to handheld videography work, the new 5-axis In-Body Image Stabiliser coupled with an appropriate Canon lens with Image Stabiliser are going to be a huge asset for the photographer and videographer using the Canon EOS R5.

Connectivity 

The Canon EOS R5 has both Wi-Fi and Bluetooth connectivity functions, allowing you to connect with your other smart devices such as your smartphone or tablet. Whether it’s for remote control shooting or file transfer, you can be assured of the seamless connectivity.

EOS R5 with RF lenses 

During my review of the Canon EOS R5, I took the opportunity to request for the Canon RF100-500mm f/4.5-7.1 L IS USM lens for review as well, pairing this telephoto zoom lens with the EOS R5. I had a great and fun time with this camera and lens combination, Canon EOS R5 with RF100-500mm f/4.5-7.1 L IS USM lens. 

This particular combination is very popular with Canon photographers who are into wildlife and sports photography, high megapixels paired with a versatile, quite portable and great quality telephoto zoom lens. For images shot at 500mm, and if you still require cropping, there are enough megapixels from the EOS R5 for the photographer to retain the quality and sharpness of the subject. 

It’s a breeze and ease to use the native RF lenses on the Canon EOS R5, and with more RF lenses coming into the market, Canon photographers now have a greater ease of mind on the RF lenses available, showcasing Canon’s commitment to the full-frame mirrorless camera market. 

TGH Photography x Canon EOS R5 Explorer Series Production

I brought the Canon EOS R5 for a revisit to Tanglin Halt estate, a HDB estate that I had covered, documented and photographed some years back. Soon, the old flats would no longer be around, I am glad to have capture it down into my memories, documentation, and archives with the Canon EOS R5 and my other Canon DSLR cameras that I shot some years back. 

Another location that I brought the Canon EOS R5 to photograph was the Clementi Forest and Old Jurong Railway line. I have been documenting and photographing this segment since 2011, I went back again when I was reviewing the Canon EOS R6 and back again for another round with the Canon EOS R5. 

Thoughts and views

One of the key factors that would attracts photographers to the Canon EOS R5 is the 45MP sensor.  It’s not just higher  and better quality, the sharpness and details of the images that you can produce and if you need more room for cropping, the 45MP is a breeze in the park. 

8K videography is an interesting topic, while the consumer world is not fully onboard using 4K, the commercial level is already preparing for 8K production. While some might view 8K as on overzealous feature based on current 4K usage rates, the Canon EOS R5 in my humble personal opinion is forward thinking. The EOS R5 is inclined towards the pool of commercial photographers, production houses, filmmakers and videographers. With both high quality stills photography and 8K videography capabilities, you have the best of both worlds. 

Some other quick pointers and short summaries

• Dual card slots: 1 for SD, 1 for CFexpress card. While the CFexpress would provide the incredible speed needed for your high fps RAW shots and for your 8K videography production, the costs to add those storage cards are going to increase your overall camera investment budget.
• New 5-axis In-Body Image Stabiliser x Optical Image Stabiliser: powerful function and features helps us photographers in our shoots.
• 45MP full-frame CMOS Sensor (new sensor) & Digic X processor, photographers would really appreciate the processing speed and output quality on your photos and videos.
• For photographers into wildlife photography – the EOS R5 has a much improved AF and Animal Detection AF (popular with wildlife photographers, EOS R5 with prime lens or RF100-500mm)
• The expanding EOS R family + RF lenses lineup is ushering in a new era of photography – Born to Rule

Although the Canon EOS R5 is an excellent camera that you may use for a longer period of time, you have to factor in the additional costs in the following areas to complement and support the Canon EOS R5, allowing it to unleash its full potential:

Additional hardware costs due to 

• Getting a new desktop computer setup that can handle 8K videos editing
• CFexpress storage cards are costly 
• Extra storage space on desktop computer, laptop, portable hdd or cloud storage 

Overheating issue

The topic on overheating on the Canon EOS R5 had been discussed quite a fair bit on the internet and social media. During my review of the EOS R5, I did encounter overheating when I was doing stills photography, I had to switch off, waited for it to cool down before I was able to resume. I made an adjustment, switching on Eco mode and slowing down the pace of my photography. Thereafter, I didn’t encounter any more overheating. 

Although I didn’t get to do as much videography with the Canon EOS R5 as I would like, I managed to shoot a few videos in 8K, keeping the clips to 30s and 1minute. During that time, I  encounter some heat dissipated, that is normal in recording videos. However, I didn’t encounter any major overheating issue. 

