“For content creators who dare to dream the impossible, we have the perfect tool for them, the EOS R5 Mark II. With this camera, they now possess the ability to turn their imagination into reality. The EOS R5 Mark II, with its new upgrades and functions, is truly for the creative visionaries of tomorrow”, said David Yeo, Senior Marketing Manager of Consumer Business, Singapore Operations, Canon Singapore.

My visual storytelling/photography journeys with Canon EOS 5 Series and EOS R5

My visual storytelling/photography journeys with the Canon EOS 5 series began with the Canon EOS 5D Mark III in 2010, followed by EOS 5DS, EOS 5DS R, EOS 5D Mark IV and the EOS R5. The Canon EOS 5 series is not just esteemed, they are a trusted and well-received camera series used by both professionals and serious enthusiasts. 

In my personal opinion, the EOS R5 that was launched in 2020 along with the EOS R6, set the standards, pace and tone of Canon’s full-frame mirrorless EOS R family growth, with this tagline for EOS R5 and EOS R6 – “Born to Rule”. Both EOS R5 and EOS R6 were impressive in terms of specifications and performance. 

With the announcement of the EOS R5 Mark II, this new and powerful camera would pick up the baton and continue the legacy of Canon’s esteemed EOS 5 series and the Canon EOS R full-frame mirrorless family into the next generation of both stills photography and videography.

Canon EOS R5 Mark II

The Canon EOS R5 Mark II has groundbreaking features that makes it outperform its predecessor EOS R5. 

Power-packed New Core for Unprecedented Performance

The EOS R5 Mark II is powered by the new 45-megapixel back-illuminated (BSI) stacked CMOS sensor, leading the host of feature upgrades. 

The new Accelerated Capture System, consisting of the all-new DIGIC Accelerator and the DIGIC X image processor, can process high volumes of data at unprecedented speeds. Together, the two pave the way for powerful new features and enable resource-intensive processing that sets new standards for AF performance.

Dual Pixel Intelligent AF for Smarter Subject Detection and Tracking

Dual Pixel Intelligent AF system

Like the EOS R1, the EOS R5 Mark II is also equipped with the Dual Pixel Intelligent AF system, which leverages the Accelerated Capture system and deep learning. This system greatly improves subject tracking and detection during video and stills shooting. It is highly accurate and capable of tracking the subject even for scenes that were challenging for the EOS R3, like when subjects cross each other and block the main subject. 

Register People Priority Function

Videographers and photographers shooting events and concerts will benefit from the Register People Priority function, as it prioritises a preregistered person for subject detection and tracking even when they are in a crowd and have their face turned sideways. The new Action Priority AF mode will automatically switch the focus point to subjects that are shooting, passing, or heading, helping sports photographers capture decisive moments during dynamic, fast-paced sports such as soccer, basketball, and volleyball.

Intuitive and Highly Responsive AF Control

For the first time ever on a “5 series” camera, Eye Control AF allows user to shift the AF frame by simply looking at their new subject to focus on. Updated optics and an improved line-of-sight detection algorithm have doubled the detection frame rate as compared to the EOS R3, thus allowing faster, steadier eye movement detection.

Both photographers and videographers can also store and recall a specific focus position by utilising the focus preset function, which was only previously available on super telephoto lenses. They can register and recall up to six different AF-related settings, which allows for a quicker response to different situations. 

Cinema Industry Standards for Next Level Video Production

In addition to the creative flexibility offered by its internal 8K DCI 60p RAW video recording support, the camera also provides ample industry-standard recording modes and options. Several professional production-oriented Cinema EOS system features were also included for professional filmmaking and video production needs. 

The new 4K DCI 60p SRAW recording option uses the camera’s full horizontal angle of view and provides a less resource-intensive option for projects requiring RAW video’s post-production latitude. Users can simultaneously record smaller 2K, a newly included function or Full HD proxy video files to the camera’s SD card slot and 8K or 4K main files to the CFexpress Type B slot. 

This allows users to edit footage more efficiently. The EOS R5 Mark II possesses the ability to create spectacular 4K videos with oversampled 8K sensor output and 2K/FHD videos from oversampled 4K. In addition, the camera showcases beautiful slow-motion scenes in 4K quality (up to 5x slower) or in Full HD (up to 10x slower) with the 4K 120p or Full HD 240p. 

Elevate Your Visual Storytelling

Both the EOS R1 and EOS R5 Mark II are the first EOS system cameras to offer 10-bit Canon Log 2, which provides more vivid colour reproduction. Favoured by many filmmakers for its wider dynamic range (16+ stops) and better preservation of shadow detail, Canon Log 2 expands the possibilities of post-production to meet your boundless artistic visions. 

Besides the existing Picture Style colour profiles, the EOS R5 Mark II is also equipped with the Cinema EOS system’s Custom Pictures. The latter allows LUTs (lookup tables), including custom 3D LUTs for Cinema EOS to be applied in-camera even when recording in Canon Log 2/Log 3, or HDR formats so users can better visualise the output video while shooting.

Easy integration with Cinema EOS

The EOS R5 Mark II uses the new XF-AVC S/XF-HEVC S file system, which has similar specifications as the Cinema EOS file system. This system enables workflows that are incompatible with the conventional MP4 format and streamlines the multi-camera projects editing process where Cinema EOS cameras are utilised.

Cinema EOS tools that provide detailed exposure information, such as the waveform monitor, false colours, and zebra display, have also been incorporated. Users can fine-tune exposure more accurately on set and improve efficiency on multiple camera shoots where exposures must be matched.

Seize the moment

The pre-recording feature, inherited from Cinema EOS cameras, will benefit users tasked to capture defining moments. This feature captures a scene up to 5 seconds before recording starts, and can be controlled remotely via the Camera Connect mobile app. There is no need to record continuously, which means smaller file sizes, effectively reducing the time users spend reviewing their footage. 

