Canon DP-V2730 4K Professional Display

Canon recently launched the DP-V2730 4K Professional Display. This new 27-inch display features improved basic image quality over its predecessor models (1), including core components such as high-image quality display engine, revamped high-resolution algorithms, panels and backlighting systems.

The display features a compact and lightweight body that is ideal for 4K video checking and editing not only in conventional video production environments, but also for remote work in confined spaces including offices and personal residences. Like the highly popular DP-V1830 18-inch display (released in February 2022), the DP-V2730 satisfies HDR standards (2) and delivers high image quality, thus supporting a diverse range of working styles and workflows in the broadcast and video production industries. 

Utilising proprietary Canon technology, the DP-V2730 realises a maximum illuminance of 1,000 cd/m2 for white luminance, as well as improved black luminance and high contrast, making the display more suitable for checking dark or high-contrast areas. In addition, the display faithfully recreates the wide color gamut required by the ITU-R BT.2020 (3) recommendations. What’s more, thanks to Canon’s proprietary optical configuration that helps mitigate luminance and color variations, the angle of view for the display is wide enough to deliver accurate images when several people are viewing the monitor at the same time. 

Compared with the 24-inch DP-V2421, the new 27-inch DP-V2730 realises a 1.3x larger screen size for greater visibility, while also realising a slim design (4) with an approximately 41mm narrower width, enabling use in narrow workplaces such as broadcast relay vehicles and sub-control rooms. What’s more, the display’s smaller size, compared with 30-32-inch displays used for such work as color grading, makes it ideal for video production and a wider range of editing work styles in enviroments such as offices and personal residences where space is limited. 

The new display is equipped with the highly praised HDR Monitoring Assist function of its predecessor models. This function enables users to check input video and various types of signal information, all on a single display, to visualise important information and enable more efficient video checking and editing work. In addition, a multi-screen display (5) function via the SDI/HDMI video input and a Switchout (6) function help reduce the number of devices required and thereby realising a more space efficient video capture and production workplace. 

The DP-V2730 will be available from late February 2023. 

Notes:

(1) The DP-V3120 (released in November 2019), the DP-V2421 and DP-V1711 (released in April 2018) and the DP-V2411 (released in December 2017) 

(2) Testing performed under conditions specified by Canon, based on “EBU TECH3320 USER REQUIREMENTS FOR VIDEO MONITORS IN TELEVISION PRODUCTION Version4.1” and “Dolby Vision Certified Mastering Facilities Colorgrading Systems and Monitors V1.4”  

(3) Recommendations specified by UHDTV broadcast signal standards formulated by the International Telecommunication Union (ITU). 

(4) The DP-V2730 measures approximately 635mm wide. The DP-V2421 measures approximately 594mm wide. 

(5) Display of certain information may be limited based on video input, resolution, framerate and means of signal transmission. 

(6) A paid upgrade license is required to enable the Switchout function.  

Canon EU-V3 – Functional Expansion Unit

Canon recently announced the launch of the EU-V3, a functional expansion unit for the EOS C500 Mark II (released in December 2019) and the EOS C300 Mark III (released in June 2020) models of Canon digital cinema cameras.

 In recent years, there has been a growing need to accommodate a preference for shallow depth of field and smooth background blur in the recording of concerts and other live events. In response to this trend, Canon has announced the EU-V3, an external functional expansion unit for its EOS C500 Mark II and EOS C300 Mark III. Designed for video production at live events, the expansion unit increases the operational capability of these two cameras which has earned high praise for their large-format sensor that enables rich videographic expression. 

By attaching the EU-V3 to either the EOS C500 Mark II or EOS C300 Mark III, the cameras gain additional input/output terminals necessary for live video production. Specialized features for live broadcasting include a “tally” function that indicates which camera the live video is being captured with, and a “return” function that notifies operators which camera is currently broadcasting live. In addition, the unit supports the “focus position guide” function that enables operators to register a desired focus position and display the current focus position on-screen. This makes fast-focusing possible during live productions without missing a single moment. 