While the EOS R5 overheating issue has invited a number of discussions and debates, I feel that it’s a great camera overall. The full-frame mirrorless camera is a modern hybrid equipment for the modern photographer and videographer that is most welcomed by many creative professionals. Based on my understanding and research, the firmware update for the EOS R5 has improved the overheating issue. 

Understanding that the modern digital mirrorless camera is a hybrid camera, it’s not like a dedicated filmmaking/cinematic series camera if that’s what you are looking for. Cameras such as the EOS R5 gives us modern photographers (like me) to diversify and add videography/filmmaking into our services delivery. Knowing the engineering constraints of a hybrid camera, managing and adjusting how we shoot videos, might just be the small tips to manage the overheating issue (with the firmware updates applied as well).

Best of Both Worlds

In my personal humble opinion, The Canon EOS R5 at this current juncture in time, represents the best of both worlds together – Photography and Videography. From Reimagine Optical Excellence (EOS R), to Reimagine Your Potential (EOS RP) and now Born to Rule (EOS R5) and (EOS R6).

Although the upcoming Canon EOS R3 is going to open up more opportunities and diversity in Canon full-frame mirrorless line-up, the Canon EOS R5 might just suit your needs and requirements for your respective photography genres. 

A very powerful and fast mirrorless camera highly suitable and recommended for professionals, ideal for serious amateurs too. In a way, it’s similar to EOS 5D Mark IV, the Canon EOS R5 camera would be an easy transition for existing Canon photographers, the handling of the camera body and menu interface, it’s easy to use and get the hang of it. 

The Canon EOS R5 is recommended for

• Professional photographers moving over from DSLR setup to mirrorless setup upgrading from entry level DSLRs or entry level mirrorless cameras (choice of EOS R5, EOS R6 and EOS R to choose from and the upcoming EOS R3 as well)
• Professional photographers who need the higher megapixels and image quality 
• Portraiture, products, landscape
• Production houses 
• Filmmakers / Videographers  

Would this EOS R5 be my next camera upgrade/change? 

I am currently using Canon EOS-1DX Mark II and Canon EOS RP, there is a possibility that I might add either the EOS R5 or maybe the EOS R6 to my setup (or even maybe the upcoming EOS R3?). 

With the recent announcement on the development of the Canon EOS R3, how would this influence/change my plans for camera changes/upgrades? To be honest, I don’t have an answer yet (even though I secretly lust for the Canon EOS R3). The world of possibilities are out there for Canon photographers with choices to choose from EOS R5, EOS R6, EOS R, EOS RP and upcoming EOS R3.

However, I would still share my thoughts and views on the differences between Canon EOS R5 and R6 in my upcoming comparison article, for photographers who feel that the either the Canon EOS R5 or EOS R6 would suit their needs and usage. You can view more photographs shot with Canon EOS R5 here inside this Flickr photo album.

To all Canon photographers and those are thinking of coming on board the Canon EOS R full-frame mirrorless cameras and RF lenses family, you can now have even more confidence to embrace, adopt and enter into this new family, welcome onboard! (You can even keep your EF lenses too!).

*I would like to thank Canon Singapore for the opportunity to review the Canon EOS R5 full-frame mirrorless camera.* 

The post Canon EOS R5 Review appeared first on TGH Photography and Travel Portal/Blog.

The PowerShot ZOOM is light and compact, weighing only 145g and it’s about the size of the smaller power banks, thus making it very convenient for users to keep it in their pocket or bag and bring it along for outdoor activities. Since it’s lightweight and compact, users can operate the PowerShot ZOOM with just one hand.

The PowerShot ZOOM has three modes of magnification, this would let users zoom into the moment quickly without missing out on the action. Whether you are enjoying the flora and fauna in nature parks, admiring the sceneries from high elements such as Mount Faber and Marina Bay Sands, or even simply capturing children playing at the playground from afar.

Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore said: “As a pocket-sized digital monocular camera, the PowerShot ZOOM is a handy companion for users who are on the go and want to quickly zoom into, shoot and even record precious and fleeting moments in life for instances that mobile devices may not adequately do the job. 

With just three buttons for the main navigation, it is simple to use so that it can be enjoyed by anyone in the family, whether it’s the kids who want to zoom in on the Blue-Eared Kingfisher that can be spotted at Bukit Timah Nature Reserve, or parents who want to capture their children scoring that winning goal at a football match.” 

Simple, Fun and Easy to Use

Zooming, shooting and recording on the PowerShot ZOOM is straightforward and fast, letting users quickly capture fleeting moments such as children scoring a point at the basketball court and birds resting on branches at nature parks. Pressing the zoom button located at the top of the device lets users zoom into three modes (100m, 400m and 800m magnification) instantly. To take a photo or record a video, users can simply press the photo or record button at the bottom of the device. 