Other significant video features:

• Reduced rolling shutter distortion: The new BSI stacked sensor’s faster readout reduces rolling shutter distortion by approximately 40% compared to the EOS R5. This provides seamless action footage and fast camera movement without wobbly artifacts.
• Apple ProRes RAW external recording up to 8K 30p: This feature is supported through an HDMI Type-A output terminal. Users can simultaneously record 2K DCI proxy files to the CFexpress card.
• Linear PCM 24-bit 4-channel input support: This provides high-quality audio and flexibility for multi-microphone setups that are suitable for interviews and simultaneous ambient noise recording.
• Heat dissipating structure: The camera adopts a structure that dissipates heat buildup, allowing reliable recording even at the highest resolutions.
• Optional cooling fan for longer high-resolution recording: A cooling fan, Cooling Fan CF-R20EP (sold separately) extends 8K recording times, allowing up to 120 or more minutes of 8K 30p video to be recorded. It also enables limitless 4K 60p video recording with no overheating restrictions.
• Support for the latest wireless/wired communication protocols (Wi-Fi 6/6E and 2.5G Base-T wired LAN): These allow high-speed transmission of large photo and video files to a PC or FTP/FTPS/SFTP server, which is suitable for news reporting and editorial work especially with time constraints.

In-Camera Image Enhancements

The EOS R5 Mark II improves workflow efficiency and image quality through in-camera noise reduction and image upscaling that uses deep learning technology. 

• Neural Network Noise Reduction reduces the noise in high-ISO RAW images while retaining detail and resolution.
• In-camera Upscaling function that quadruples the number of pixels in the image, increasing the resolution to up to 179 megapixels with minimal impact on image quality. 

Combine both to generate cleaner, high-quality extreme crops that retain stunning clarity and detail, further empowering users to unleash their creativity.

Other significant still image features:

• Blurred/Out-of-focus image detection: This function is applicable to JPEG and HEIF images shot with the electronic shutter. It detects and rates images with faces that are blurred or out of focus. Users will also find it easier to choose the best shots from the many captured via improved high-speed continuous shooting performance with the electronic shutter.
• Dual Shooting: Users can simultaneously record 16:9, approx. 33.2-megapixel JPEG still images while recording Full HD 30p videos. This improves work efficiency for users who require still photos and videos of the same event when time is limited.

Delightful and reliable to shoot with

Designed to perform reliably on demanding shoots, the EOS R5 Mark II is built like the EOS R5, with similar dust- and drip-resistant weather sealing to withstand challenging weather conditions. For added protection, users may consider pairing it with the new Shoe Cover ER-SC3. The Rain Cover ERC-R5S / ERC-R5L will also come in useful for users shooting with the EOS R5 Mark II under rainy conditions for a prolonged period. The blackout-free EVF is twice as bright as the EOS R5’s and is equipped with superior anti-fog performance, which provides a brighter, clearer view of the scene even in unpredictable weather conditions. The Eyecup ER-KE can be added to provide a better EVF experience by blocking out stray lights to improve visibility and achieve more precise Eye Control AF.

The EOS R5 Mark II features a 5-axis In-Body IS (Image Stabilizer), with a newly designed mechanism and improved algorithms that increase its effectiveness when compared to the EOS R3. When shooting with a compatible RF lens with Optical Image Stabilizer, users can expect up to 8.5 stops’ equivalent image stabilisation so handheld images where tripods are not available will look even better up close.

To meet increased power requirements, the EOS R5 Mark II is powered by a new battery, Battery Pack LP-E6P, which has a higher current discharge but keeps the same form as other LP-E6 series batteries and can be charged with the LC-E6 charger. The USB Power Adapter PD-E2 (sold separately), can also charge the battery inside the camera and supplies more power than the USB Power Adapter PD-E1.

The USB Power Adapter PD-E2 can be combined with the DC Coupler DR-E6P, a new DC coupler for LP-E6 series-type batteries, to supply power directly to the camera during long shoots such as events or time-lapse recording. For enhanced operability such as vertical shooting support, users can combine the EOS R5 Mark II with:

• Battery Grip BG-R20: A battery grip with weight balance, buttons, and multi-controller position optimised for vertical shooting. It is compatible with the EOS R5/ R6 Mark II/ R6.
• Battery Grip BG-R20EP: A battery grip with the same features as BG-R20, with an additional 2.5G Base-T Ethernet port to support high-speed wired communication. This meets the needs of professional users who require wired network compatibility and better support for vertical shooting.

Pricing and Availability

The Canon EOS R5 Mark II will be available at Canon authorised dealers in end August 2024 at the following retail price.

Technical Specifications – Canon EOS R5 Mark II

* Information and pictures courtesy of Canon Singapore and Litmus PR *

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Canon EOS R1

The Canon EOS R1 is geared towards professionals, bringing together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model. This camera will dramatically improve (1) the performance of both still images and video, meeting the high requirements of professionals on the frontlines of a wide range of photography fields/genres including sports, news reporting, and video production.

This camera employs the newly developed image processor DIGIC Accelerator in addition to the pre-existing processor DIGIC X. The new image processing system,  composed of these processors and a new CMOS sensor, enables large volume of data to be processed at high speeds and delivers never-before-seen advancements in Auto Focus (AF) and other functions.

Canon EOS R1 New Image Processing and Deep Learning Technology

By combining the new image processing system and deep learning technology to an advanced degree, Canon has achieved high-speed and high-accuracy subject recognition. For example, subject tracking accuracy has been improved so that in team sporting events where multiple subjects intersect, the target subject can continually be tracked even if another player passes directly in front of them. In addition, the AF “Action Priority” function recognises subject movement by rapidly analysing the subject’s status. In moments during a sports game when it is difficult to predict what will happen next, this function automatically determines the player performing a certain action, such as shooting a ball, as the main subject and instantly shifts the AF frame, thereby helping to capture decisive moments of gameplay.