Use of the EU-V3 attachment with the EOS C500 Mark II or EOS C300 Mark III requires  installation of firmware, which Canon will provide free of charge in mid October 2022. By installing this firmware, the cameras will gain support for Canon’s proprietary IP1, XC Protocol, thus enabling control of cameras via a network. In addition, the firmware update will provide support for the CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 EF Cinema lenses, as well as 4ch audio parameter display and other functionality. 

The EU-V3 will be available in late 2022. 

* Information and pictures courtesy of Canon Singapore and Gloo *

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Canon 4K XA Series Professional Video Cameras

Canon’s XA Series professional-use camcorders, the compact and lightweight XA65 (1) /XA60, and the high-image-quality XA75 (1) /XA70, deliver the high image quality and high mobility required for on-location videography in fields such as broadcasting, reporting, documentary, and event shooting.

The newly announced XA75 and XA70 models inherit the same high performance of their predecessor models (2), while adding new support for UVC (USB Video Class) communication protocol that enables video transfer via USB connection. With this new feature, the cameras are better suited for use in the increasingly popular field of livestreaming, for video shooting and content creation. 

XA75 and XA70

The XA75 and XA70 are equipped with a 1-inch CMOS sensor and a DIGIC DV 6 image processor. Featuring a 4K-compatible 15x optical zoom lens with a zoom range from approximately 25.5mm at the wide end to approximately 382.5mm at the telephoto end (3), both support high-quality 4K/30p video capture across the entire zoom range.

The large sensor enables capture of video footage with exquisite background blur and bright, high-sensitivity recording with minimal noise in low-light environments. What’s more, thanks to Canon’s Dual Pixel CMOS AF technology, the XA75/XA70 achieves smooth, high-performance autofocus and subject tracking during shooting. Even during 4K shooting, when precision is crucial, intuitive touch panel operations enable quick and accurate focusing. 

XA65 and XA60

The XA65 and XA60 are equipped with a 1/2.3-inch CMOS sensor and a DIGIC DV 6 image processor, along with a 4K-compatible 20x optical zoom lens, all in a compact and lightweight body measuring approximately 109 mm (W) x 84 mm (H) x 182 mm (D) and weighing approximately 750g (4). The camera supports 4K/30p image capture across the entire zoom range—from approximately 29.3mm at the wide end to approximately 601mm at the telephoto end (3). What’s more, data from the 4K sensor can also be utilized for Over Sampling HD Processing to record high-resolution Full-HD/60p video. 

These new cameras are the first in Canon’s XA series to feature UVC compatibility, which allows high-image-quality streaming with just a single USB (Type-C) cable. In addition, the cameras are equipped with a large and bright electrostatic capacitance-type LCD touchscreen monitor, measuring 3.5 inches and 2.76 million dots, as well as a 0.36-inch, 1.77 million dots tilted Electronic View Finder (EVF) for improved visibility during outdoor shooting. What’s more, there is a digital zoom function for greater zoom range and a “text overlay” On-Screen Display (OSD) function that displays information such as date and timecodes overlaid on captured visuals, for greater flexibility in all kinds of shooting scenarios. 

Notes:

• (1) Only the XA75 and XA65 are equipped with an SDI terminal. 
• (2) The XA55 and XA50. 
• (3) 35mm film equivalent. Does not include Dynamic Mode when image stabilization in use.  
• (4) Does not include lens hood, clip belt, lens cap or handle.  

New Canon Cine-Servo Lens

Canon announced the launch of the CN8 x 15 IAS S/E1 (EF mount) and CN8 x 15 IAS S/P1 (PL mount), they are the latest additions to Canon’s CINE-SERVO series (1) of EF Cinema lenses.

The new Canon Cine-Servo lens feature high optical performance that supports use with 8K cameras equipped with large-format sensors, the new EF Cinema lenses realize a focal length of 15mm at the wide-angle end, 8x optical zoom and a built-in 1.5x extender.

The lenses inherit the characteristics that have made the Cine-Servo series popular among users, while meeting demand for a wider focal length. In addition to the rich visual expression only possible with large-format sensors, the lenses realize a compact and lightweight design for shoulder-mounted operation, and is also standard-equipped with a removable drive unit.