The PowerShot ZOOM also sports a telescopic design and comes with autofocus and image stabilisation, which provides a comfortable viewing experience during prolonged use. The features also let users easily capture clearer shots of players running across the football field or a flock of birds flying across the treetops. 

Designed to be used on the go, the PowerShot ZOOM can be charged via the supplied Type-C to Type-C interface cable with a compatible charger or power bank (sold separately). A full battery charge provides approximately 60 minutes of movie record time, 150 still shots and a live viewing time of 70 minutes. The PowerShot ZOOM uses a microSD card as storage media. 

Seamless Connectivity with Smartphones for Sharing on the Go

For easy sharing on various social media platforms, images recorded on the PowerShot ZOOM can be transferred to a smartphone via Canon’s Camera Connect app wirelessly or via wired USB. With the Camera Connect app, users can perform remote shooting and share the images being viewed in real time, on a smartphone with family and friends.

When the PowerShot ZOOM is connected to a smartphone via a wired USB cable, it is recognized as a USB mass storage device, and images can be imported into the smartphone. 

Thoughts and Views

I had a short hands on with the PowerShot ZOOM when I went on a photo walk with Ryan Cheng, a fellow photographer who had the Canon PowerShot ZOOM for a review. His photos that he shot from this digital monocular camera is published inside my article.

I had the opportunity to try out the PowerShot ZOOM . It’s simple to use, it’s also really handy and useful especially for wildlife photographers. This PowerShot ZOOM is a mix of a monocular camera and scope/binoculars. Not only can you take photos, you would be able to “mark out” the location before you switch to your   camera and lens setup to photograph the wildlife.

I reckon this would be an excellent complement to a setup such as Canon EOS R5 or Canon EOS R6 with RF100-500mm f/4.5-7.1L IS USM lens, the new favourite Canon mirrorless lens and telephoto zoom lens combination for wildlife photography.

Canon PowerShot Zoom Technical Specifications 

Pricing and Availability

The Canon PowerShot ZOOM will be available at authorised dealers in April 2021 at a retail price of $459.

* Information and pictures courtesy of Canon Singapore and GLOO PR *

The post Canon announced PowerShot ZOOM appeared first on TGH Photography and Travel Portal/Blog.

In my short hands on experience article that I published in July 2020, I confessed that I wasn’t really into lenses with focal length range of 100-500mm as my setup was geared towards the holy trinity setup and big prime lenses. During the period when I was reviewing the Canon RF100-500mm f/4.5-7.1L IS USM lens, I was enlightened, my perceptions and views of this focal length range changed.  

A favourite lens for wildlife photographers 

I have been reading and looking at Facebook groups/pages posts on wildlife photographs shot in Singapore. There is a trend on these combinations of Canon EOS R5 or EOS R6 with RF100-500mm lens. I had chats with the folks from my local camera shop that I regularly go to, this is quite a popular camera and lens combination that the photographers wanted to get.

When I had the RF100-500mm lens with the Canon EOS R5 for review, I finally understood and realise why this is such a popular combination and setup. From my adventures at Jurong Bird Park, to West Coast Park, Bukit Batok Nature Park, Pasir Ris Park and Sungei Buloh Wetland Reserve. I photographed quite a lot of wildlife photographs.

The 100mm to 500mm range is versatile for wildlife photography, you would not be constrained by shorter focal lengths or a fixed focal length lens. The photographs quality are sharp even when shooting at its maximum aperture. 

This would not be the fastest lens since it’s not a constant aperture lens, nevertheless the AF is pretty impressive and fast when paired with the EOS R5 body (and I believe it would be just as good with the EOS R6 body too).

More than just a lens for wildlife and sports photography 

Although this lens is probably going to be more geared towards wildlife and sports photography, it’s a versatile lens that photographers can use for sports, travel and landscapes too. While I didn’t get the opportunity to photograph sports events with this lens, I was able to photograph people/machines in action from a distance away and landscapes too. 

Photographing landscapes with this 100mm to 500mm focal length range telephoto lens is probably less common, even less common in Singapore when it’s a small country by land size and honestly speaking, it doesn’t have much of a wide and vast landscapes in big countries that I visited. Using the RF100-500mm to shoot landscapes in Singapore, I managed to capture some beautiful moments that I really like and didn’t expect to come out in a way that I would expect from my travel photography trips overseas. 