The combination of the new image processing system and deep learning technology will help to improve image quality. Canon implements the image noise reduction function, which has been previously developed and improved as part of the software for PCs, as a camera function to further improve image quality and contribute to user creativity.

Canon is working on field tests for this camera, and will support capturing definitive and impactful moments at international sporting events to be held in the future.

Going forward, Canon will continue to expand the EOS R SYSTEM lineup of fascinating cameras and RF lenses, thereby continuing to meet the demands of a wide range of users and contribute to the development of photography and video culture.

Notes:

(1) In comparison to EOS R3 (released in November 2021)

* Information and picture courtesy of Canon Singapore and Gloo *

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It also incorporates the newly developed e-Xs V digital drive unit which features enhanced operability and functionality into an ergonomic design inherited from its predecessor. In order to meet diversifying shooting needs, this zoom lens will realize immersive visual expressions in various usage scenarios including live broadcasts and news reports in addition to program recordings at studios and remote production using a variety of special equipment.

CJ27e x 7.3B

The product features both a 7.3mm wide-angle end suitable for framing entire studios or sprawling landscapes and 27x zoom magnification which covers a wide range of frequently used focal lengths, thereby enabling shooting up to the telephoto end at 197mm. The lens also contains a built-in 2x extender which can double the zoom range, making it possible to take highly detailed shots at ranges up to 394mm at the telephoto end.

Despite the high magnification of 27x, the operational responsiveness of the new product’s focus and zoom functions remains the same as those of existing lenses, while the operational responsiveness of the iris has been improved. This makes it possible to accurately capture rapidly moving subjects in cases such as sports broadcasting. Additionally, this will be the first of Canon’s digital drive units to be equipped with highly versatile USB Type-C ports, which will enable the export or import of lens setting data to or from USB memory drives and firmware updates by users. The USB ports can also be used to export lens focus, zoom, and iris setting data and control the lens from remote systems, thereby improving compatibility with remote shooting and virtual production, which are growing in demand.

For more information, please visit Canon website https://sg.canon.

* Information and pictures courtesy of Canon Singapore and Gloo *

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“Canon remains steadfast in our commitment to empower photographers with the precise tools necessary to realize their creative visions. As we continue to expand our RF lens portfolio, we remain attuned to the diverse needs of photographers. In addition to our exceptional super telephoto RF lenses, we recognize the significance of wide-angle capabilities. The RF10-20mm f/4L IS STM seamlessly covers the full focal range within our RF ecosystem, boasting an expansive 10mm rectilinear field of view and improved optical image stabilization. Its lightweight design enhances value, addressing photographers’ ultra-wide needs.” Said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

The Advantage of Going Wider

The wider the focal length, you can view the bigger difference every 1mm makes. At the focal length of 10mm, the area covered by this lens is nearly twice that at 14mm, and 1.4x that at 12mm, which significantly increases possibilities when shooting large subjects in tight spaces.

With this unique perspective effect that exaggerates relative distances, objects near the lens look bigger and more impressive. Concurrently, this wide-angle zoom lens capability allows the flexibility to frame the scene tighter, making this ultra-wide angle EF10-20mm f/4L IS STM lens an asset for expanding creative expression.

When paired with an APS-C EOS R camera, this lens continues to be an ultra-wide angle lens, capturing a field of view from 16 to 32mm on a full-frame lens.

Powerful yet Light

If a lens goes wider while maintaining maximum aperture and performance traditionally meant that it would be a heavier lens. However, this RF10-20mm f/4L IS STM lens goes against this with a dramatic weight reduction. The RF10-20mm f/4L IS STM lens weighs approximately 570g, shaving off over 600g off the EF11-24mm f/4L USM lens, even with its additional Optical IS unit, yet this is of a smilier size to the existing f/4L trinity lenses.

The portability also makes it ideal for handheld shooting and use with gimbal, making the RF10-20mm f/4L IS STM a powerful yet light lens.

Outstanding Image Quality All the Way to the Edges

The RF10-20mm f/4L IS STM lens is Canon’s first ultra-wide angle zoom lens with a focal length under 13mm to equipped with the Optical Image Stabilizer (Optical IS). With this feature, users can now take long exposures hand-held with up to 5 shutter stops of image stabilisation (6 stops through Coordinated Control IS with compatible cameras). Optical IS also works in tandem with Movie Digital IS to achieve image stabilisation during video shooting, ensuring smooth handheld footage even while walking.

The RF10-20mm f/4L IS STM additionally supports the new Peripheral Coordinated Control (2), which effectively compensates the peripheral blurring that tends to occur with ultra-wide-angle lenses. This works with the optimised lens configuration and in-camera correction to control distortion and chromatic aberration throughout the entire zoom range. This results in outstanding image quality that is on par, if not better than that of the EF11-24mm f/4L USM’s stellar reputation.

Nimble AutoFocus

The lens focusing system, including the STM motor and focusing lens, is designed to optimise AF performance. This ensures swift focusing during still photography, along with high-precision, smooth and quiet AF drive during video recording. Performance is on par, if not better, than the EF11-24mm f/4L USM. It also newly adopts the lens position sensor used in Nano USM lenses, which, when combined with the lead-screw type STM, shortens startup time so users can start shooting quickly from power-on.

Intuitive and Innovative Design

As with the esteemed L-series lenses, the RF10-20mm f/4L IS STM boasts a sturdy and durable design, complete with fluorine coating and dust- and drip-resistance quality. On top of the RF lens’ control ring for exposure control, a new function button can be assigned as a convenient shortcut for various functions and is easily accessible with the left thumb. The lens has a rear gelatin filter holder for those who wants to explore more creative expressions through the use of different filters. 