Thanks to its ability to cover a wide range of focal lengths while also supporting both cinema-level image quality and broadcast-style video production, these versatile new lenses can be used in scenarios such as TV and commercial filming, live studio production, sports broadcasting and more. 

The CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 can be mounted on cameras equipped with large-format (Super 35mm equivalent) sensors, providing a focal length range of 15-120mm through high optical zoom. In comparison to their predecessor models (2), the lenses realize improved performance in a more compact and lightweight design that enhances mobility and enables easier shoulder-mounted operation. 

By using the built-in 1.5x extender, the CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 can toggle to a focal length range of 22.5-180mm. Thanks to an expanded image circle, the lenses can be used with 35mm full-frame sensor cameras, such as Canon EOS C500 Mark II (released in December 2019) and EOS R5 C [3] (released in March 2022) digital cinema cameras. With such broad support for large-format sensor cameras, the lenses support video production for users who demand cinematic visuals with shallow depth-of-field. 

In addition to supporting 12-pin serial communication protocol standard used by broadcast camera systems, the lenses also support communication functions via the lens mount. The CN8 x 15 IAS S/E1 supports EF mount communication (4), while the CN8 x 15 IAS S/P1 supports the /i Technology protocol designed by Cooke Optics, as well as eXtended Data technology from ZEISS. With the capability to externally output a wealth of lens information to the camera via the lens mount during filming, the new lenses contribute to greater efficiency not only during recording, but also in VFX5 and post-production workflows. 

The CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 will be available from early 2023. 

Notes:

• (1)  CINE-SERVO lens refers to a drive-unit-equipped lens compatible with cameras incorporating a large-scale image sensor.  
• (2) The CN7 x 17 KAS S/E1 and CN7 x 17 KAS S/P1 (released in August 2014) 
• (3) Requires EF-EOS R mount adapter 
• (4) May not be compatible with certain camera types. 
• (5) Visual Effects. A type of visual production in which real-life imagery is combined with computer graphics and other digital technologies.  

* Information and pictures courtesy of Canon Singapore and Gloo *

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The new Flex Zoom lens series are designed for filmmakers in their pursuit of cinematic beauty, equipped with new large-aperture lenses featuring high-level optical design and performance while maintaining the style and ease-of-use of Canon’s EF Cinema lens series. With the introduction of zoom lenses with focal length ranges of 20-50mm for wide-angle and 45-135mm for telephoto, Canon now provides zoom lenses that cover the same range as its six existing prime (single focal length) lenses. The versatility of these new lenses supports efficient visual production workflows for a wide range of scenarios including film, TV programmes, commercials and much more.

When paired with full-frame or large-format cameras, these lenses fully leverage the cameras’ signature shallow depth-of-field to produce smooth and natural background blur, resulting in powerful visuals. What’s more, the lenses maintain a bright T2.4 aperture (1) across their entire zoom ranges, making possible image capture in natural light, even in darker environments. This contributes to less cumbersome lighting setups and video production workflows that are more efficient and cost-effective.

Featuring an optical configuration with optimal placement of lens elements including a large-aperture aspherical lens and an anomalous dispersion glass lens, the CN-E20-50mm T2.4 L F/FP and the CN-E45-135mm T2.4 L F/FP lenses mitigate colour smudging and chromatic aberrations. This enables them to maintain high optical performance from the centre of the image to the periphery when paired with 8K cameras.

In addition to supporting EF-mount data transmission (2), the new lenses are also compatible with /i Technology (3) from Cooke Optics. With this capability, recording metadata such as focus, zoom, aperture and lens model can be transmitted via the lens mount for visualization on the camera itself. This additional information helps contribute to more efficient workflows not only during on-location recording, but also during post-production and editing.

Pricing and Availability

Notes:

(1) The f-number of a lens refers to the level of brightness calculated based on focal length and lens aperture. The t-number, more commonly used to describe the brightness of cinema lenses, incorporates a lens’ f-number along with the measure of light transmission.

(2) Only compatible with EF mount cameras 

(3) Only compatible with PL mount cameras 

* Information and pictures courtesy of Canon Singapore and GLOO *

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