Personal thoughts and views

This is a lens that change my view on long focal length range telephoto zoom lens. While I am a user and supporter of zoom lenses such as 24-70mm and 70-200mm focal range, a longer range focal length such as 70-300mm or 100-400mm didn’t attract me as much initially in my photography adventures. I was more inclined towards prime telephoto lens such as the 300mm f/2.8L for their speed and optics. During the period when I was reviewing the RF100-500mm f/4.5-7.1L IS USM lens, it changed my view and approach towards wildlife, sports and action photography. I am now more inclined towards focal length range telephoto zoom lens, keen to get this lens some time down the road.

Key factors and points that convinced and changed me after using RF100-500mm f/4.5-7.1L IS USM lens

• Lighter in weight
• More versatile than a fixed focal length prime lens 
• Easier to carry and move around with faster reaction time when photographing wildlife/sports versus a fixed prime lens on a tripod 
• The optics quality and AF speed is excellent considering that it’s not a fixed focal length prime lens
• Price is a lot lower as compared to a fixed focal length prime lens 

A versatile, portable and not too heavy telephoto zoom lens with excellent optics quality that is comparable to a prime lens. Since it’s not a constant aperture lens, the auto-focus speed may not be as fast as a prime lens. However, when paired with the Canon EOS R5 or R6, the AF speed is still pretty fast and impressive. 

This remarkable lens is very Ideal for wildlife, sports and travel, sometimes landscapes too. In the wildlife and birding community, a number of photographers have the Canon EOS R5 or Canon EOS R6 and RF100-500mm setup, a powerful, ideal, excellent and popular combination of both AF speed, AF accuracy, optics and output quality (45MP Canon EOS R5 sensor provides lot of details even when cropping in). 

The retail recommended price for the Canon RF100-500mm f/4.5-7.1L IS USM lens is SGD$4,459, compared to a cost of a big aperture prime lens, it’s not that expensive.

The Canon RF100-500mm f/4.5-7.1L IS USM lens is a versatile, portable and not too heavy telephoto zoom lens, very ideal and suitable for wildlife photographers, sports and travel. This highly capable long range telephoto zoom lens gives photographers options to choose from for their wildlife or sports photography. A value for money top quality Canon L lens that gives photographers, versatility and portability versus the more expensive prime telephoto lens. Whether it is a telephoto zoom lens or telephoto prime lens, photographers have the options available to choose from. 

More photographs shot with the RF100-500mm f/4.5-7.1L IS USM lens can be viewed here inside this Flickr photo album. Do check out my other photo albums on Flickr, Canon EOS R5, Canon EOS R6, Canon RF70-200mm f/2.8L IS USM and Canon RF24-70mm f/2.8L IS USM and check out my articles on my recent reviews and testings of the Canon EOS R5, Canon EOS R6, Canon RF70-200mm f/2.8L IS USM and Canon RF24-70mm f/2.8L IS USM.

* I would like to thank Canon Singapore for the opportunity to review the Canon RF100-500mm f/4.5-7.1L IS USM lens *

The post Canon RF100-500mm f/4.5-7.1L IS USM Review appeared first on TGH Photography and Travel Portal/Blog.

Before I proceed further, this is NOT a review article. This article are my insights, thoughts, views from my short hands on experience along with my Q&A session with Canon Singapore Marketing. This article would be more like a continuation, Part Two of an earlier article that I published, “The Canon Mirrorless Journey from EOS M to EOS R”. Although it is NOT a review article, it’s a bit lengthy in content.

Through my session with Canon Singapore Marketing, I had a better understanding on the new EOS R cameras and RF lenses. In a nutshell, the EOS Family Hierarchy looks like this

EOS 1DX 

EOS R5 

EOS 5D 

EOS R + EOS R6 

Now let me share my thoughts and views of my short hands on experience with EOS R5, EOS R6 and new RF lenses. 

EOS R5

This is the Canon full-frame mirrorless camera that photographers want and have been waiting for. Canon has listened to photographers and customers feedback, this camera now has dual media cards slot. The iconic and well liked joystick and wheel controls are back on the EOS R5. The body and layout is similar to the EOS R. 

A hybrid camera, best of both worlds, for stills photography and videography, 8K video with no cropping and 45 megapixels. That’s a powerful camera for photographers, videographers and content producers.

8K video recording overheating concern? 

An issue that has been nitpicked by some overseas photography websites, a point to take note but with a wrong approach and mentality by the websites, probably a clickbait to drive web traffic to their website.

I brought up this topic for discussion as I was doing some homework and research from overseas websites and YouTube channels that are talking about this particular topic. From my understanding, maximum recording time is 29min 59 sec.