Pricing and Availability

The RF10-20mm f/4L IS STM will be available at Canon authorised dealers from 20 October 2023 at the recommended retail price of $3,599.

Technical Specifications

Notes:

1.  Among all Interchangeable lens for cameras compatible with 35mm full-frame sensor (excluding fisheye lenses). As of October 10, 2023. Based on Canon research.
2. Available only on EOS R5 updated to firmware ver. 1.9.0 or later. Movie Digital IS must be turned off.

* Information and picture courtesy of Canon Singapore and Gloo *

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7 models of Prime Series RF Cinema Lenses

The 7 models of Prime Series RF Cinema Lenses are of the focal lengths 14mm / 20mm / 24mm / 35mm / 50mm / 85mm / 135mm respectively. They are compatible with the Canon EOS C70 (released in November 2020) and EOS R5 C [1] (released in March 2022) RF Cinema Cameras.

These lenses are compatible with the transmission protocol of RF mount, and as with previous models [2], operators can control magnification, chromatic aberration correction, peripheral light correction and a dual pixel focus guide via camera body operations. In addition to these functions, the new lenses feature distortion aberration correction. These features support efficient video production not only during on-location recording but also post-shoot editing.

High Optical Performance

The new products achieve high optical performance suitable for use with 4K and 8K cameras by optimally positioning large-diameter aspherical lens elements and lens elements with anomalous dispersion glass. Their compatibility with the full-frame large-format sensor, bright T values [3], and the use of 11 aperture blades allow for a shallow depth of field for subjects, natural round blurring, and soft image expressions. In addition, since the color balance is unified throughout the series, adjusting color tones when changing lenses, while shooting the same scene can be done with greater ease.

With an appropriate sense of torque of the operation ring, the new lenses allow for precise and smooth adjustments that are required for cinema shooting. In addition, due to the unified design across the series, including the gear position of the operation ring, the diameter of the lens and the rotation angle (operation angle), the lens can be exchanged smoothly without the need to adjust the mounting position of the mat box or external focus adjustment accessories for each model. A new knurled surface near the mount provides a comfortable fit in the user’s hand, allowing the lens to be held securely without gripping the operation ring when attaching and detaching different lenses.

Availability

The availability of this new series of RF Cinema Lenses for the Cinema EOS System are as follows:

Notes:

[1] Performance guaranteed in VIDEO mode, when used with EOS R5 C

[2] EF-mount PRIME Series lenses

[3] The brightness of a cinema lens is generally expressed as a T value, which is obtained by additionally reflecting the transmittance of the glass to the F value.

* Information and pictures courtesy of Canon Singapore and Gloo *

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Canon EOS R6 Mark II (Full-frame power and versatility)

Is your Dad a serious photography enthusiast? Does your Dad desire to capture every precious moment beautifully? Or is your Dad planning to move up from his smartphone to a more powerful and versatile camera? Smartphones while they may be convenient, they do falter when the lights go dim or when fast action takes place. Canon has a range of mirrorless cameras and a wide range of lenses that offer premium image quality for both enthusiasts and professionals.

The Canon EOS R6 Mark II is a full-frame camera with hybrid features for still and movie shooting. Its 24.2 megapixel sensor and DIGIC X Image Processor enables the camera to capture sharp and detailed images with low image noise, even in low-light scenarios.

For photography, the camera can shoot up to 40 frames per second (fps) with its electronic shutter, allowing you to capture dynamic action photos of athletes, animals and vehicles.

This is further enhanced by deep learning technology that can automatically detect different subjects like trains, airplanes, dogs, and more to capture their images more precisely. The camera can also help you to lock focus on people’s features such as their left or right eye.

For videography, the camera can shoot 6K oversampled un-cropped 4K video up to 60 fps. For slow-motion video, it can capture Full HD movies at up to 180 fps. For long video shoots, you can also use the camera to shoot up to 6 hours.

Equipped with 5-axis in-body image stabilisation (IS) and movie digital IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. And if your dad is always on conference calls, the camera can be instantly plugged into computers and work seamlessly as a webcam that produces professional-level images.

Key Features

• High image quality featuring a new 24.2 megapixel full-frame CMOS sensor
• DIGIC X Image Processor with an ISO range of 100-102400
• Up to 40 fps shooting speed with electronic shutter.
• 6K oversampled uncropped 4K movie at up to 60 fps
• Automatic subject detection of people, animals, and vehicles
• In-body Image Stabilizer with up to 8 stops of Shake Correction with Coordinated Control IS
• UVC/UAC compatibility allows use as a web camera and stream live video in Full HD

Pricing and Availability

The price for the Canon EOS R6 Mark II is S$3,619 (body only), S$4,108 (body with RF24-105mm f/4-7.1 IS STM). It’s available at Canon authorised dealers.

SELPHY QX10 Photo Printer Bundle

When was the last time you printed photographs for your family and loved ones? Are your priceless and beautiful moment photographs sitting inside your smartphone, tablet or computer? Is your Dad an unstoppable photo enthusiast, turning Instagram into his personal scrapbook? Why not help Dad bring those memories to life with the perfect gift: a high-quality photo printer!

The palm-sized Canon SELPHY QX10 photo printer is not just any ordinary photo printer, it’s small and light, allowing Dad to make beautiful prints while on the move.

The prints will last up to 100 years, thanks to dye-sublimation technology that produces highly saturated colours (at 256 gradations per dot). Also, the square sticker printouts are dirt-proof and water-resistant, making them perfect for scrapbooking or sharing with friends and family.

The SELPHY QX10 connects to smartphones and other devices wirelessly and has a rechargeable battery that can be recharged using a power bank.