You can find Movie Shooting Time (or Movie Recording Time) Limit inside the camera’s manual by Canon. Raise your hands, how many of you read the whole manual, whether in pdf format or physical copy? 

When the Canon EOS R5 camera manual is available, I would download and have a read.

Points to take note from a photographer/videographer practical perspective:

• EOS R5 is a hybrid full-frame mirrorless camera that can do stills photography and videography. It’s not a standalone dedicated video camera recorder. 
• If you are looking to shoot non-stop 4K video for a long continuous period of time, you need to look at camcorders instead.The Canon Cinema EOS Camcorders and Camcorders are calling out to you.
• How often do you record video non-stop for 30 minutes and beyond? Unless you are mainly shooting conferences, major seminars presentation or live performances.
• Even if you are into producing vlogs, YouTube videos, short filmmaking, how often do you and can you video for 30mins or more without a break or pause, to check, reshoot? 

Should I have updated information and details on this, I might update it here or in my review article down the road.

In-Body IS + lens IS = holy combo, that’s what it should be, Canon now leads the way 

The photography industry was talking/discussing a lot on internet and social media a few years back. While it may seem that Canon took a much longer time to implement In-Body Image Stabiliser (In-Body IS), they didn’t want to put it in for the sake of putting it in. 

Yes, Canon listen to the feedback on the ground, from photographers and customers. This probably took them a bit longer than launching their full-frame mirrorless camera, a In-Body IS that works with the lens IS, with a new algorithm through new DIGIC X, “talking, coordinating and controlling” both IS on lens and camera body to work in tandem together simultaneously. 

That’s the way it should be for cameras utilising In-Body IS and lens IS, Canon now leads the way. 

Combining the best of the best together

This EOS R5 brings some of the best of the EOS Series, EOS 5D Mark IV (for its stills + video) + EOS 5DS or EOS 5DS R (MF quality stills photography) + latest DIGIC X + new sensor + revolutionary RF technology + EOS R series camera body, all together into that EOS R5.

EOS R6

For photographers who are a fan of the EOS-1DX series, you can go for the Canon EOS R6, it’s a mini EOS-1DX Mark III since it has inherited much of its hardware and technical specifications into the EOS R6 body. 

If you do not need the 8K video functions and high 45 megapixels, the EOS R6 is very suitable and more affordable, you can still shoot in 4K and with 20 megapixels, you can get most photography jobs done without too much worries. EOS R5 and EOS R6 have similar design,  layout and functionalities. The top layout is similar to the Canon EOS RP layout. 

The EOS R6 would be highly suitable for those wanting and ready to move into full-frame mirrorless cameras, whether you are an existing EOS DSLR user, or migrating from other brands, upgrading from APS-C cameras to full-frame camera.

RF100-500mm f/4.5-7.1L IS USM lens

This focal length range lens hasn’t really caught my attention previously as my setup is towards the holy trinity setup and big prime lens. However, I have to say that this focal length of 100-500mm range is versatile, lightweight and ideal for wildlife photography, sports and events photography too. 

I would love to try this lens out for wildlife photography when the opportunity arises to review this lens.

RF Extender 1.4x and RF Extender 2x

I sense exciting times ahead for the RF mount lenses. When would the RF300mm f/2.8 or RF400mm f/2.8 be out in the market? 

RF600mm f/11 IS STM and RF 800mm f/11 IS STM

We photographers and consumers need a mindset change that telephoto lenses must be at big apertures? Can telephoto lenses be lightweight, affordable and easy to use at f/11 aperture? The RF600mm and RF800mm are going to open up leisure (and maybe even commercial) photographers into owning telephoto lens.  

If you have the opportunity to try either one of the two telephoto lens, pair it with the RF Extender 2x and you would be able to see, feel and understand the power of Dual Pixel CMOS AF II in action, check out the AF at f/22. 

The materials used and built quality is pretty good for RF600mm and RF800mm lenses, considering that they are non L lenses. 

RF85mm f/2 IS STM

A popular focal length, the 85mm, ideal for portraits, can also be used as a macro lens as well. Affordable and lightweight. 

Final thoughts and views

Born to rule, a new era in the mirrorless camera segment, usability and durability, commitment to RF mount, EOS R full frame mirrorless. Excitement, Canon full-frame mirrorless is no longer playing catch up, it’s now leading the way.