With the SELPHY Photo Layout app, you can get creative by creating your own photo style using a combination of layouts, filters, stamps, overcoat effects, and photo frames.

Key Features

• Palm-sized printer that prints saturated square photos
• Dye-sublimation thermal print technology
• Dirt-proof and water-resistant square sticker prints
• Specialized coating on the XS-20L paper protects against splashes, spills, and fading, ensuring your prints last up to 100 years
• Built-in rechargeable battery
• Available in white, black or pink

Pricing and Availability

The SELPHY QX10 Photo Printer Bundle is priced at S$228 (SELPHY QX10 Bundle which includes XS—20L Square Photo Paper). Available at Canon authorised dealers

Happy Father’s Day 2023! Capture more priceless memories and moments with your Canon cameras!

Wishing all Fathers a Happy Father’s Day 2023! Have fun taking priceless moments and stories with Canon EOS R6 Mark II, printing them out on the SELPHY QX10 photo printer and sharing the love with your family.

* Information and pictures courtesy of Canon Singapore and Gloo *

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“The PowerShot V10 embodies Canon’s spirit of innovation, redefining traditional imaging devices to meet the ever-changing needs of consumers. With the rise in popularity of short-form content, and the demand for better output, Canon developed the PowerShot V10 to help users elevate their content quality. It marries Canon’s superior imaging technologies with a pocketable design, enabling users to create high-quality footage on the go – this reinforces our commitment to supporting every type of content creator out there.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore.

Small in Package, Big on Content

It may look petite with a 9cm long body, however the PowerShot V10 is a video content creation powerhouse. They have an integrated retractable, tillable stand that can unfold to provide tripod-like support whenever, and whatever you need it. You do not to scramble for random supportive objects that leave you with little control over your shooting angles!

There is also a built-in large-diameter three-element microphone that cancels noise and products clear, high-quality audio, perfect for creating videos with that ASMR (Autonomous sensory meridian response) effect.

3-in-1 content creation kit

You now can have a 3-in-1 content creation kit with the PowerShot V10. This new content creation kit essential for travel vlogging, breakdancing demos, cinematography experiments, to on-location livestreams. It fits into your small bag with room to spare, along with your smartphone, earbuds, and power bank.

Superior Image Quality

Powered by Canon’s EOS imaging technology, this allows the PowerShot V10 to produce stunning, low-noise footage with vivid colours, even in low-light venues with “romantic” mood lighting. You are now ready to impress your audience with clear and beautiful footage form the PowerShot V10.

Easy Creation Regardless of Skill Level

There are various shooting modes that include auto and manual exposure, and as many as 14 colour filters, the PowerShot V10 is equipped to help you achieve your ideal results regardless of your skill level or the extent you intent to edit your footage. You can now experiment with different camera angles using the tilt-type monitor, which lets you see and adjust high-angle and low-angle shots comfortably.

With Face Tracking AF that automatically detects and keeps your face in frame, this AF will prove to be a breeze even for beginners. You can also switch to Specified Frame AF to focus on wherever you tap.

There is a new Movie Auto ND filter that automatically turns the built-in 3-stop ND filter on or off according to ambient brightness. You now can record perfectly exposed transitions from the dim indoors to the sunny outdoors in one smooth take!

The ergonomic vertical grip provides both right- and left-handers with a comfortable, stable hold, perfect for trying out new transitions or taking long handheld videos such as virtual tours of your travel accommodation.

Designed for ease of shooting, the lens’ wide angle-of-view lets you record yourself with your friends and the background behind you, all from a natural, non-outstretched arm position. 

With 14 kinds of aspect ratio markers, you can be ensured that important elements are always perfectly framed even when your video are to be edited for different sharing platforms

Easy Livestreaming

The PowerShot V10 supports real-time delivery methods such as livestreaming, which can be done directly to Facebook or YouTube via the Camera Connect app without the hassle of complicated settings. This can be achieved even when you are out and about: simply tap on your smartphone’s mobile network directly.

Alternatively, you can also use the PowerShot V10 as a webcam via the plug-and-play USB-C connection.

Pricing and Availability

The PowerShot V10 will be available at Canon authorised dealers at the recommended retail price of $609 from 15th June 2023.

Technical Specifications

* Information courtesy of Canon Singapore and Gloo *

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“The new EOS R50 will deliver great outcomes for new users with smart features that enhance their photographs and videos. We want to empower content creators with the ability to focus on storytelling without feeling overwhelmed by the technical aspects of the camera. While equipped with strong technical functionalities from higher end models in our EOS R system, the new EOS R50 remains small, mighty, and simple to use.” said Edwin Teoh, Head of Marketing, Singapore Operations, Canon Singapore. 

High-quality Video Right Out of the Box

With the EOS R50, you can be assured of the high quality of the footage, giving you high-quality video right out of the box. 

24.2MP APS-C Format Image Sensor

The EOS R50’s APS-C format image sensor is 3X large than the 1-inch sensor on the latest smartphones. This translates to sharper, more detailed images and videos, and less noise (graininess) even in low light. Users can also look forward to beautiful, natural-looking bokeh (shallow focus) effects.

High-quality Video: First Entry EOS-series APS-C Mirrorless Camera to Produce 6K-Oversampled Cropless 4K

With the 24.2MP APS-C format image sensor, the EOS R50 is also capable of producing high-quality crop less 4K 30p video oversampled from 6K worth of data. 

What is oversampling? Oversampling means more information to reduce artefacts and other issues, so despite your blogging experience and skill, the image quality will look pristine and professional.

Designed for Intuitive Vlogging 

The EOS R50 is equipped with ample modes and features that simply shooting, it is designed for vloggers who want the image quality of a dedicated camera without the learning curve that usually comes with having to operate one.

It is lightweight, weighing at only about 375g (1), it is about the same size as the EOS M50 Mark II, making this camera perfect for blogging on the move!

Intelligent Focus Switching during Close-up Demos

The Dual Pixel CMOS AF II system, which detects and tracks people, animals (dogs, cats, and birds) and vehicles (motorsports cars and motorcycles) based on their characteristics just got even smarter. 

For close-up demos, the Movie for Close-up Demo mode quickly and automatically switches focus to the subject closest to the camera. You can showcase your new gadget or online shopping loot in one smooth take, with the focus where you want it to be. 

Support for focus breathing ensures that there are no distracting changes in angle of view that tend to occur during focus transitions when vlogging. 

Image Stabilisation Optimised for Handheld Vlogging 

Get seamless, steady footage even when shooting handheld: The EOS R50 comes with not just one, but two different Movie IS (Image Stabilizer) [2] levels (‘Enhanced’ and ‘On’) that digitally perform 5-axis camera shake correction, enhanced when combined with an RF lens with in-lens IS. 

When the monitor is in “selfie” mode, the default “Movie IS: Enhanced” mode optimises image stabilisation for handheld wide-angle shooting, correcting the unwanted motion that tends to become more obvious at the edges of wide-angle images. You can switch between two levels by simply tapping the “Wide-angle” button, to avoid excessive close-ups. 

Auto Leveling Mode (3)

For scenes and shooting angles where it is hard to keep the camera level, the auto level mode automatically corrects horizontal tilt. This would save time from manual correction in another app. 

Share Your Content Quickly: High-quality Livestreams with just one USB cable

Planning to do livestream high-quality footage (4) and audio from your EOS R50? All you need is one USB-C connection to your computer, it’s a plug-and-play with no drivers required. 

Straight from Camera to Phone

With Canon’s Camera Connect smartphone app, it is fuss-free to set up, allowing you to easily transfer videos and JPEG photos from your camera to a smartphone either through a wireless Wi-Fi or wired USB-C connection. As the camera supports transcoding, which makes 4K and Full HD video files lighter, even high-quality videos can be transferred and uploaded to social media smoothly.

Get Great Photos Easily

For those who are not too familiar with technical photography terms and complicated post-processing, the EOS R50 has a suite of new intelligent creative features that make it even easier to make the most of the camera’s imaging capabilities. 

Some notable new functions are:

• Advanced A+: Automatically captures and blends exposure-bracketed images for better night and backlit portraits, and focus-bracketed images for images that are in focus from front to back. 
• Creative Bracket: Automatically generates multiple versions of a shot taken by the user with different brightness and colour tone settings. The settings of the autogenerated shots are shown so that users can learn. 
• Subject blur guide: Available in the Panning SCN mode. Helps the user practice panning and improve the success rate of panning shots. 

RF-S55-210mm f/5-7.1 IS STM: Extend your Reach 

The RF-S55-210mm f/5-7.1 IS STM, a compact, lightweight, and affordable telephoto zoom lens, is the latest addition to the RF-S lineup. Providing a full-frame equivalent angle of view of 88 to 336mm on an APS-C image sensor, the lens is set to expand users’ creative horizons, allowing them to capture images that are difficult to get with a standard kit lens or smartphone. 

These include: 

• Sharp, high-quality closeups of subjects that are further away 
• More pronounced shallow focus effects 
• Images with compressed perspectives 

The lens also has excellent close-up shooting capabilities: its 0.28x maximum magnification at the 210mm end (more than the EF-M55-200mm f/4.5-6.3 IS STM) enables semi-macro photography at a relatively short closest focusing distance of 0.73m. 

Besides having a native 4.5 stops of image stabilisation, RF-S55-210mm f/5-7.1 IS STM is capable of providing up to 7.0 stops’ image stabilisation through Coordinated Control IS when used with EOS R system cameras equipped with In-Body IS. 

Initial Thoughts and Views from short hands on media session

EOS R50

During the media preview session, I had a short hands on session with the Canon EOS R50. It’s very similar to the EOS M50 Mark II that I am familiar with. A compact and lightweight mirrorless camera packed with creative and intuitive features that can up your social media/vlogging game without feeling overwhelmed.

If you are planning to upgrade from smartphone or compact cameras, looking for your first entry-level mirrorless, you can check out the EOS R50, your first entry-level mirrorless camera for high quality vlogging.

RF-S55-210mm f/5-7.1 IS STM 

A compact and lightweight telephoto lens for APS-C EOS R camera users, ideal for travel and shooting subjects much further away.

Here are some sample photos that I shot with the Canon EOS R50 pre-production set during the media preview session. 

Take Note: 

• Photos shared above were shot with the pre-production set during the media preview session. 
• The photos shot with the Canon EOS R50 pre-production set are shot as it is (jpeg and straight out from the camera with no further edits) and it’s not meant to be a review of the Canon EOS R50..

The above points are just my initial thoughts and views from my short hands on media session with the Canon EOS R50 and new RF lenses. I hope to go deeper into this Canon EOS R50 APS-C mirrorless camera some time down the road when I get the opportunity to test it out for review and I would be able to share more of my in-depth experiences, thoughts and views of the Canon EOS R50.

Pricing and Availability

The EOS R50 is available in black and white, with two kit options 

• With the RF-S18-45mm f/4.5-6.3 IS STM 
• With the RF-S18-45mm f/4.5-6.3 IS STM and RF-S55-210mm f/5-7.1 IS STM 

The local Singapore pricing and availability of the Canon EOS R50 and new RF lenses would be updated below accordingly when the information is made available. 