Canon does listen to customers feedback and concerns, they are aware of the needs and wants of photographers. I still remember these two quotes that I wrote down, given by Canon Inc executives from my media sessions in 2016 at Canon EXPO Shanghai,

“We may look conservative but we know the trends” 

“We are not complacent”

Canon is and has always been committed to the mirrorless camera market, the messages were clear back then, even though there were no specific timeline nor indication of cameras to come. While Canon’s journey in full-frame mirrorless cameras, delivering the EOS R5 and EOS R6 to the market today in 2020, took a bit of a longer route and time, photographers now have a top range full-frame mirrorless EOS R5, accompanied by EOS R6, EOS R and EOS RP. Canon now has a range of different full-frame mirrorless cameras catering for most (if not all) photography genres.

The EOS R5 is highly suitable for production houses, commercial photographers, videographers, filmmakers, almost able to cover all genres of photography. A powerful hybrid camera for both stills photography and videography, the best of both worlds.

The price might be on the high side, yet given the power technical specifications, this is a worthy investment for the next 3-5 years, especially for those commercial photographers and production houses. 

What does the future holds for the EOS R and RF lenses family?

Canon has now set a high level benchmark for themselves and the full-frame mirrorless camera industry. Expectations would now be even higher. More RF lenses are on the pipeline, making the EOS R and RF mount series even more exciting in the very near future. 

An equivalent of the 1DX series EOS R? This would keep me very excited and interested.

On a personal/commercial photographer and videography/filmmaking approach

EOS R5, the hybrid camera for both commercial photography, videography and filmmaking. I always like the EOS 5D series and wanting to own a 5D Mark III or 5D Mark IV. The EOS R5 would be a great (almost perfect fit) as it covers both photography and videography. 

I have held back on getting a EOS 5D series as I am eagerly awaiting the next EOS R series camera even though I am using EOS RP and my trusted EOS-1DX Mark II. Now with the EOS R5 and R6, I have a good headache to plan, strategise and consider, how should I go about setting up my photography and videography combination, maybe it’s time to start my mini production house and digital marketing agency. 

The EOS R5 is the Canon full-frame professional mirrorless camera that many photographers are eagerly, anxiously or patiently waiting and wanting. It has finally arrived! Content creation and consumption of media is moving towards video in this current timeline and near future, the EOS R5 and R6 are going to be your trusted content creation gadgets.

I am most likely not buying the EOS R5 when it is officially out for sale in the market at the end of July 2020, as much as I would love to own this powerful packed (almost perfect) full-frame mirrorless camera, due to financial constraints and current economic downturn. However, I am looking at getting it some time down the road, maybe in 1 year’s time. The EOS R6 is good too, however my preference is the EOS R5. 

On the other hand, I do hope that I would be able to test and review the Canon EOS R5, EOS R6 and many more RF lenses that I would love to test and review, sharing with fellow photographers on Canon full-frame mirrorless photography through my Canon EOS RP Explorer Series Production. 

Canon full-frame mirrorless cameras journey has now transformed even further, setting a new standard for the full-frame mirrorless cameras industry. 

Born to Rule, the Canon EOS R5 has and will, leading the way for new full-frame mirrorless camera industry standards.

The post Short Hands on Experience with EOS R5, EOS R6 and new RF lenses appeared first on TGH Photography and Travel Portal/Blog.

“With the seamless integration of camera and lens technology in the EOS R platform, we are able to design and produce new concept lenses that were not possible before. The compact and lightweight super telephoto lenses, and the portrait lens that comes with a half macro feature are all designed to be affordable. These lenses will open up a whole new world of photography for our EOS R users,” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

The RF85mm f/2 IS STM offers more flexibility with its ability to shoot both portraits and macro, while the RF600mm f/11 IS STM and RF800mm f/11 IS STM offers super telephoto focal lengths of 600mm and 800m respectively at an affordable price.

Lightweight, compact and affordable super telephoto lenses

Telephoto lenses are usually associated with big aperture prime lenses and they can be pretty expensive, big and heavy in weight. The RF600mm f/11 IS STM and RF800mm f/11 IS STM lenses are going to change this mindset, designed to lower the barriers of entry for photographers to own super telephoto lenses by making them more affordable, compact and lightweight.

By working together with the DIGIC X image processor and high-performance CMOS sensor in the EOS R series cameras, the RF600mm f/11 IS STM and RF800mm f/11 IS STM are capable of delivering high image quality even at high ISO settings despite their affordable price. All made possible with the RF mount technology that made lenses previously impossible to design possible now. Utilising a single DO (Diffractive optical element) lens instead of the traditional use of multiple lens elements at the front of the RF600mm f/11 IS STM and RF800mm f/11 IS STM has contributed to the lighter lens weight. The single DO lens not only has the optical characteristics of multiple lenses but is able to produce high image quality with reduced chromatic aberration.