Update 14th March 2023

The EOS R50 is available in black and white and will be available from Canon authorised dealers at the following recommended retail price:

• EOS R50 Kit RF-S18-45 mm IS STM + RF-S55-210 mm (Black) – $1,509
• EOS R50 RF-S18-45 mm IS STM (Black/White) – $1,139
• EOS R50 Body (Black/White) – $979

Canon EOS R50 Exclusive Launch Promotion 16th to 31st March 2023

There is a Canon EOS R50 Exclusive Launch Promotion taking place from 16th to 31st March 2023. On top of the 32GB SD card gift that comes with every purchase of the EOS R50, customers will receive the following exclusive launch gifts (below) for purchases made within the launch special period between 16th – 31st March 2023:

1. $100 Capitaland Vouchers
2. Premium USB-C Cable
3. PIXMA E3370 Printer (worth $149)– Compact Wireless All-In-One with LCD for Low-Cost Printing

More information and details can be found in the brochures below.

* Information and pictures courtesy of Canon Singapore and Gloo *

Notes

1. Approx. 375g (black version), approx. 376g (white version).
2. Note: The Movie IS function is linked with the angle of view setting; when set to the widest angle, Movie IS is set to “Off”. When using Movie Digital IS, the shooting range becomes narrower. The image also becomes enlarged, resulting in a less defined image.  
3. When set to “Auto level: Enable”, “IS mode” is turned off (The two cannot be used simultaneously), and the shooting range also becomes narrower. The mode cannot be used when shooting vertically.  
4. Full HD 30p only.

Technical Information

EOS R50

RF lens 

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Canon DP-V2730 4K Professional Display

Canon recently launched the DP-V2730 4K Professional Display. This new 27-inch display features improved basic image quality over its predecessor models (1), including core components such as high-image quality display engine, revamped high-resolution algorithms, panels and backlighting systems.

The display features a compact and lightweight body that is ideal for 4K video checking and editing not only in conventional video production environments, but also for remote work in confined spaces including offices and personal residences. Like the highly popular DP-V1830 18-inch display (released in February 2022), the DP-V2730 satisfies HDR standards (2) and delivers high image quality, thus supporting a diverse range of working styles and workflows in the broadcast and video production industries. 

Utilising proprietary Canon technology, the DP-V2730 realises a maximum illuminance of 1,000 cd/m2 for white luminance, as well as improved black luminance and high contrast, making the display more suitable for checking dark or high-contrast areas. In addition, the display faithfully recreates the wide color gamut required by the ITU-R BT.2020 (3) recommendations. What’s more, thanks to Canon’s proprietary optical configuration that helps mitigate luminance and color variations, the angle of view for the display is wide enough to deliver accurate images when several people are viewing the monitor at the same time. 

Compared with the 24-inch DP-V2421, the new 27-inch DP-V2730 realises a 1.3x larger screen size for greater visibility, while also realising a slim design (4) with an approximately 41mm narrower width, enabling use in narrow workplaces such as broadcast relay vehicles and sub-control rooms. What’s more, the display’s smaller size, compared with 30-32-inch displays used for such work as color grading, makes it ideal for video production and a wider range of editing work styles in enviroments such as offices and personal residences where space is limited. 

The new display is equipped with the highly praised HDR Monitoring Assist function of its predecessor models. This function enables users to check input video and various types of signal information, all on a single display, to visualise important information and enable more efficient video checking and editing work. In addition, a multi-screen display (5) function via the SDI/HDMI video input and a Switchout (6) function help reduce the number of devices required and thereby realising a more space efficient video capture and production workplace. 

The DP-V2730 will be available from late February 2023. 

Notes:

(1) The DP-V3120 (released in November 2019), the DP-V2421 and DP-V1711 (released in April 2018) and the DP-V2411 (released in December 2017) 

(2) Testing performed under conditions specified by Canon, based on “EBU TECH3320 USER REQUIREMENTS FOR VIDEO MONITORS IN TELEVISION PRODUCTION Version4.1” and “Dolby Vision Certified Mastering Facilities Colorgrading Systems and Monitors V1.4”  

(3) Recommendations specified by UHDTV broadcast signal standards formulated by the International Telecommunication Union (ITU). 

(4) The DP-V2730 measures approximately 635mm wide. The DP-V2421 measures approximately 594mm wide. 

(5) Display of certain information may be limited based on video input, resolution, framerate and means of signal transmission. 

(6) A paid upgrade license is required to enable the Switchout function.  

Canon EU-V3 – Functional Expansion Unit

Canon recently announced the launch of the EU-V3, a functional expansion unit for the EOS C500 Mark II (released in December 2019) and the EOS C300 Mark III (released in June 2020) models of Canon digital cinema cameras.

 In recent years, there has been a growing need to accommodate a preference for shallow depth of field and smooth background blur in the recording of concerts and other live events. In response to this trend, Canon has announced the EU-V3, an external functional expansion unit for its EOS C500 Mark II and EOS C300 Mark III. Designed for video production at live events, the expansion unit increases the operational capability of these two cameras which has earned high praise for their large-format sensor that enables rich videographic expression. 

By attaching the EU-V3 to either the EOS C500 Mark II or EOS C300 Mark III, the cameras gain additional input/output terminals necessary for live video production. Specialized features for live broadcasting include a “tally” function that indicates which camera the live video is being captured with, and a “return” function that notifies operators which camera is currently broadcasting live. In addition, the unit supports the “focus position guide” function that enables operators to register a desired focus position and display the current focus position on-screen. This makes fast-focusing possible during live productions without missing a single moment. 

Use of the EU-V3 attachment with the EOS C500 Mark II or EOS C300 Mark III requires  installation of firmware, which Canon will provide free of charge in mid October 2022. By installing this firmware, the cameras will gain support for Canon’s proprietary IP1, XC Protocol, thus enabling control of cameras via a network. In addition, the firmware update will provide support for the CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 EF Cinema lenses, as well as 4ch audio parameter display and other functionality. 

The EU-V3 will be available in late 2022. 

* Information and pictures courtesy of Canon Singapore and Gloo *

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Canon 4K XA Series Professional Video Cameras

Canon’s XA Series professional-use camcorders, the compact and lightweight XA65 (1) /XA60, and the high-image-quality XA75 (1) /XA70, deliver the high image quality and high mobility required for on-location videography in fields such as broadcasting, reporting, documentary, and event shooting.

The newly announced XA75 and XA70 models inherit the same high performance of their predecessor models (2), while adding new support for UVC (USB Video Class) communication protocol that enables video transfer via USB connection. With this new feature, the cameras are better suited for use in the increasingly popular field of livestreaming, for video shooting and content creation. 

XA75 and XA70

The XA75 and XA70 are equipped with a 1-inch CMOS sensor and a DIGIC DV 6 image processor. Featuring a 4K-compatible 15x optical zoom lens with a zoom range from approximately 25.5mm at the wide end to approximately 382.5mm at the telephoto end (3), both support high-quality 4K/30p video capture across the entire zoom range.

The large sensor enables capture of video footage with exquisite background blur and bright, high-sensitivity recording with minimal noise in low-light environments. What’s more, thanks to Canon’s Dual Pixel CMOS AF technology, the XA75/XA70 achieves smooth, high-performance autofocus and subject tracking during shooting. Even during 4K shooting, when precision is crucial, intuitive touch panel operations enable quick and accurate focusing. 

XA65 and XA60

The XA65 and XA60 are equipped with a 1/2.3-inch CMOS sensor and a DIGIC DV 6 image processor, along with a 4K-compatible 20x optical zoom lens, all in a compact and lightweight body measuring approximately 109 mm (W) x 84 mm (H) x 182 mm (D) and weighing approximately 750g (4). The camera supports 4K/30p image capture across the entire zoom range—from approximately 29.3mm at the wide end to approximately 601mm at the telephoto end (3). What’s more, data from the 4K sensor can also be utilized for Over Sampling HD Processing to record high-resolution Full-HD/60p video. 

These new cameras are the first in Canon’s XA series to feature UVC compatibility, which allows high-image-quality streaming with just a single USB (Type-C) cable. In addition, the cameras are equipped with a large and bright electrostatic capacitance-type LCD touchscreen monitor, measuring 3.5 inches and 2.76 million dots, as well as a 0.36-inch, 1.77 million dots tilted Electronic View Finder (EVF) for improved visibility during outdoor shooting. What’s more, there is a digital zoom function for greater zoom range and a “text overlay” On-Screen Display (OSD) function that displays information such as date and timecodes overlaid on captured visuals, for greater flexibility in all kinds of shooting scenarios. 

Notes:

• (1) Only the XA75 and XA65 are equipped with an SDI terminal. 
• (2) The XA55 and XA50. 
• (3) 35mm film equivalent. Does not include Dynamic Mode when image stabilization in use.  
• (4) Does not include lens hood, clip belt, lens cap or handle.  

New Canon Cine-Servo Lens

Canon announced the launch of the CN8 x 15 IAS S/E1 (EF mount) and CN8 x 15 IAS S/P1 (PL mount), they are the latest additions to Canon’s CINE-SERVO series (1) of EF Cinema lenses.

The new Canon Cine-Servo lens feature high optical performance that supports use with 8K cameras equipped with large-format sensors, the new EF Cinema lenses realize a focal length of 15mm at the wide-angle end, 8x optical zoom and a built-in 1.5x extender.

The lenses inherit the characteristics that have made the Cine-Servo series popular among users, while meeting demand for a wider focal length. In addition to the rich visual expression only possible with large-format sensors, the lenses realize a compact and lightweight design for shoulder-mounted operation, and is also standard-equipped with a removable drive unit.

Thanks to its ability to cover a wide range of focal lengths while also supporting both cinema-level image quality and broadcast-style video production, these versatile new lenses can be used in scenarios such as TV and commercial filming, live studio production, sports broadcasting and more. 

The CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 can be mounted on cameras equipped with large-format (Super 35mm equivalent) sensors, providing a focal length range of 15-120mm through high optical zoom. In comparison to their predecessor models (2), the lenses realize improved performance in a more compact and lightweight design that enhances mobility and enables easier shoulder-mounted operation. 

By using the built-in 1.5x extender, the CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 can toggle to a focal length range of 22.5-180mm. Thanks to an expanded image circle, the lenses can be used with 35mm full-frame sensor cameras, such as Canon EOS C500 Mark II (released in December 2019) and EOS R5 C [3] (released in March 2022) digital cinema cameras. With such broad support for large-format sensor cameras, the lenses support video production for users who demand cinematic visuals with shallow depth-of-field. 

In addition to supporting 12-pin serial communication protocol standard used by broadcast camera systems, the lenses also support communication functions via the lens mount. The CN8 x 15 IAS S/E1 supports EF mount communication (4), while the CN8 x 15 IAS S/P1 supports the /i Technology protocol designed by Cooke Optics, as well as eXtended Data technology from ZEISS. With the capability to externally output a wealth of lens information to the camera via the lens mount during filming, the new lenses contribute to greater efficiency not only during recording, but also in VFX5 and post-production workflows. 

The CN8 x 15 IAS S/E1 and CN8 x 15 IAS S/P1 will be available from early 2023. 

Notes:

• (1)  CINE-SERVO lens refers to a drive-unit-equipped lens compatible with cameras incorporating a large-scale image sensor.  
• (2) The CN7 x 17 KAS S/E1 and CN7 x 17 KAS S/P1 (released in August 2014) 
• (3) Requires EF-EOS R mount adapter 
• (4) May not be compatible with certain camera types. 
• (5) Visual Effects. A type of visual production in which real-life imagery is combined with computer graphics and other digital technologies.  

* Information and pictures courtesy of Canon Singapore and Gloo *

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