High-strength plastics are used for the main construction of both lenses, contributing further to the lightweight design whereas metal parts are used on parts like the lens mount and tripod ring where strength is crucial. The fixed f/11 apertures of both lenses, which omits the need for an aperture adjustment mechanism, also helps reduce the weight. The incredible reduction in weight of the two super telephoto lenses make them possible for handheld use. In fact, the RF600mm f/11 IS STM is approx. 30% of the weight of the much bigger and heavier EF600mm f/4L IS III USM lens. Similarly, the RF800mm f/11 IS STM is approx. 28% of the weight of the EF800mm f/5.6L IS USM lens.

On top of the significant weight reduction, both lenses have a retractable structure which makes them a lot more portable. Users can easily stow the lens away without having to get a dedicated bag just for the lens. The lens barrel can be extended when shooting, while retracting can be done by rotating the lock ring on the mount before storing the lens away.

When retracted, the RF600mm f/11 IS STM is 45% of the length of the EF600mm f/4L IS III USM lens. Meanwhile, the RF800mm f/11 IS STM is 61% of the length of the EF800mm f/5.6L IS USM lens when retracted. With the significant downsize, it makes transportation and storage of these lenses a breeze.

The RF600mm f/11 IS STM and RF800mm f/11 IS STM are also compatible with the new Extender RF 1.4x and Extender RF 2x for RF lenses, making it possible to achieve a maximum reach of 1600mm (when RF800mm f/11 IS STM is paired with Extender RF 2x).

Image Stabiliser (IS) function to assist in handheld shooting

The RF600mm f/11 IS STM and RF800mm f/11 IS STM are equipped with Canon’s Optical Image Stabiliser feature. The RF600mm f/11 IS STM achieves an image stabilisation (IS) effect of up to 5 stops (based on CIPA standard) and the RF800mm f/11 IS STM achieves an IS effect of 4 stops (based on CIPA standard). The IS function significantly reduces camera shake, which is particularly noticeable in super telephoto shooting and helps to stabilise the image, making it effective to control focus.

Stunning portraits and creative possibilities with macro function

The EF85mm f/1.8 lens has been one of Canon’s best-selling EF lens line up, and the RF85mm f/2 IS STM continues that legacy with its large f/2 aperture, with macro function and Hybrid Image Stabilisation for added performance. The 85mm focal length is ideal for portraits while the large f/2 aperture results in dreamy bokeh and low light shooting capabilities.

With a minimum shooting distance of 0.35m and the ability to achieve 0.5x magnification, the RF85mm f/2 IS STM opens up more opportunities for more creative and unique images. This comes in especially useful for wedding photographers who wants a portrait lens that could double up to shoot details of rings and decorations.

When the RF85mm f/2 IS STM is used with the EOS R5, up to 8 stops of image stabilisation can be achieved in tandem with the In-Body Image Stabiliser. This feature greatly expands the possibilities of expression especially when a tripod is not available or cannot be used.

Pricing and Availability 

The RF600mm f/11 IS STM will be available at $1,169 while the RF800mm f/11 IS STM will be available for $1,509. Both lenses will be available for sale from 30 July 2020.

The price and availability of the RF85mm f/2 IS STM will be confirmed at a later date.

* Information and pictures courtesy of Canon Singapore and GLOO PR *

The post New Trio of RF-mount Prime Lenses appeared first on TGH Photography and Travel Portal/Blog.

The RF100-500mm f/4.5-7.1L IS USM is designed for professionals and advanced amateur photographers, for Canon photographers who are familiar with this popular EF lens, the EF100-400mm f/4.5-5.6 L IS II USM lens, this is the RF version equivalent, versatile and with a wide focal length range, ideal for photography genres such as sports, wildlife, nature photography and photojournalism as well.

“As the evolution of the popular EF100-400mm f/4.5-5.6L IS II USM lens, the RF100-500mm f/4.5-7.1L IS USM serves to strengthen the R and RF lineup by adding native super telephoto capabilities. Its increased range and compatibility with the Extender RF 1.4x, and Extender RF 2x, as well as the new cameras makes it extremely versatile and will surely excite photographers,” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

Extra Reach in a Lightweight Package

The RF100-500mm f/4.5-7.1L IS USM is similar in size to the EF100-400mm f/4.5-5.6 L IS II USM lens, however, it’s 15% lighter in weight and has an additional 100mm reach. From the 100mm to 500mm focal length range, photographers can enjoy 5x zoom ratio, covering medium telephoto (100mm) to super telephoto range (500mm).

The lens’ large diameter RF mount allows for a short lens back focus, and the six UD lenses and one super UD lens within the RF100-500mm f/4.5-7.1L IS USM are arranged near the focal plane surface. The ASC (Air Sphere Coating) on the lens elements is also used to reduce ghosting. All this work together to correct optical aberrations and deliver images that are sharp from edge to edge regardless of which focal length a user shoots at.

The RF100-500mm f/4.5-7.1L IS USM’s well-engineered dust and drip-resistant construction lets it perform at its best even in demanding situations. The lens’ heat-shield white paint suppresses heat from building up within the barrel of the lens, maintaining image quality even when shooting under the hot sun.

Sharper Images even at slower shutter speeds with In-Lens Image Stabiliser (IS)

The RF100-500mm f/4.5-7.1L IS USM has Canon’s unique Optical Image Stabiliser mechanism, giving photographers image stabilisation up to five shutter speed stops by revising the control algorithm of the optical IS and using Dual Sensing IS.

There are three IS modes on this lens, through the mode selection switch, photographers can toggle between these three modes, based on the movements of the subjects that they are shooting:

• IS mode 1 is best suited for stationary subjects
• IS mode 2 is used for panning shots
• IS mode 3 is suitable for subjects with irregular movements, such as during basketball where movements of players can be unpredictable

The latest Canon EOS R5 and EOS R6 cameras, both camera bodies possess in-body 5-axis image stabilisation, when either camera is used with the RF100-500mm f/4.5-7.1L IS USM lens, an IS effectiveness of six stops is achieved (based on CIPA testing standards) at 500mm focal length.

This is achieved through the coordinated controls between the camera’s and lens’ IS. Motion blur is reduced and users get sharper images even while shooting at 500mm focal length. Users can shoot at lower shutter speed in dim situations to achieve brighter shots, expanding the possibilities for handheld shooting.

Shoot Faster and Closer

The RF100-500mm f/4.5-7.1L IS USM lens is equipped with two Nano Ultrasonic Motors (USM) providing faster Auto Focus (AF), achieving high-speed, high-precision still image AF and smooth movie AF in combination with the EOS R series Dual Pixel CMOS AF. By using two Nano USMs to drive the lens, power saving and high-speed operation is achieved without compromising the size.

The RF100-500mm f/4.5-7.1L IS USM‘s unique electronic floating focus control has also made focusing at a mere 0.9m possible and the RF100-500mm f/4.5-7.1L IS USM is capable of achieving 0.33x magnification on the 500mm focal length (focusing distance of 1.2m) allowing users to focus on close-up objects with ease. With such a short focusing distance and large magnification, users now have more room for creativity in their photography.

Extenders RF 1.4x and Extender RF 2x

Canon also introduced two new dedicated Extenders, the Extender RF 1.4x and Extender RF 2x. Both of them are compatible with RF100-500mm f/4.5-7.1L IS USM, RF600mm f/11 IS STM and RF800mm f/11 IS STM, photographers can photograph at  1000mm on RF100-500mm f/4.5-7.1L IS USM and up to 1600mm on the  RF800mm f/11 IS STM without compromising on image quality.

The Extender RF 1.4x and Extender RF 2x both achieve high image quality and a smaller size with an optical design that utilises the large diameter mount and short back focus unique to the RF mounts. The total length of the new extenders (length from the mount on the body side to the mount on the lens side) has been reduced by 25% compared to the Extender EF 1.4xIII and Extender EF 2xIII. The extenders utilise the latest high-refractive-power, low-dispersion glass material to greatly reduce chromatic aberrations. The three cemented lens elements with special coating in the Extender RF 1.4x and Extender RF 2x help reduce the air contact surface as much as possible, effectively reducing ghosting that tends to occur with extenders.

Both extenders inherit the heat-shielding white paint from telephoto L lenses. Designed with built-in microprocessors, the extenders also allow for better communications between the lens and camera to achieve the same high precision AF as though the user is shooting without an extender.

The vibration and impact resistant structure along with the dust and drip-resistant construction of both extenders are designed to be reliable and durable for professional and advanced amateur users.

Pricing and Availability

The pricing and availability of the RF100-500mm f/4.5-7.1L IS USM, will be confirmed at a later date. Both the Extender RF 1.4x and Extender RF 2x will be available from 30 July 2020, for $829 and $1,000, respectively.

* Information and pictures courtesy of Canon Singapore and GLOO PR *

The post Canon RF100-500mm f/4.5-7.1L IS USM appeared first on TGH Photography and Travel Portal/Blog.